Virus Diary Day 68 (entry 8)
108th�Day of Confinement,
Abu Dhabi

Day 68 The lOuvre
The only thing that seems continuous is time, and that seems to have subsumed 
itself to a flow-state. Although Abu Dhabi proper remains in a statewide 
isolation from the rest of the Emirates, , certain relaxations are beginning to 
take hold. My doctor does not see me from a phone app anymore, the malls are 
open and you can actually eat your sandwich, and the Louvre has reopened, 
although you have to reserve a timeslot. On the other hand, only residents are 
allowed in, and the slots never completely fill.�

However, I will never feel that I have had the Louvre Abu Dhabi to myself like 
I did.� Entered, my membership card was taken as it it were not made of 
plastic, and the French staffer who came to give me a ticket said, 'Welcome 
back, sir,", I went and 3d scanned the Persian wall I am doing a contextual 
reconstruction for my wife, Negin, and had brief pleasantries with the 
Director, who I have met on several occasions.�

And this is the craziness of this, as if going to this place was like coming by 
a midwestern coffee shop you were a regular at.� But it isn't, and this is the 
shift.� i am reminded of the movie Quintet in the 70's in which pastimes are 
taken with reference. Last night, I watched the Sleep Mode discussions Sarah 
Cook was having around the show at�Somerset House with Addie Wagenacht, Garnet 
Hertz, and Michael Mandiberg, talking about how confinement is affecting them.

I think Garnet began talking about a New Normal and whether it can exist, but I 
think I'm more in agreement with Adorno in that after a cultural trauma there 
is no new normal. Adorno problematizes how culture can go on, but I just say, 
it's not normal except in changing the frame of reference. Things have never 
been normal, and I think this is the important point.� It's not normal to walk 
into the Louvre like it's the corner pub.�

Artists are also getting obsessed with the Real again, like hyperrealistically 
scanning environments for game engines, and it gives me pause to think that all 
humanity can do is react to its environment.�

In the evenings, I watch Snowpiercer and Comedians in Cars Getting Coffee, both 
of which seem to remind me of the moment. Frozen in place, and making jokes 
about how art is like stand up comedy.

"How have you been? It's been a long time...", says the docent. "I don't know 
this person...", I think to myself.
But in a time of�disruption, it probably doesn't matter.

�





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