I like the use of nonrecursion, if that is not too off base.

In neuroscience, the Default Mode Network is interesting.  It's a network in 
each of our brains that kind of "kicks in" during resting state, perhaps 
integrating, perhaps involving mindfulness.  I'm not expert at all but gleaned 
some of this from Olaf Sporns' 2011 "Networks if the Brain" which a friend 
recently recommended to me.

The DMN it was recently learned also may have a role in active state for 
cognition of self and situation of self.

I can't really articulate this very well but I think the art event will so look 
forward to it.

Perhaps this quote from Sporns can help me: "Great progress notwithstanding, 
neuroscience still cannot answer the 'big questions' about mind and 
intelligence.  Consequently, most cognitive scientists continue to hold the 
position that intelligence is fundamentally the work of symbolic processing, 
carried out in rule-based computational architectures whose function can be 
formally described in ways that are entirely independent of their physical 
realization.  If cognition is largely symbolic in nature, then its neural 
substrate is little more than an inconsequential detail, revealing nothing that 
is of essence about the mind.  Naturally, there is much controversy on the 
subject." (Networks of the Brain, page 179.)

The ideas about the DMN are page 176:. "The relationship of task-evoked brain 
activations with resting-state networks has been documented....[There is] 
significant overlap between brain regions identified as centrally involved in 
social cognitive processes and the brain's default network....This suggests the 
idea that the physiological baseline of the brain is related to a 
'psychological baseline,' a mode of cognition that is directed internally 
rather than being externally driven and that is concerned with self and social 
context."

Page 181: "Cognition is a network phenomenon....
Yet...[parallel distributed processing oriented models'] utility as models of 
actual neural processes was limited since their computational paradigms often 
imposed narrow constraints on the types of network structures and dynamics that 
could be implemented."

To help myself understand and integrate Sporns' ideas, it helps me to include 
Bohm's ideas in "On Dialogue" (1996) about "non-occupation" and "interoception 
of thought," as well as free-flowing non-determinative shared information 
groups.  This recipe then requires that I add James Austin's ideas from his 
1998 book "Zen and the Brain," which works better for me somehow if done via 
his first book, from 1979, "Chase, Chance, and Creativity."  Then to add a 
final missing compass-point I try to include Calvino's "Six Memos fro the Next 
Millennium" from 1985 which argues on page 124 that the novel is a network and 
the self is a network.

Sorry for missing italics and typos, hand-typing on phone with one thumb.

It helps me to keep the physical copies of the four books mentioned close by, 
like bricks or stones.  Looking around the room, they are in order 
left-to-right and high-to-low Calvino, Austin, Bohm, Sporns; correction, 
Calvino, Bohm, Austin, Sporns.

Somewhat related, I've been trying to think about an undergraduate curricular 
concentration in Network Studies and haven't found much yet.  Is anyone doing 
this in a concerted way, or, anticlimactically, everyone, since years ago?  :)



________________________________
From: NetBehaviour <[email protected]> on behalf of 
Annie Abrahams via NetBehaviour <[email protected]>
Sent: Saturday, September 21, 2019 6:41 AM
To: NetBehaviour for networked distributed creativity 
<[email protected]>
Cc: Annie Abrahams <[email protected]>
Subject: Re: [NetBehaviour] distant feeling - resisting speed - you are welcome 
to join

no Ruth people online won't hear the sound file at all
only people in Malte in realspace will hear it while watching the people online 
busy distanced feeling and resisting speed

afterwards we will make a video out of the screenrecording and the audiofile




On Sat, Sep 21, 2019 at 12:47 PM Ruth Catlow via NetBehaviour 
<[email protected]<mailto:[email protected]>>
 wrote:
Annie,
Does this mean that those people who join online will hear the sound file in 
the room in Malta?
Beautiful recursion!
:)

On Fri, Sep 20, 2019 at 2:26 PM Annie Abrahams via NetBehaviour 
<[email protected]<mailto:[email protected]>>
 wrote:
Next Thursday 26/09 2019 at 18h30 Paris time you are welcome to join us for a 
session of distanced feeling.

[https://gallery.mailchimp.com/df438fe97aa473451e815cd07/images/cb3e6a03-6246-485f-a2c3-b4c96247b26d.jpg]

Distant FeelingS a series of online webcam meetings trying to experience each 
other’s presence eyes closed and no talking.
Distant FeelingS an ever-changing re-enactment of our intra-action with 
machines.
Distant FeelingS creates an online communality while resisting the speed of 
daily live and producing uninteresting data for AI?

You need to install the zoom<https://zoom.us/download#client_4meeting> 
application on your device and on the 26th connect at 6:25 pm Paris time to 
meeting no 3210554238.
At t=0 we set a clock and close our eyes.

Distant FeelingS #6 will be projected live during the opening ceremonies of 
Video Vortex<http://networkcultures.org/videovortex/video-vortex-12/> Malta.
The session will last 15 min.
In Malta there will be one onstage participant. During the session the audience 
in Malta will hear a soundfile: a textcollection of past participant reactions 
spoken by Ruth Catlow and Marc Garrett.

It would be lovely to feel some of you online next Thursday.
(btw online there is no soundfile - we will publish it later together with the 
recording of the session)

"Looking" forward
Annie

ps:

Articles:
Preconditions for Online 
Participation<https://aabrahams.files.wordpress.com/2019/08/abrahams_annie_paicfin.pdf>
 for PAIC (2018)
Learn together what it means to be 
connected<https://www.academia.edu/40052680/Learn_together_what_it_means_to_be_connected>
 my chapter in Cyposium the Book (2014) and
Trapped to Reveal - On webcam mediated communication and 
Collaboration<https://www.academia.edu/3564683/Trapped_to_Reveal_-_On_webcam_mediated_Communication_and_collaboration>
 (2012) published in JAR #2
now all three on academia.

Sound:
ConstallationsOuverture<https://soundcloud.com/annie-abrahams/constallationsouverture>
 for Radio Play #7. Played live online Sunday 25 Aug. 7pm UTC+01 2019 via 
channingtatum.
Mixage: Annie Abrahams.
Voices: Annie Abrahams, Alix Desaubliaux, Pascale Barret.
Laughs: Alice Lenay, Gwendoline Samidoust, Alix Desaubliaux, Annie Abrahams and 
Carin Klonowski.
Music: "Ouverture 14" by Jan de Weille.

[https://gallery.mailchimp.com/df438fe97aa473451e815cd07/images/beac8d9d-787d-4000-8c83-fbc3122efc26.png]

More 
photos<https://www.flickr.com/photos/bramorg/albums/72157709880218681/with/48373432186/>
 by Peter Westenberg of the ConstallationS event at 
ISELP<https://constallations.hotglue.me/?ISELP> Brussels last Mai.

Upcoming 12/10 Performance XD,^_^,:3,:-D, Annie Abrahams, Pascale Barret, Alix 
Desaubliaux, Alice Lenay, Carin Klonowski et Gwendoline Samidoust. 10/10 14h30 
CDN. Table ronde. Entre virtuel et incarné, quelles innovations sociales et 
écologiques ?
7-12/10 festival Magdalena 
Montpellier<http://theatredelaremise.com/wp-content/uploads/2019/08/MAGDALENAMF19-ProgrammeWeb.pdf>.

_______________________________________________
NetBehaviour mailing list
[email protected]<mailto:[email protected]>
https://lists.netbehaviour.org/mailman/listinfo/netbehaviour


--
Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts Lab
+44 (0) 77370 02879

Furtherfield disrupts and democratises art and technology through exhibitions, 
labs & debate, for deep exploration, open tools & free thinking.
furtherfield.org<http://www.furtherfield.org/>


DECAL Decentralised Arts Lab is an arts, blockchain & web 3.0 technologies 
research hub

for fairer, more dynamic & connected cultural ecologies & economies now.

decal.is<http://www.decal.is>

Furtherfield is a Not-for-Profit Company limited by Guarantee
registered in England and Wales under the Company No.7005205.
Registered business address: Ballard Newman, Apex House, Grand Arcade, Tally Ho 
Corner, London N12 0EH.

_______________________________________________
NetBehaviour mailing list
[email protected]<mailto:[email protected]>
https://lists.netbehaviour.org/mailman/listinfo/netbehaviour


--
Distant FeelingS #6<https://www.bram.org/distantF/> Thursday 26/09 18h30, Video 
Vortex<http://networkcultures.org/videovortex/2019/06/11/schedule-of-video-vortex-12/>,
 Valletta, Malta. Duration 15 min. Online. Open to all. With a textcollection 
of past participant reactions spoken by Ruth Catlow and Marc Garrett.

12/10 Théâtre du Hangar. Performance XD,^_^,:3,:-D, Annie Abrahams, Pascale 
Barret, Alix Desaubliaux, Alice Lenay, Carin Klonowski et Gwendoline Samidoust.
10/10 14h30 CDN. Table ronde. Entre virtuel et incarné, quelles innovations 
sociales et écologiques ?
7-12/10 festival Magdalena Montpellier 
<http://theatredelaremise.com/wp-content/uploads/2019/08/MAGDALENAMF19-ProgrammeWeb.pdf>

Articles:
Preconditions for Online 
Participation<https://aabrahams.files.wordpress.com/2019/08/abrahams_annie_paicfin.pdf>
 for PAIC (2018)
Learn together what it means to be 
connected<https://www.academia.edu/40052680/Learn_together_what_it_means_to_be_connected>
 my chapter in Cyposium the Book (2014) and
Trapped to Reveal - On webcam mediated communication and 
Collaboration<https://www.academia.edu/3564683/Trapped_to_Reveal_-_On_webcam_mediated_Communication_and_collaboration>
 (2012) published in JAR #2
now all three on academia.

Sound:
ConstallationsOuverture<https://soundcloud.com/annie-abrahams/constallationsouverture>
 for Radio Play #7
Mixage: Annie Abrahams.
Voices: Annie Abrahams, Alix Desaubliaux, Pascale Barret.
Laughs: Alice Lenay, Gwendoline Samidoust, Alix Desaubliaux, Annie Abrahams and 
Carin Klonowski.
Music: "Ouverture 14" by Jan de Weille.
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[email protected]
https://lists.netbehaviour.org/mailman/listinfo/netbehaviour

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