Hi all,

Does anyone know of a good resource on the symbolism of pointing in renaissance 
painting, such as Leonardo's Madonna of the Rocks?

Several of Leonardo's paintings include a figure pointing to something and I'm 
curious if there is any rhyme or reason to it, in the sense of conventions or 
standard meanings.  I've found a few references about pointing to heaven or 
earth (up/down) or to a person (level) but not much.

I'm curious just in case there is a subtle use of this in the Mona Lisa, where 
there could be a slight direction of the viewer to the left sleeve as 
geometry/topology, symbol of the technological present, wovenness of phenomena, 
allegory for accrued knowledge, self-representation in costume, textile 
technology, and the like.  It may even be directing us to some kind of "key" or 
"theme" around which to center the painting conceptually, one which is of 
course unmistakably hidden and understated.  Some of Leonardo's other paintings 
include figures pointing to intersections (for example the Madonna of the 
Yarnwinder and St. John the Baptist) and this could perhaps be applied to the 
sleeve/hand intersection in ML.

On a different topic, some of you may have seen or heard about the recent NYT 
piece by the previous mayor of Minneapolis, Betsy Hodges.  She points out how 
long-term economic inequality, actively supported by white liberals, is a 
primary cause of ongoing segregation and police brutality like the killing of 
George Floyd.  It's a confusing piece in some ways but does point out systemic 
injustices that have been ongoing since the first Europeans arrived on the 
continent, injustices which have been festering even more badly since the 80's 
when social programs and reforms were largely abandoned (with bipartisan 
support) in favor of growth-oriented policies across US society.  Until true 
equality is achieved we may be cursed to repeat the cycle of oppression, 
injustice, and violence which is endemic wherever shared humanity is not 
accorded sufficient value.

https://www.nytimes.com/2020/07/09/opinion/minneapolis-hodges-racism.html

All best wishes,

Max

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