I love this thread!

My father was Paul Le Saux, who used to write scripts for British Transport Films. They made travelogues, part-documentary and part-artsy, about various aspects of the railway network, and the places in Britain to which the trains could take you.

I always used to assume that I got my creativity from him, and he certainly encouraged me to write when I was young. He died when I was six years old. But actually I think I also inherited quite a lot from my maternal grandfather, who was a merchant seaman, an engineer, and later a foreman at the docks in Belvedere on the Thames. In his spare time he was also a bellringer, and I've got some notebooks of his, in which he wrote out peal-sequences for different numbers of bells.

Edward

On 24/06/2020 23:50, Michael Szpakowski wrote:
I can't claim any great cultural heritage apart , on my UK side,  from an intimate knowledge of the Methodist Hymn book, and the fact my mother late into her life desperately regretted that she'd never been able to learn the accordion, which she had *so* wanted to do instead of the piano. She also only ever wrote one poem, at school, and it was clearly important to her, this creative act, because she remembered & recited it to the end of her life:

*See the little Daisy bright*
*Standing there, all through the night*
*Pink tipped petals, golden centre*
*Let us go to the castle and enter.*

Whatever frustrated creative drive she had, she later channeled into an almost supernatural ability to make house plants of all varieties grow and thrive. My Dad was entirely uninterested in culture except for the Saturday pm ITV wrestling and Cossack dancing displays. He did however love nature with a passion and I inherited that. As for documents -a couple of weeks ago my cousin Jarosław sent me a piece of testimony from my father which must have been given in 43 or 44 & has been in the Hoover collection in the States ever since.
When he related this he was three years younger than my daughter is now.
One of my very first pieces of 'net art' (sounds quaint now) made in Director, but now just a piece of video, dealt with the same subjects.

The testimony:
https://bit.ly/37ZZcns


The piece:
https://www.youtube.com/watch?v=AYPBBYPyzxA

cheers
Michael







On Tuesday, June 23, 2020, 10:18:04 AM GMT+1, Ruth Catlow via NetBehaviour <[email protected]> wrote:


Thanks Renee and Mark,
I too would like to hear of other's creative/skill inheritances. Nice idea Mark... go for it.
<3

On Tue, Jun 23, 2020 at 10:13 AM Mark Hancock <[email protected] <mailto:[email protected]>> wrote:

    I second Renée's thoughts. I love that idea that playing is
    bringing the past back in such an active and evocative way.

    I'd be interested in the creative skills and tools of the trade
    that other people on the list have inherited, if I may be so bold
    as to high-jack your email thread, Ruth?

    Mark

    On Tue, 23 Jun 2020 at 09:59, Renee Turner <[email protected]
    <mailto:[email protected]>> wrote:

        That’s beautifully moving Ruth <3  This post made my day.

        warmly,

        Renée

        -._.-._.-._.- R*


        ****************************
        a virtual embrace
        wishing health & well-being to all



        On Jun 23, 2020, at 10:44 AM, Ruth Catlow via NetBehaviour
        <[email protected]
        <mailto:[email protected]>> wrote:

        I have been playing my violin again since lock down and I
        came across this sheet music for the second 2nd Bach Partita
        that I played when I was much younger.

        You can see from the inscription that it was a birthday
        present from Rolf, my paternal grandfather, to his father
        exactly 60 years ago today.

        My dad John, who was a professional cellist, has a photo from
        this time of the three generations of men playing chamber
        music: Dad on cello, Rolf on the piano, and my great
        grandfather, Arthur, playing the violin.

        <image.png>

        There is something very moving to me about this
        cultural inheritance, and I wanted to share it with you all :)

        warmly
        Ruth

-- Co-founder & Artistic director of Furtherfield & DECAL
        Decentralised Arts Lab
        +44 (0) 77370 02879

        *sending thanks
        
<https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
 in
        advance

        *Furtherfield *disrupts and democratises art and technology
        through exhibitions, labs & debate, for deep exploration,
        open tools & free thinking.
        furtherfield.org <http://www.furtherfield.org/>

        *DECAL* Decentralised Arts Lab is an arts, blockchain & web
        3.0 technologiesresearch hub
        for fairer, more dynamic & connected cultural ecologies &
        economies now.
        decal.is <http://www.decal.is/>

        Furtherfield is a Not-for-Profit Company Limited by Guarantee
        Registered in England and Wales under the Company No.7005205.
        Registered business address: Carbon Accountancy, 80-83 Long
        Lane, London, EC1A 9ET.


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--
Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts Lab
+44 (0) 77370 02879

*sending thanks <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html> in advance

*Furtherfield *disrupts and democratises art and technology through exhibitions, labs & debate, for deep exploration, open tools & free thinking.
furtherfield.org <http://www.furtherfield.org/>

*DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0 technologiesresearch hub

for fairer, more dynamic & connected cultural ecologies & economies now.

decal.is <http://www.decal.is>

Furtherfield is a Not-for-Profit Company Limited by Guarantee

Registered in England and Wales under the Company No.7005205.

Registered business address: Carbon Accountancy, 80-83 Long Lane, London, EC1A 9ET.



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