Thinking about? Working with Fu fa and the body, one of the things that occurs to me. Foremost is that it has to do with physicality at the extensions of the body in different spaces and the way that the body can be purchased in different spaces and how that takes over from the point of view of the camera, those spaces or else succumbs to those spaces from the absence of the point of view of the camera which is also the point of view of the camera period In this way, there is a kind of dialogue that goes on that's capable of being recorded and also refers to physicality in a fundamental way. And that is something I'm also working on in relationship to my text and relationship to the dance here and also in terms of playing a musical instrument and the physicality that that entails period . It's good to be back thinking about these things period it's better to be doing this than to be simply escorted along the channels of digital behav, your individual commindications without any kind of grounding in what's going on, where the feet actually touched the Earth. Or where breath occupies and works in an untoward ways, including exhaustion. And even perhaps vomiting or anything else that breath of mind and body can do in relationship to these narrow spectrums period It's exciting as well because it's a kind of epiphany that we are all within Within our bodies pegood as I dictate this. There are gaps emissions and inclusions as a result of the difficulty of the voice to speech. Just text that's occurring, as I'm talking through here period where within our bodies as I started to say, but the bodies aren't cohering not incoherent, but cohering to the space The Matrix. That's it's within which fundamentally. I think is incalculable uncalculable period it's a space you can work in that I think is fundamental how health just as walking down the street is more fundamental in a sense. Then writing a text or reading a text period Let it go with that. I just keep thinking about being back. In Brussels or being at Alexander plots in Berlin and watching a performance and watching the static list of the performance and watching the mobility of the performance and my own relationship to that in terms of sound music, contorting another wise filming and documenting period
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