As luck would have it, ³Tie Lines² tie lines, together.    Cue lets the
performer know when to perform (in cans or wedges).   For more info: check
out these lynx.  


http://recording.org/diy-pro-audio-forum/42803-what-tie-lines-%5B-patch-bay.
html

thesnowfields.com/manuals/PM1000E_2.pdf  (see page 4, for Cue description ­
not Neotek, but you¹ll get the idea{r}.

(Or, for Neotek-specific brainstorming, as mentioned in a TapeOp post, try
asking here:  [email protected]  (Mike Stoica))



- Andrew




(³Why don¹t we Google it, Google it...  Why don¹t we Goo-gle it, into the
night?²)


(;

On 11/7/23 10:36, "Colby Wallace" <[email protected]> wrote:

> Man o man,
> This is def. going to chase some of you away, but I am not a pro engineer.
> Anyway some of this terminology could be explained with a little less lingo
> and more laymans terms. Tie lines? Cue? Also, I have not touched the patch bay
> on the front of the board. I am only using the punch down panels in the back.
> Should I be using the foldbacks as the sends, or is that not what you are all
> saying? Below, you write that aux 1-2 default to foldback and 3-6 are mono
> inputs. First, I don't think I have 1-6 aux sends, but mianly, that is fine if
> I did, but how would I individually control each of those aux sends? Thanks
> all,
> Colby
>  
> 
>  
>> Ditto that Furman setup here, but I use the Aux sends (early 80s IIIc) that
>> get patched into tie lines going to room.  Aux 1-2 default to foldback and
>> aux 3-6 are the 4 mono inputs. This is for analog sessions.
>> 
>> For Pro Tools, just straight outputs to tie lines into Furman.
>> 
>> For years I just had the default stereo headphone cue (or 2 mono) and it just
>> didn't cut it after awhile.
>> 
>> Musicians love the control of course. The Furman system was one of the best
>> purchases I've made in awhile!
>> 
>> b


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