Remnants of Remnants http://www.alansondheim.org/NearRemnants.png http://www.alansondheim.org/Matrix-49.pdf 1977 Biennial/Video Program 4* March 12-March 19, 1977 Global Groove (1973) by Nam June Paik Skin Cancer (1975) and The Dive (1975) by Ilene Segalove Television Delivers People (1973) by Richard Scrra Evidence (1975) by Alan Sondheim " Another concern of single-channel, single monitor/ image video is the perception on the screen of scale and physical objects, exemplified in the work of John Baldes- sari, and the cognition of chemical and physical change through time, a preoccupation of Terry Fox. Allan Kaprow explores time and objectivity by recording perceptible, measurable tasks, while Alan Sondheim observes, records, and comments on the micro-environment. These artists raise questions of documentation, real time, and real space by directly investigating the phenomenology of particular phenomena. " Program 4: Nam June Paik, Global Groove. 30 min. Ilene Segalove, Skin Cancer. 3 mm. and The Dive, 1 min. Richard Serra, Television Delivers People. 6 mm. Alan Sondheim, Evidence, 62 mm. Sat. Mar. 12 to Sat Mar. 19 12, 2, 4; also Tue. at 6:15 & 8 Changeless Channels: As video artists clean up their act, they're losing more than just the rough edges by Lisa Steele Fuse, Jan. 1982, v. 5, no. 10, pp. 358-360 This article examines four videotapes: Prime Cuts, by Paul Wong; Wonder Woman, by Dara Birnbaum; O Superman, by Laurie Anderson; and Remnants From The Beginning of the Period of Destruction, by Alan Sondheim. These are discussed in the context of accessibility and technical quality as dictated by pay-TV and cable television. ITEM 1982.017 available for viewing in the Research Centre Videos, Artworks and Artists Cited Prime Cuts Paul Wong Dara Birnbaum Wonder Woman Laurie Anderson O Superman Alan Sondheim Remnants From The Beginning of the Period of Destruction ================ & I don't remember this or where it is ================ or what it was or if i showed there later ================ or again this archeology suffers, suffuses ================ piggybacking on the fame of others "piggybacking: piggybacking A method for passing {acknowledgement frame}s and {data frame}s in the same direction along a line." micro-environments, phenomenology of approach in Evidence, then annihilation: to the limit, in Remnants From the Beginning of the Period of Destruction ================ & I accuse _______________________________________________ NetBehaviour mailing list [email protected] https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
