Dear list, I am enjoying the blockchain discussion and feel that this list is ideal for it, not that I have a huge amount to currently contribute. I'd be sad to have to sign up to another list. Sometimes this list is political, sometimes nonsensical, I enjoy the randomness and I don't think fragmenting the content would help. I just ignore the stuff I'm not interested in.
Julie On 21 November 2017 at 11:00, <[email protected]> wrote: > Send NetBehaviour mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of NetBehaviour digest..." > > > Today's Topics: > > 1. Re: NetBehaviour Digest, Vol 26, Issue 1 (helen varley jamieson) > 2. Dr Hairy and the QCQ, part 9 (Edward Picot) > 3. dear nature, (Alan Sondheim) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Mon, 20 Nov 2017 17:59:01 +0100 > From: helen varley jamieson <[email protected]> > To: [email protected] > Subject: Re: [NetBehaviour] NetBehaviour Digest, Vol 26, Issue 1 > Message-ID: > <[email protected]> > Content-Type: text/plain; charset="utf-8" > > hi ken, > > i don't think anyone is saying blockchain-art is the last straw. the > blockchain exists, & blockchain-art can help us to understand & discuss > it beyond the superficial hype. but the cryptopunks don't do it for me - > i don't see any critical thinking here, just some kind of training game > for new speculators. bail bloc on the other hand looks like an > interesting experiment (social more than art) that could potentially > have a huge social impact - https://bailbloc.thenewinquiry.com/ > > h : ) > > > On 15.11.2017 13:57, Kenneth Fields via NetBehaviour wrote: > > hi, > > I remember when electricity and electromagnetism was new,? > > and this list made a big fuss about all the speculation and enthusiasm > > made around ?electronic arts.? We booted Nico Tesla off the list? > > at that time - what a spammer :). But it blew over and we adjusted. > > > > Then computers came around, and boy did this list > > get touchy. X (not naming names) was just beside himself,? > > but now he?s totally into it. Networks: well that worked out fine too.? > > my point is that this list is pretty robust after all these centuries of? > > discourse on art and new technology.? > > > > Bio-art, eco-art, cog-art, game-art, food-art, code-art, anything-art?? > > > > Why is blockchain-art, ledger-art the last straw? > > > > Financial tech/logic is materialist, speculative, realist,? > > mysterious - at least to me, because I?m new too it.? > > But I?m not new to decentralization which is a primary vector in the > > field.? > > It?s about law, value, markets, communities, p2p, evolution of > > semantic web,? > > AI, space/time/gravity/cosmos, synchronized clocks, voting/elections,? > > trust/identity/anonymity, the uniqueness of the digital object. > > > > Love this:?https://www.larvalabs.com/cryptopunks > > > > Ken > > > > > > > > > > > > > > > > > > > > > > > >> > >> Message: 2 > >> Date: Tue, 14 Nov 2017 12:07:47 +0000 > >> From: ruth catlow <[email protected] > >> <mailto:[email protected]>> > >> To: [email protected] > >> <mailto:[email protected]> > >> Subject: [NetBehaviour] Thu 23 Nov - DAOWO 2# Identity Trouble (on the > >> blockchain) > >> Message-ID: <[email protected] > >> <mailto:[email protected]>> > >> Content-Type: text/plain; charset=utf-8; format=flowed > >> > >> Dear All, > >> We are increasingly aware of the discomfort felt by many here about the > >> extended discussions around arts and blockchain on this list. We are in > >> the process of setting up a new list specifically for this topic to > >> allow Netbehaviour to regain its balance. > >> But until then, we are still keen to invite any of you with access to > >> London to participate in this event. > >> > >> Cheers, > >> :) Ruth > >> ---------- > >> Thu 23 Nov - DAOWO 2# Identity Trouble (on the blockchain), Goethe > >> Institute, London. > >> > >> 14.00-17.30 ? Workshop devised and hosted by Ruth Catlow and Ben > >> Vickers. With Ramon Amaro, Ed Fornieles, Thor Karlsson & Emily Rosamond > >> > >> 19.00-20.30 ? Screening of the documentary My Name is Janez Jan?a > >> (2012). Introduced by Ruth Catlow and Janez Jan?a (Aksioma) > >> > >> Identity Trouble (on the blockchain) is the second event in the DAOWO > >> blockchain laboratory and debate series for reinventing the arts. > >> > >> Identity is considered one of the hardest problems in the blockchain > >> space, as it is here that it really matters how human and machinic > >> systems connect. With the potential to fix and potentially impinge upon > >> the relationship between our subjective sense of self, freedom to use > >> multiple identities and our machine-assigned identities. > >> > >> More info here http://www.daowo.org/#identity-trouble-on-the-blockchain > >> > >> ---- > >> > >> The programme is devised by Ruth Catlow and Ben Vickers in collaboration > >> with the Goethe-Institut London, and the State Machines programme. Its > >> title is inspired by a paper written by artist, hacker and writer Rob > >> Myers called DAOWO ? Decentralised Autonomous Organisation With Others. > >> > >> -- > >> Co-founder Co-director > >> Furtherfield > >> > >> www.furtherfield.org <http://www.furtherfield.org> > >> > >> +44 (0) 77370 02879 > >> > >> Bitcoin Address 1G7SPFpvHhVEqn5trpNEcyNWbDcyZXuAnh > >> > >> Furtherfield is the UK's leading organisation for art shows, labs, & > >> debates > >> around critical questions in art and technology, since 1997 > >> > >> Furtherfield is a Not-for-Profit Company limited by Guarantee > >> registered in England and Wales under the Company No.7005205. > >> Registered business address: Ballard Newman, Apex House, Grand Arcade, > >> Tally Ho Corner, London N12 0EH. > >> > > > > > > > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > > -- > helen varley jamieson > [email protected] <mailto:[email protected]> > http://www.creative-catalyst.com > http://www.upstage.org.nz > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: <https://lists.netbehaviour.org/pipermail/netbehaviour/ > attachments/20171120/3f1750d8/attachment-0001.html> > > ------------------------------ > > Message: 2 > Date: Mon, 20 Nov 2017 18:54:32 +0000 > From: Edward Picot <[email protected]> > To: NetBehaviour for networked distributed creativity > <[email protected]> > Subject: [NetBehaviour] Dr Hairy and the QCQ, part 9 > Message-ID: <[email protected]> > Content-Type: text/plain; charset=utf-8; format=flowed > > Dear all, > > The ninth in a new series of puppet-animations about the adventures and > misadventures of an ordinary (but rather hirsute) GP. > > Dr Hairy goes to visit his Mum, accompanied by his daughter Jenny. Dr > Hairy's Mum appears surprisingly clear-headed, and she also seems not to > be wearing any hairclips: in fact all her hairclips seem to have gone > missing. Then Dr Hairy ventures into the cupboard under the stairs, and > finds out where all the hairclips have got to... with hilarious results! > > YouTube - https://youtu.be/mnJWNmhBNMg > Vimeo - https://vimeo.com/243144099 > > Edward > > > > ------------------------------ > > Message: 3 > Date: Mon, 20 Nov 2017 16:23:42 -0500 (EST) > From: Alan Sondheim <[email protected]> > To: NetBehaviour for networked distributed creativity > <[email protected]> > Subject: [NetBehaviour] dear nature, > Message-ID: <[email protected]> > Content-Type: text/plain; charset=US-ASCII; format=flowed > > > dear nature, > > http://www.alansondheim.org/inasecond.jpg (film still!) > https://youtu.be/3mZjzkIktgM (film!) > > i've done everything i can for you and everyone else, i've made > mistakes and i don't have much time left and i need money tech > network, mtn, mountain, i need these things right now, everyone > i know is showing everywhere and is brilliant and working in > wonderful art and academic communities and i'm typing in the > dark and dreaming of hurricanes and tornados, floods and furious > winds instead of internets of things and ideas of nature and > everyone else and communities of failures and mistakes, and i > need money but anyway soon i'll be dead given life expectancies > and then i'll go away, i won't bother you for a second more > perhaps you know somewhere where i might find a large diamond in > the ground, not too far down, i'm afraid of heights and probably > afraid of depths too, i wish i could mine bitcoins but i can't > even go into dark narrow tunnels, i'm from hard-coal country and > the place scared me to death (not really but soon), or if not a > diamond, even a big gold nugget will do, but it has to be lying > on the ground, if it was big enough i'd find someone to carry > it, i hear they're good for wires and other stuff for the new > electronics ( ** the new electronics! ** ), anyway i made a film > about you and hope you enjoy it but i'd leave you like i said in > a second if i could and you'd even enjoy that more, > Best Cheers! (my new .sig!) Alan > > http://www.alansondheim.org/inasecond.jpg > > 12c12 > < need money but anyway soon i'll be dead given life expectancies > --- > > need money but anyway soon i'll be dead given life expectencies > > > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > NetBehaviour mailing list > [email protected] > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > > > ------------------------------ > > End of NetBehaviour Digest, Vol 31, Issue 1 > ******************************************* > -- +++ www.translatingnature.org +++ Rodent Activity Transmissions (RAT) systems uses real-time data to allow us a peek into the lives of a colony of naked mole-rats: http://rat.systems www.weneedus.org explores data from the Zooniverse as a living artwork
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