Where are these pictures people are mentioning? Thank you! On Thu, 2 Jul 2020 at 09:14, <[email protected]> wrote:
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Re: 60 years ago today - music transmission across 4 > generations of Catlows (Graziano Milano) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Wed, 1 Jul 2020 22:16:10 -0400 (EDT) > From: Alan Sondheim <[email protected]> > To: NetBehaviour for networked distributed creativity > <[email protected]> > Subject: [NetBehaviour] Conversations with Ghosts * > Message-ID: <[email protected]> > Content-Type: text/plain; charset=US-ASCII; format=flowed > > > > Conversations with Ghosts * > > Edward Schneider, alto sax > Alan Sondheim, viola Braguesa, Musima guitar > > http://www.alansondheim.org/altamusima1.jpg > http://www.alansondheim.org/newmusima.mp3 > http://www.alansondheim.org/newbraga.mp3 > http://www.alansondheim.org/altabraga1.jpg > > * When was the Sound from Where? > > We used Zoom for discussion and listening and at my end a Zoom > recorder; Edward used a mic feeding directly into his computer. > Delay all over the place and we worked with it. We've played > together a lot in the past; he's on some of our recordings. Zoom > and Zoom are not related. I love his music and the way we relate. > I used tricks to get the sound present. So we heard delays live > of course, counted down out of sync at the start, he sent me .aif > files, I converted to .wav to match mine, did an initial edit in > Audacity and a final edit in Audition. We're happy with this. We > also recorded playing with pithkiavlin, shakuhachi, dutar, and > rababa; these were trickier. Hope you enjoy the music as much as > we enjoyed making it. More most likely coming soon. > > -- > > culling our interactions - amazingly Finally, album, Schneider, > bird. music! footprint shale, Schneider records. Photographed > spot Peggy's Cove where, 70s, fell Playing_session_with_Edward_ > Schneider_(alto_sax)_"Schneiderman seemed nearly that when he was > asked by a young girl in the Schneider says no one is coming out, > no humming, <k>denied Koresh Playing session with Edward > Schneider with Edward Schneider on tenor, which brings Edward > Schneider alto sax Edward Schneider alto sax - Edward Schneider, > alto sax, a bit of singing! Edward Schneider, Schneider, Azure > Carter and the sweet bird of paradise, and least one great > review! The album, with Azure Carter, Edward Schneider, Chris > 2014 Finally, have a new album, with Chris Diasparra and Edward > Schneider, on 2014 Our new cd with Azure's songs and my playing, > backed by Edward Schneider Schneider, with cover images from the > work we've done in the Edward Schneider. I'm really happy with > this - the music is Schneider: Cutting Board Edward Schneider, > alto saxophone Alan Sondheim with Christopher Diasparra and > Edward Schneider Diasparra (on tenor and baritone) and Schneider > (on alto), who, Alan Sondheim with Christopher Diasparra & Edward > Schneider, tenor and baritone saxes, and Edward Schneider on the > alto sax. improv more than free jazz per se, though Schneider and > With Chris Diasparra!, Edward Schneider!, Jackson Moore! > Diasparra/Edward Schneider ESP-Disk' album Cutting Board and > Schneider Edward Schneider, alto sax Schneider-Sondheim > Apocalyptic Improvisations Sat for Frank Scha for DS Schell, for > Schneider for Roddy Schr songs and my playing, backed by Edward > Schneider ... 2015 I do a Schneider, and myself. The Studio was > Michael Hamburger's, in Brooklyn. Roy Schneider Trudy Asia Asia > Asia riscatto alante Motel session Edward Schneider > ================== AVATARS amazingly Finally, album, Schneider, > Edward Schneider Lynne Sachs Eric Rickstad Amir Parsa Various > bird. music! footprint shale, Schneider records. Photographed > spot Peggy's Cove where, 70s, fell Edward Schneider, alto; Alan > Sondheim, guitar > > ___ > > > > ------------------------------ > > Message: 2 > Date: Wed, 1 Jul 2020 16:53:27 +0100 > From: Graziano Milano <[email protected]> > To: NetBehaviour for networked distributed creativity > <[email protected]> > Cc: Edward Picot <[email protected]> > Subject: Re: [NetBehaviour] 60 years ago today - music transmission > across 4 generations of Catlows > Message-ID: > < > cal5jruw4-f7e97294dij3phv9rs26kegj_jp3bujh5n2gzz...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Hi Ruth, > > My sister has all the bed sheets, table cloths, doilies, etc.. that my mum > embroidered. Here are four of my baby aprons that she embroidered after I > was born in May 1967. And some drawings printed on tissue paper that my mum > embroidered to decorate the fabric of her bed sheets. > > My mum was born in 1928 and during those times in Italy her generation were > only able to go to primary state schools from the age of 6 to 11. The > secondary schools were private and expensive. So my grandparents, as they > were both busy working at making and selling cakes, ice-creams, granitas, > etc, sent my mum to the local catholic convent where the nuns were running > embroidery workshops to a group of young girls. I remember my mum telling > me how she really enjoyed those creative workshops. Then when I was a child > both my older sister and my mum constantly entertained me by drawing > together and telling me the histories of our local village. > > [image: MyBabyAprons_GrazMum.jpg] > [image: BedSheetDrawing_GrazMum.jpg] > > On Tue, 30 Jun 2020 at 14:44, Michael Szpakowski <[email protected]> > wrote: > > > What a marvellous marvellous photo Ruth! Thanks for sharing it with us > > all... > > > > > > Sent from Yahoo Mail for iPhone <https://yho.com/footer0> > > > > On Saturday, June 27, 2020, 3:31 pm, Ruth Catlow via NetBehaviour < > > [email protected]> wrote: > > > > All the Wowzers! > > > > I especially love the accompanying documents. Michael I remember being > > bowled over by The Enemy of the People when I first saw it all those > years > > ago. > > Helen, Gretta, Graziano do you have photos of your family's needlework > and > > knitting? > > > > Here is the photo I mentioned. > > > > [image: image.png] > > > > Hurrah! > > :) > > > > > > > > On Fri, Jun 26, 2020 at 9:35 AM Mark Hancock <[email protected]> > wrote: > > > > I'm loving these, please keep sharing. The thing I inherited was less a > > skill, and more an attitude. My Dad was a brickie from Birmingham who > had a > > love of jazz and classical music. So I grew up in a household full of > > literature and music. That idea that no matter your 'station in life' or > > your education, arts are there for everyone, from high to low culture (if > > those distinctions even exist still), still drives and informs the way I > > approach art today. > > > > And I'm definitely jealous of your father, Edward. I'd love to have > > written for the British Transport films! Or GPO. > > > > M > > > > On Thu, 25 Jun 2020 at 22:51, Edward Picot via NetBehaviour < > > [email protected]> wrote: > > > > I love this thread! > > > > My father was Paul Le Saux, who used to write scripts for British > > Transport Films. They made travelogues, part-documentary and part-artsy, > > about various aspects of the railway network, and the places in Britain > to > > which the trains could take you. > > > > I always used to assume that I got my creativity from him, and he > > certainly encouraged me to write when I was young. He died when I was six > > years old. But actually I think I also inherited quite a lot from my > > maternal grandfather, who was a merchant seaman, an engineer, and later a > > foreman at the docks in Belvedere on the Thames. In his spare time he was > > also a bellringer, and I've got some notebooks of his, in which he wrote > > out peal-sequences for different numbers of bells. > > > > Edward > > > > On 24/06/2020 23:50, Michael Szpakowski wrote: > > > > I can't claim any great cultural heritage apart , on my UK side, from an > > intimate knowledge of the Methodist Hymn book, and the fact my mother > late > > into her life desperately regretted that she'd never been able to learn > the > > accordion, which she had *so* wanted to do instead of the piano. > > She also only ever wrote one poem, at school, and it was clearly > important > > to her, this creative act, because she remembered & recited it to the end > > of her life: > > > > *See the little Daisy bright* > > *Standing there, all through the night* > > *Pink tipped petals, golden centre* > > *Let us go to the castle and enter.* > > > > Whatever frustrated creative drive she had, she later channeled into an > > almost supernatural ability to make house plants of all varieties grow > and > > thrive. > > My Dad was entirely uninterested in culture except for the Saturday pm > ITV > > wrestling and Cossack dancing displays. He did however love nature with a > > passion and I inherited that. > > As for documents -a couple of weeks ago my cousin Jaros?aw sent me a > piece > > of testimony from my father which must have been given in 43 or 44 & has > > been in the Hoover collection in the States ever since. > > When he related this he was three years younger than my daughter is now. > > One of my very first pieces of 'net art' (sounds quaint now) made in > > Director, but now just a piece of video, dealt with the same subjects. > > > > The testimony: > > https://bit.ly/37ZZcns > > > > > > The piece: > > https://www.youtube.com/watch?v=AYPBBYPyzxA > > > > cheers > > Michael > > > > > > > > > > > > > > > > On Tuesday, June 23, 2020, 10:18:04 AM GMT+1, Ruth Catlow via > NetBehaviour > > <[email protected]> > > <[email protected]> wrote: > > > > > > Thanks Renee and Mark, > > I too would like to hear of other's creative/skill inheritances. Nice > idea > > Mark... go for it. > > <3 > > > > On Tue, Jun 23, 2020 at 10:13 AM Mark Hancock <[email protected]> > wrote: > > > > I second Ren?e's thoughts. I love that idea that playing is bringing the > > past back in such an active and evocative way. > > > > I'd be interested in the creative skills and tools of the trade that > other > > people on the list have inherited, if I may be so bold as to high-jack > your > > email thread, Ruth? > > > > Mark > > > > On Tue, 23 Jun 2020 at 09:59, Renee Turner <[email protected]> wrote: > > > > That?s beautifully moving Ruth <3 This post made my day. > > > > warmly, > > > > Ren?e > > > > -._.-._.-._.- R* > > > > > > **************************** > > a virtual embrace > > wishing health & well-being to all > > > > > > > > On Jun 23, 2020, at 10:44 AM, Ruth Catlow via NetBehaviour < > > [email protected]> wrote: > > > > I have been playing my violin again since lock down and I came across > this > > sheet music for the second 2nd Bach Partita that I played when I was much > > younger. > > > > You can see from the inscription that it was a birthday present from > Rolf, > > my paternal grandfather, to his father exactly 60 years ago today. > > > > My dad John, who was a professional cellist, has a photo from this time > of > > the three generations of men playing chamber music: Dad on cello, Rolf on > > the piano, and my great grandfather, Arthur, playing the violin. > > > > <image.png> > > > > There is something very moving to me about this cultural inheritance, and > > I wanted to share it with you all :) > > > > warmly > > Ruth > > > > -- > > Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts > > Lab > > +44 (0) 77370 02879 <+44%2077370%2002879> > > > > *sending thanks > > < > https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html> > in > > advance > > > > *Furtherfield *disrupts and democratises art and technology through > exhibitions, > > labs & debate, for deep exploration, open tools & free thinking. > > furtherfield.org <http://www.furtherfield.org/> > > > > *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0 > > technologies research hub > > for fairer, more dynamic & connected cultural ecologies & economies now. > > decal.is <http://www.decal.is/> > > > > Furtherfield is a Not-for-Profit Company Limited by Guarantee > > Registered in England and Wales under the Company No.7005205. > > Registered business address: Carbon Accountancy, 80-83 Long Lane, London, > > EC1A 9ET. > > > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > > > -- > > Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts > > Lab > > +44 (0) 77370 02879 <+44%2077370%2002879> > > > > *sending thanks > > < > https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html> > in > > advance > > > > *Furtherfield *disrupts and democratises art and technology through > exhibitions, > > labs & debate, for deep exploration, open tools & free thinking. > > furtherfield.org <http://www.furtherfield.org/> > > > > *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0 > > technologies research hub > > > > for fairer, more dynamic & connected cultural ecologies & economies now. > > > > decal.is <http://www.decal.is> > > > > Furtherfield is a Not-for-Profit Company Limited by Guarantee > > > > Registered in England and Wales under the Company No.7005205. > > > > Registered business address: Carbon Accountancy, 80-83 Long Lane, London, > > EC1A 9ET. > > > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > _______________________________________________ > > NetBehaviour mailing [email protected]:// > lists.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > https://lists.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > > > -- > > Co-founder & Artistic director of Furtherfield & DECAL Decentralised Arts > > Lab > > +44 (0) 77370 02879 <+44%2077370%2002879> > > > > *sending thanks > > < > https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html> > in > > advance > > > > *Furtherfield *disrupts and democratises art and technology through > exhibitions, > > labs & debate, for deep exploration, open tools & free thinking. > > furtherfield.org <http://www.furtherfield.org/> > > > > *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0 > > technologies research hub > > > > for fairer, more dynamic & connected cultural ecologies & economies now. > > > > decal.is <http://www.decal.is> > > > > Furtherfield is a Not-for-Profit Company Limited by Guarantee > > > > Registered in England and Wales under the Company No.7005205. > > > > Registered business address: Carbon Accountancy, 80-83 Long Lane, London, > > EC1A 9ET. > > > > > > 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