http://www.hz-journal.org

Hz #10 presents

[Articles]

OPEN SYSTEMS: A PERSPCTIVE ON THE DUTCH ELECTRONIC ARTS FESTIVAL 07
by laurie halsey brown
Intra-disciplinary hybrid practioner laurie hasely brown reports from 'Interact or Die!' the eighth edition of the Dutch Electronic Art Festival by V2, the Institute for the Unstable Media in Rotterdam, the Netherlands.

INTERVIEW WITH ART CLAY, ARTISTIC DIRECTOR OF ZURICH'S DAW07
by Rachael Watts
Art Clay, artistic director of the Digital Art Weeks organised by the Swiss Federal Institute of Technology Zurich, in conversation with Rachael Watts explains his view on the intersection between art and new technologies.
        
THE VALORIZATION OF THE AUTHOR
by Michael Betancourt
Curator/avant-garde theorist/multi-disciplinary artist Michael Betancourt re-examines Authorship in relation to recombinant/database work and hyperlinking practice in blogs and social networking.
        
MODIFYING ART
by Andrew Y Ames
New Media artist Andrew Y Ames revisits the history of computer game as modifying art, a continuation of the Fluxus tradition in which art was conceived "'in the action rather than the object.'"
        
PLACE, SPACE AND SOUND
by Christian Hörgren
With Stockhholm New Music Festival's '06 theme "Place and Space" as a starting point, architect/critic/musician Christian Hörgren examines the relationship between the notion of space and music by tracing examples in music history.

ART AND SOUND IN STOCKHOLM NEW MUSIC AND LARM-NORDIC SOUND ART FESTIVAL
by Sachiko Hayashi
The following works at 2 Stockholm festivals are discussed: Christina Kubisch's "A History of Archives", Janet Cardiff's "Forty-Part Motet", Steina Vasulka's "Violin Power" and Maia Urstad's "Radio Concert."

[Net Art]

EXTRAGRAM (DISCRETE EVENTS IN NOISY DOMAINS)
by Tanja Vujinovic

DIE SCHUDAS
by Susanne Schuda

INVERTED AFFECTS
by Laura Bey

ENTANGLEGRIDS
by Jason Nelson

EPIGLOBIS
by Alexander Mouton


Hz is an on-line journal published by the non-profit art organization Fylkingen in Stockholm. Established in 1933, Fylkingen is the oldest forum for experimental music and intermedia art in Sweden. Throughout its history Fylkingen has been known to be a driving force in the Swedish art scene to introduce and promote yet-to-be-established art forms, the examples of which include the music of Bartok, the video works of Nam June Paik, Electro-Acoustic music during the '50s as well as the New Media performance of Stelarc in recent years. Our members are leading composers, musicians, dancers, performance artists and visual artists in Sweden. For more information on Fylkingen, please visit www.hz-journal.org/n4/hultberg.html.

Sachiko Hayashi/Hz



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