Re: Max and Alan, Genius and 2020

'Genius' and the 'year 2020' are connected because they are meaningless
definitions,
aiding our navigation of pre-agreed structures and systems.

“That is genius!” Is a way ‘genius’ can be used that you might hate less,
Alan.

Meanwhile, here is a brief video, one of a series responding to being at
home with nowhere to run, and how surreal it all is
https://vimeo.com/401292914


On Sat, 28 Mar 2020 at 11:07, <netbehaviour-requ...@lists.netbehaviour.org>
wrote:

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> Today's Topics:
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>    1. a literature project (Max Herman)
>    2. Re: a literature project (Alan Sondheim)
>    3. Re: How is everyone (Johannes Birringer)
>    4. holding (Alan Sondheim)
>    5. Re: How is everyone (tac...@riseup.net)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 27 Mar 2020 17:14:13 +0000
> From: Max Herman <maxnmher...@hotmail.com>
> To: NetBehaviour for networked distributed creativity
>         <netbehaviour@lists.netbehaviour.org>
> Subject: [NetBehaviour] a literature project
> Message-ID:
>         <
> dm5pr0102mb349590b3c29116e71d0bcda9a5...@dm5pr0102mb3495.prod.exchangelabs.com
> >
>
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> Hi all,
>
> While processing the current year's events, I've been reminded of an old
> (and not very good) literature project I did long ago.
>
> This in turn has led to some thoughts about a potential new project.
> Maybe this is one way I process literature and experience, to ask what is
> going on now, then ask what from the past might be relevant, then ask what
> future events might be the same, different, desirable, possible, etc. in an
> ongoing cycle of comparison, review, and revision.
>
> The hypothetical new project doesn't fit the standard definition of a
> literature project at first glance, but might have subtler relations to
> some aspects of past literature (like say the haiku, koan, riddle, or folk
> tale).
>
> I don't know at all if I will "do" the project, or want to, or if it even
> can be done, or if it should be done; or, if it should be done, how, and by
> whom; or if it is even possible for there to be a "done" and a "how" and
> "by whom."  But the hypothetical literature project I'm thinking of could
> be named "what is genius 2020?"  Its full textual extent could be three
> questions: "What do you think about the concept of genius?  What do you
> think about the year 2020?  How do you think the concept of genius and the
> year 2020 are related?"
>
> In my life I've found often that asking too many questions, being too
> questioning, can be a false path that leads me to misjudgments and bad
> consequences.  Sometimes being of a simple and non-questioning mind is very
> important for me to retain balance, perspective, and context.  Following
> group conventions, the ebb and flow of human sentiment in which we all move
> albeit in different places and ways, can also be beneficial in its own
> right.  I certainly don't know the answer to these dilemmas.
>
> I suppose that being too "answering" can also be a source of terrible
> imbalance!
>
> I wonder now if it would be better to ask just one question rather than
> three:  "how do you think the concept of genius and the year 2020 are
> connected?"  (This seems more concise, but I find the somewhat magical
> pattern of three more reassuring.)
>
> Perhaps we are all asking and answering this question in our own way, if
> not in these exact terms, the best we can all the time anyway.  What is
> going on?  What does it mean?  How should I be?  Perhaps it is best left as
> a personal and internal question, a mystery in the ancient sense of
> something to contemplate calmly, quietly, and slowly, a question generally
> unspoken and unanswered but no less alive and well for being in that subtle
> form.
>
> Very best regards,
>
> Max
>
> +++++
>
> genius (n.)
> late 14c., "tutelary or moral spirit" who guides and governs an individual
> through life, from Latin genius "guardian deity or spirit which watches
> over each person from birth; spirit, incarnation; wit, talent;" also
> "prophetic skill; the male spirit of a gens," originally "generative power"
> (or "inborn nature"), from PIE *gen(e)-yo-, from root *gene- "give birth,
> beget," with derivatives referring to procreation and familial and tribal
> groups. Sense of "characteristic disposition" of a person is from 1580s.
> Meaning "person of natural intelligence or talent" and that of "exalted
> natural mental ability" are first recorded 1640s.
>
>
>
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: <
> https://lists.netbehaviour.org/pipermail/netbehaviour/attachments/20200327/64b55343/attachment-0001.htm
> >
>
> ------------------------------
>
> Message: 2
> Date: Fri, 27 Mar 2020 13:27:34 -0400 (EDT)
> From: Alan Sondheim <sondh...@panix.com>
> To: Max Herman via NetBehaviour <netbehaviour@lists.netbehaviour.org>
> Subject: Re: [NetBehaviour] a literature project
> Message-ID: <alpine.neb.2.21.2003271325020.5...@panix3.panix.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
> personally, I hate the word 'genius.' it blocks, it's doxa, it rides
> poorly, it eliminates, it effaces, it touches too much on issues of class,
> if not race, gender, who does the defining, mensa, iq text biases, etc.
> 2020 or not. the same for every year. too loaded, perhaps too
> unintelligent itself, when we're slowly adapting to the splendid variety
> of lie, AI and NI in the cosmos?
>
> best, Alan
>
> On Fri, 27 Mar 2020, Max Herman via NetBehaviour wrote:
>
> >
> > Hi all,
> >
> > While processing the current year's events, I've been reminded of an old
> > (and not very good) literature project I did long ago.
> >
> > This in turn has led to some thoughts about a potential new project.
> Maybe
> > this is one way I process literature and experience, to ask what is
> going on
> > now, then ask what from the past might be relevant, then ask what future
> > events might be the same, different, desirable, possible, etc. in an
> ongoing
> > cycle of comparison, review, and revision.
> >
> > The hypothetical new project doesn't fit the standard definition of a
> > literature project at first glance, but might have subtler relations to
> some
> > aspects of past literature (like say the haiku, koan, riddle, or folk
> tale).
> >
> > I don't know at all if I will "do" the project, or want to, or if it even
> > can be done, or if it should be done; or, if it should be done, how, and
> by
> > whom; or if it is even possible for there to be a "done" and a "how" and
> "by
> > whom." But the hypothetical literature project I'm thinking of could be
> > named "what is genius 2020?" Its full textual extent could be three
> > questions: "What do you think about the concept of genius? What do you
> think
> > about the year 2020? How do you think the concept of genius and the year
> > 2020 are related?"
> >
> > In my life I've found often that asking too many questions, being too
> > questioning, can be a false path that leads me to misjudgments and bad
> > consequences. Sometimes being of a simple and non-questioning mind is
> very
> > important for me to retain balance, perspective, and context. Following
> > group conventions, the ebb and flow of human sentiment in which we all
> move
> > albeit in different places and ways, can also be beneficial in its own
> > right. I certainly don't know the answer to these dilemmas.
> >
> > I suppose that being too "answering" can also be a source of terrible
> > imbalance!
> >
> > I wonder now if it would be better to ask just one question rather than
> > three: "how do you think the concept of genius and the year 2020 are
> > connected?" (This seems more concise, but I find the somewhat magical
> > pattern of three more reassuring.)
> >
> > Perhaps we are all asking and answering this question in our own way, if
> not
> > in these exact terms, the best we can all the time anyway. What is going
> on?
> > What does it mean? How should I be? Perhaps it is best left as a personal
> > and internal question, a mystery in the ancient sense of something to
> > contemplate calmly, quietly, and slowly, a question generally unspoken
> and
> > unanswered but no less alive and well for being in that subtle form.
> >
> > Very best regards,
> >
> > Max
> >
> > +++++
> >
> > genius (n.)
> > late 14c., "tutelary or moral spirit" who guides and governs an
> individual
> > through life, from Latin genius "guardian deity or spirit which watches
> over
> > each person from birth; spirit, incarnation; wit, talent;" also
> "prophetic
> > skill; the male spirit of a gens," originally "generative power" (or
> "inborn
> > nature"), from PIE *gen(e)-yo-, from root *gene- "give birth, beget,"
> with
> > derivatives referring to procreation and familial and tribal groups.
> Sense
> > of "characteristic disposition" of a person is from 1580s. Meaning
> "person
> > of natural intelligence or talent" and that of "exalted natural mental
> > ability" are first recorded 1640s.
> >
> >
> >
> >
> >
>
> web http://www.alansondheim.org/index.html cell 347-383-8552
> current text http://www.alansondheim.org/wx.txt
>
>
> ------------------------------
>
> Message: 3
> Date: Fri, 27 Mar 2020 19:11:22 +0000
> From: Johannes Birringer <johannes.birrin...@brunel.ac.uk>
> To: "netbehaviour@lists.netbehaviour.org"
>         <netbehaviour@lists.netbehaviour.org>
> Subject: Re: [NetBehaviour] How is everyone
> Message-ID:
>         <
> lnxp265mb1515c86f56e4d18ede8d3b54ac...@lnxp265mb1515.gbrp265.prod.outlook.com
> >
>
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> thanks all, for sharing thought and videos/images (Michael's garden,
> shardcore's song, Alan's birds), I almost think
> in times like these perhaps the less said the better?  but then I would
> have missed your comments on what you're working
> on or how communities in Brazil resist their governments, or how you
> circle your private garden. I really liked Danielle's post - thank you!
>
> >>..... Have formed an online communication with a small circle of old
> friends most of whom live alone. This is leading to immediate creative use
> of ZOOM, collaborative projects and sharing in new ways. This has become
> important. Am concerned that people are too screen based though and not
> taking advantage of this opportunity to experience themselves in quiet. No
> planes passing.>>
>
> this moved me.
>
> I have nothing much to add, except wanting to share film I made of our
> last dance, "mourning for a dead moon,"  i realized it ought to be short to
> be palatable,
> & one ought to see the invisible cryptogamicCoat, in the first scene, but
> neither problem I was able to solve.
>
> https://youtu.be/I66-b21y8oE
>
> stay safe, warm regards
> Johannes Birringer
> dap-lab
>
> ------------------------------
>
> Message: 4
> Date: Fri, 27 Mar 2020 22:20:51 -0400 (EDT)
> From: Alan Sondheim <sondh...@panix.com>
> To: NetBehaviour for networked distributed creativity
>         <netbehaviour@lists.netbehaviour.org>
> Subject: [NetBehaviour] holding
> Message-ID: <alpine.neb.2.21.2003272220410.13...@panix3.panix.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
>
> holding
>
> http://www.alansondheim.org/P11.png
>
> i don't remember the image. it's a lure, it beckons me, that the
> image itself, not the content, but its entrapment, its position in
> a strip of images occurring forever it seems; by 'image' i don't
> recall or mean what's evident elsewhere in a formal setting, in a
> setting which bespeaks 'image,' in other words an advertisement for
> what's to come, a token that could be anything. i'm sick of images,
> sick of text; text provides an immersive experience of course that
> pales for images; one might feel empathy for an immobilized subject
> for example, but on the side of the subject, time has stopped,
> nothing more occurs, there's nothing more to be said than the
> collocation of pixels or silver grains or etching strokes what have
> you. so there's that. and there's always hope that the image leads
> to the text, embraces the text, opens the text, for the viewer,
> which is almost never the case. i receive for example 'like' clicks
> on facebook with a text, perhaps this text, that's being presented,
> which may have a complexity requiring attention one way or another,
> but the 'like' comes almost immediately, signaling the text has
> been ignored, what remains is the image already fading, already
> forgotten by the viewer. you see, if you've come this far, that i'm
> exhausted, my writing is choppy, we drove yesterday for hours and
> hours, all the way to omaha from aurora colorado, then worked and
> talked so that i think we were going for 21 hours altogether, then
> insufficient sleeping, now writing as if sleep has its say that
> spreads slowly everywhere, the opposite of the image, the image
> losing to the sleep, to the content of the sleep which is already
> burrowing into this writing, and which has no content at all,
> language replaced by murmuring mumbling. i'm always jealous i can't
> get off the page <break from someone on the phone vis-a-vis issues
> related to the virus>
>
> the phonecall was about our state rhode island closing its borders
> to new york state with troopers on the highways stopping vehicles
> and so forth which makes it difficult for us to return home and
> we're working on that with an odd sense of fear being trapped
> somewhere without facilities or ability to do anything at all so
> the break released the page in a sense as anxiety chemicals rise in
> me here in omaha and not know where to turn but wanting to help a
> friend who is coming temporarily to the state which the state finds
> problematic and i'm not sure what we're going to do but wondering
> if the image has taken you in or has taken you this far because
> it's most likely a prosaic image that doesn't add anything to the
> conversation which is at best one-sided and nothing more than a
> lure
>
> a lure, allure
>
> this is where what occurs on a critico-theoretical level exists,
> lives, exits; this below. which may no longer connect with, concern
> itself with, the image; it's as if - now you're here, i have you,
> here is what i want to say - now i've got you in the prisonhouse of
> language as well; the viral chains of language; the theoretical-
> critical journal of the plague year; the well of buried victims;
> the singing of ring around the rosie; the wall around the well; the
> road on the way to the well; the wall to keep things in; the wall
> to curtain things; to cauterize them; the wall of the image; the
> defensive wall of the image; the postern; the leakage; the lake;
> the postal wall; anything to keep you away; anything to confirm the
> image did its duty; does its duty; already gone; "if you've read
> this far" etc.; "if you haven't lost interest" and so forth; "if
> you want this text to continue" u.s.w. - can't help you - no
> replacement image - nothing like that - the name "Willoughby" comes
> to mind - nothing else - the frame - maybe like this -
>
> |
> |___________________________________________________
>
> probably not: this text: at the bottom of the frame: you know where
> that came from: don't you: dis:track:shun:
>
> +++
> ____________________________________________________
> |
> |
>
> 19c19
> which is almost never the case. i receive for example 'like' clicks
> ---
> which is almost never the case. i receive for example 'like' clicks
> 22c22
> but the 'like' comes almost immediately, signaling the text has
> ---
> but the 'like' comes almost immediately, signaling the text has
> 57c57
> critical journal of the plague year; the well of buried victims;
> ---
> critical journal of the plague year; the well of buried victims;
>
> +++++
>
>
>
> ------------------------------
>
> Message: 5
> Date: Sat, 28 Mar 2020 03:14:29 -0700
> From: tac...@riseup.net
> To: NetBehaviour for networked distributed creativity
>         <netbehaviour@lists.netbehaviour.org>
> Subject: Re: [NetBehaviour] How is everyone
> Message-ID: <a098524ddb418b093cfa25c77cb7f...@riseup.net>
> Content-Type: text/plain; charset=US-ASCII
>
> hi johanes
>
> the fight in brazil is now for health AND information
>
> Support public health workers and videomakers in the front line of
> Covid-19 in Brazil.
>
> https://apoie.bombozila.com/projetos/nafiladosus
>
> Trailer https://vimeo.com/401500909
>
>
> Em 2020-03-27 19:11, Johannes Birringer escreveu:
> > thanks all, for sharing thought and videos/images (Michael's garden,
> > shardcore's song, Alan's birds), I almost think
> > in times like these perhaps the less said the better?  but then I
> > would have missed your comments on what you're working
> > on or how communities in Brazil resist their governments, or how you
> > circle your private garden. I really liked Danielle's post - thank
> > you!
> >
> >>>..... Have formed an online communication with a small circle of old
> friends most of whom live alone. This is leading to immediate creative use
> of ZOOM, collaborative projects and sharing in new ways. This has become
> important. Am concerned that people are too screen based though and not
> taking advantage of this opportunity to experience themselves in quiet. No
> planes passing.>>
> >
> > this moved me.
> >
> > I have nothing much to add, except wanting to share film I made of our
> > last dance, "mourning for a dead moon,"  i realized it ought to be
> > short to be palatable,
> > & one ought to see the invisible cryptogamicCoat, in the first scene,
> > but neither problem I was able to solve.
> >
> > https://youtu.be/I66-b21y8oE
> >
> > stay safe, warm regards
> > Johannes Birringer
> > dap-lab
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour@lists.netbehaviour.org
> > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
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>
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