thank you ruth :)

On 06.02.21 18:05, Ruth Catlow via NetBehaviour wrote:
> Very good
> Very moving
> Thanks Annie Helen and Suzon
> :) :D
>
> On Tue, Feb 2, 2021 at 3:42 PM Helen Varley Jamieson
> <he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>> wrote:
>
>     *BEFORE THE FIRST*
>
>     In 2020, many people encountered online performance for the first
>     time.
>     We asked some of our peers “When was your first online performance?”
>
>     “Before the first” is a brief glimpse of the diversity of online
>     performance created before 2020.
>
>     https://vimeo.com/503467731
>
>     Compiled by Annie Abrahams, Helen Varley Jamieson and Suzon Fuks.
>     Edited by Suzon Fuks.
>
>     *WITH THANKS TO*
>
>       * 2019 Gwendoline Samidoust | XD,^_^,:3,:-D Le Rire en tant que
>         Language, with Constallations | Zoom
>       * 2019 Lucie Desaubliaux | Enter the Dragon, with WMAN | Second
>         Life & ManyLand
>       * 2018 Muriel Piqué | Distant Movements, with Daniel Pinheiro
>         and Annie Abrahams | Zoom
>       * 2018 Soyung Lee | Online En-semble - Entanglement Training,
>         concept by Annie Abrahams | Adobe Connect
>       * 2017 Lily Robert-Foley | We nooses tous des bastardi
>         elettronici che usano lingue globali | readingclub.fr
>         <http://readingclub.fr> – an adaptation of Etherpad
>       * 2016 Gilson Moraes Motta | Cortege on the Beach | Waterwheel Tap
>       * 2014 Atefeh Khas | Metamorphosis, with Amin Hammami |
>         Waterwheel Tap
>       * 2013 Elaine Vaan Hogue | All the better to see you with, with
>         Helen Varley Jamieson, Gabriella Sacco and workshop
>         participants | UpStage
>       * 2013 Alejandra Ceriani | Waterhole, with Alberto Vazquez |
>         Waterwheel Tap
>       * 2012 Ximena Alarcon | Letters and Bridges | Soundjack
>       * 2012 Daniel Pinheiro | Identity Project, with Tiago Bôto and
>         Whitney V. Hunter | video conferencing
>       * 2011 Emma Che Raethke-Martin | So far away, yet so near |
>         Waterwheel Tap and Skype
>       * 2011 Christina Papagiannouli | Cyberian Chalk Circle, with Evi
>         Stamatiou | UpStage
>       * 2011 Martina Ruhsam | Angry Women - take 2, concept by Annie
>         Abrahams | mosaika.tv <http://mosaika.tv>
>       * 2009 Rosa Sanchez | Umbrales_Artes vivas en casa, with Konic
>         Thtr | SAGE (Scalable Amplified Group Environment) and video
>         conferencing
>       * 2008 Caroline Delieutraz | Double Bind - Bras de tête et Tête
>         de fer, with Justine Abittan | flash and javascript by
>         panoplie.org <http://panoplie.org>
>       * 2007 Jorge Rojas | Lucha Libre | BlogTV.com
>       * 2007 Rebekah Wild | Baba Yaga, with Vicki Smith | UpStage
>       * 2007 Miljana Perić | Learn to hear through the lies of your
>         eyes: the cyberforming hybridisation of Tuxedomoon, with
>         Teodora Perić and Ana Marković | UpStage
>       * 2006 Alan Sondheim | Dropping off the Edge of the World |
>         Second Life
>       * 2005 Patrick Lichty | Dissention Convention, with Maya
>         Kalogera & Marc Garrett | VisitorsStudio
>       * 2004 Roger Mills | Sonic Circuits, with Neil Jenkins |
>         VisitorsStudio
>       * 2003 James Cunningham | Improv on ‘Thanatonauts-Navigators of
>         Death’, with Suzon Fuks, Igneous, Bonemap, Keith Armstrong and
>         Kelli Dipple | Access Grid
>       * 2002 Johannes Birringer | Here I come again / Flying Birdman,
>         with ADaPT (Association for Dance and Performance Telematics)
>         | QuickTime Streaming Server (QTSS) with QuickTime
>         Broadcaster, older video format, Real time sound mix with Max/MSP
>       * 2001 Joseph DeLappe | Howl: Elite Force Voyager Online | Start
>         Trek Elite Force Voyager Online
>       * 2001 Keith Armstrong | Liquid Gold, by Transmute Collective |
>         Quicktime streaming, Shockwave clients & server
>       * 2001 Karla Ptáček | Paycheck, Performance Poet | The Palace
>       * 1999 Auriea Harvey | Wirefire, with Michael Samyn | Flash and
>         handmade cgi scripts
>       * 1998 Jean-Marc Matos | Un Thé Extravagant, with Anne Holst and
>         Caroline Tymen | Studio télévision and ADSL internet
>       * 1995 John Hopkins | Eight dialogues | Internet Relay Chat
>       * 1995 Nina Sobell | An Interactive Telerobotic Sculpture
>         Performance, with Emily Hertzell | Netscape’s server push
>         animation
>       * 1994 Antoinette LaFarge | The Greenest Fools, with the
>         Plaintext Players | PMC MOO
>       * 1994 Adriene Jenik | El Naftazteca, with Ruben Martinez,
>         Guillermo Gomez Pena and Roberto Sifuentes | Mbone
>       * 1992 Paul Sermon | Telematic Dreaming | ISDN video conferencing
>
>     ______________
>
>     DISCLAIMER
>
>     “Before the first” is a response to the many claims of online
>     “firsts” in 2020. We aim to draw attention to the long and rich
>     history of online performance, which stretches back to the
>     earliest days of the internet. This video is only a very tiny
>     sample of this field of creative work.
>
>     For some of the artists in “Before the first”, the performance
>     shown was not their very first online performance. Many early
>     works were never documented, or for other reasons later works have
>     been used. This video is a snapshot and provocation to further
>     exploration of the field, rather than an historical record.
>
>     Annie Abrahams, Helen Varley Jamieson and Suzon Fuks
>     -- 
>
>     helen varley jamieson
>
>     he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
>     http://www.creative-catalyst.com
>     http://www.upstage.org.nz
>     https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>
>
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>
>
> -- 
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *I will only agree to speak at events that are racially and gender
> balanced. 
>
> **sending thanks
> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>  in
> advance
>
> *Furtherfield *disrupts and democratises art and technology through
> exhibitions, labs & debate, for deep exploration, open tools & free
> thinking.
> furtherfield.org <http://www.furtherfield.org/>
>
> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> technologiesresearch hub
>
> for fairer, more dynamic & connected cultural ecologies & economies now.
>
> decal.is <http://www.decal.is>
>
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>
> Registered in England and Wales under the Company No.7005205.
>
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> London, EC1A 9ET.
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>
>
>
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-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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