Actually reading it! Bah! I consider that to be cheating, sir.
On 31/12/2018 16:42, marc.garrett via NetBehaviour wrote:
Hi Varvara,
Much thanks for sharing to the list - will read ;-)
Wishing you well.
marc
Marc Garrett
Co-Founder, Co-Director and main editor of Furtherfield.
Art, technology and social change, since 1996
http://www.furtherfield.org
Furtherfield Gallery & Commons in the park
Finsbury Park, London N4 2NQ
http://www.furtherfield.org/gallery <http://www.furtherfield.org/gallery>
Currently writing a PhD at Birkbeck University, London
https://birkbeck.academia.edu/MarcGarrett
Just published: Artists Re:thinking the Blockchain
Eds, Ruth Catlow, Marc Garrett, Nathan Jones, & Sam Skinner
Liverpool Press - http://bit.ly/2x8XlMK
Marc Garrett – Unlocking Proprietorial Systems for Artistic Practice.
Posted in Journal Issues, Research Values. VOLUME 7, ISSUE 1, 2018
http://www.aprja.net/unlocking-proprietorial-systems-for-artistic-practice/
Furtherfield Editorial – Border Disruptions: Playbour & Transnationalisms.
https://www.furtherfield.org/editorial-border-disruptions-playbour-transnationalisms/
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‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐
On Wednesday, 26 December 2018 23:45, Varvara Guljajeva via
NetBehaviour <[email protected]> wrote:
Dear readers,
I have recently successfully depended my PhD dissertation at Estonian
Academy of Arts and thought to share the digital version of it, since
topic might be interesting for this mailing list audience.
Title: From interaction to post-participation: the disappearing role
of the active participant
<https://eka.entu.ee/shared/429088/GsqzlotFPrFi1tdtAmVX1Wo8cxFWi4iQjntDJcO4n0mE5NAx8K8pef9V3AC9k3lB>
Supervisors: dr Raivo Kelomees (Estonian Academy of Arts) and dr Pau
Waelder (The Open University of Catalonia)
Pre-reviewers: Prof dr Christa Sommerer (Interface Cultures, The
University of Art and Design Linz) and Prof dr Moises Mañas Carbonell
(Faculty of Fine Arts, Polytechnic University of Valencia)
Opponent: Prof dr Christa Sommerer (Interface Cultures, The
University of Art and Design Linz)
The practice-based dissertation analyses and contextualises passive
audience interaction through the lens of post-participation. Research
explores the shift from active to passive participation in
interactive art. By exploring interactive art history and the
discourse of identity within the field, this dissertation
investigates how artworks that demonstrate no audience involvement,
but still incorporate an internal system interaction with a data
source, are addressed. In other words, the research tracks down the
interest shift from human-machine to system-to-system interaction,
and explores the reasons behind this.
In this thesis, a differentiation is made between direct and indirect
post-participation. Hence, the selected artworks are analysed from
the perspective of concept, direct or indirect post-participation
components, and realisation. In addition, related artworks by other
artists are introduced and discussed under each subcategory of
post-participation.
In the end, the dissertation contributes to the evolution of
interactive art, by analysing and contextualising passive audience
participation in the form of post-participation. Author argues that
the concept of post-participation helps to address the shift from an
active to a passive spectator in the complex age of dataveillance, an
age in which humans are continuously tracked, traced, monitored and
surveilled without our consent.
Please find the PhD thesis here
<https://eka.entu.ee/shared/429088/GsqzlotFPrFi1tdtAmVX1Wo8cxFWi4iQjntDJcO4n0mE5NAx8K8pef9V3AC9k3lB>.
best regards,
Varvara Guljajeva, PhD
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