FURTHERNOISE.ORG NEW REVIEWS & FEATURES JUNE 07
Featuring a host of national and international musicians and sound artists.
http://www.furthernoise.org/index.php?iss=62

FURTHERNOISE RADIO 19TH JUNE - RADIO YOU CAN WATCH

BCFM 93.2 - Bristol, UK 10 -11 pm BST (GMT+1) alternate Tuesday nights. Repeated 11-12 am Wednesday 20th. Online Stream - http://www.bcfm.org.uk

See http://www.timeanddate.com/worldclock for your own location time.

This weeks program features an exclusive interview with Anthony Pateras & Robin Fox at their Venn Festival performance and a selection of new and adventurous cross genre music and sound. Each program features a live visual mix by radio Vjs Grazmaster, Stu & Open Mix. To watch the live visual mix to the radio stream open another browser window and log into http://www.visitorsstudio.org

Podcasts, playlists and submission details are available from the site at
http://www.furthernoise.org

REVIEWS

"Imaginary Conversations in Reverberant Rooms - Gail Priest" (review)
Imaginary Conversations in Reverberant Rooms is the first full-length album from Sydney artist Gail Priest. Priest's background in working with installation and as a composer of live scores for performance comes across clearly in this recording.
http://www.furthernoise.org/page.php?ID=176
review by Stacey Sewell

"Horizontal Mover (Homage to Alvin Lucier) - Claudio Parodi" (review)
Taking inspiration from Alvin Luciers 1970 work I am sitting in a room Horizontal Mover is the first of 7 ongoing works by Claudio Parodi utilising the audio from the album 'Suoni 2005' by Tiziano Milani. In a similar process to Lucier's work he diffuses and re-records the source track until it completely dissipates and you are left with just acoustic ambience.
http://www.furthernoise.org/page.php?ID=171
review by Roger Mills

"triMIX: Tribyrd Installation Soundtracks Deconstructed compiled by TJ Norris" (review) TriMIX is a CD/DVD compilation curated by photographer TJ Norris. TJ invited sound artists from around the globe to contribute soundtracks for his photographic expeditions. Norris explains "These original soundtracks guided me through the process as I virtually emulated the streets, building band spaces, by listening and looking simultaneously."
http://www.furthernoise.org/page.php?ID=173
review by Derek Morton

"Tripartite Collision - Bill Thompson" (review)
Bill Thompson is a former guitarist now moving in electro-acoustic improvisation circles, whose sound falls somewhere between Keith Rowe and the more ambient Arcane Device. Although his early professional career was with a number of ensembles in Austin, Texas, he moved to Scotland in 2004 to study with Pete Stollery.
http://www.furthernoise.org/page.php?ID=172
review by Caleb Deupree

"Appropriate Re-Appropriations" (repeat feature)
A compilation of innovative music & sound created under Creative Commons license. Review features Freesound artists credits and selected submissions. An exciting special file sharing opportunity. Part exquisite corpse, part Chinese whispers, part peer2peer ping pong.
http://www.furthernoise.org/page.php?ID=169
review by Roger Mills

"Cyclic Defrost Magazine" (review)
Cyclic Defrost, has been in publication in various guises since 1998. Despite starting off as a photocopied flyer for a club night, it's now one of the most prominent contemporary music publications in Australia today. This article explores Cyclic Defrost and one of their recent compilations.
http://www.furthernoise.org/page.php?ID=175
review by Alex Young

"Stots - Lukas Simonis" (review)
Stots begins just like that, lots of ghoulish voices, groaning and growling, grumbling and having lots of fun bee booing into an echo machine. It's field recordings glitch and multi levels of odd noises but things start to come together, as lo fi drones are layered with radio sounds, abused guitars, drills and bubbles.
http://www.furthernoise.org/page.php?ID=174
review by Mark Francombe

"The Fourth Night - Bernhard Wagner" (review)
Guitar and loop lovers, this one's for you. The Fourth Night explores the merging of the instrument's manifold versatility and the unique ways in which loops can create atmosphere and evoke moods. Wagner weaves a dense but easy to assimilate myriad of sonic patterns that can soothe or rouse.
http://www.furthernoise.org/page.php?ID=177
review by Bill Binkelman
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