Hi All,
Can any London-ish NetBehaviourists go to this event and report back?
I already have something on - doh!!!!
It looks way too good to miss.

: )
Ruth
===============================================
Invitation to a ‘Make-In’ - with waste plastic packaging
Run by ‘Beyond The Free Market’– a Critical Practice Chelsea project.

Wednesday 29th August

9 – 10.30 Plastics-collection at Nine Elms (optional but desirable  
MEET AT VAUXHALL BUS STATION, TUBE ENTRANCE)

10.30 - 4 at Chelsea College of Art, Millbank London - in the BTFM  
summer studio – room A319


This is an invitation to lend us your ingenuity and Blue-Peter level  
making skills to ‘perverse engineer’* a range of objects to raise  
funds for BTFM.

Participants agree that all work produced will be subject to a  
Creative Commons ‘2.5’ licence (see below for details).

PVC drinks bottles, often highly colourful, polystyrene crates for  
broccoli, polymer fruit punnets – shamefully destined for landfill,  
incineration, or energy intensive recycling - help us give these  
items an afterlife as useful, or perhaps aesthetic objects...  As  
yet, plastic waste is one of the least ‘green’ forms of rubbish.

As you may know, 'Beyond The Free Market' (BTFM) is seeking to  
critique food production in the 'free market' which often leads to  
over-production, waste, excessive 'food miles' and, at the same time,  
food insufficiency in many parts of the world. Working with the  
wholesale fruit and veg market at New Covent Garden, Nine Elms,  
London, we have already used the waste food to supply the 'Free  
Market Kitchen' allowing anyone to cook and eat free food.

More recently, we have also started to work with the copious amounts  
of often, excessive plastic packaging related to the distribution of  
food that is all too visible at New Covent Garden.  As an extension  
of this (to address our larger interest in food production in  
general) we have also incorporated supermarket packaging in this  
investigation.

Our aim is to use the plastic waste from both these markets to raise  
'start-up capital' for BTFM's critique of these very entities – so  
the object of critique becomes the means of critique
We plan to do this by turning the rubbish (some of it highly  
seductive) into things that we can sell at street-markets, boot-fairs  
and via the Critical Practice wiki.

Of course, we're asking you to donate your time and inventiveness to  
a 'commercial concern' - but don't forget that all our profits will  
be plied back into BTFM and that you are free to develop the work as  
you so wish, as provided for by the Creative Commons Licence 2.5.

Ethical refreshments will be provided to nourish production.

• There'll be an early morning (9am) visit to the market (just over  
the river from Chelsea) MEET AT VAUXHALL BUS STATION – TUBE ENTRANCE  
to chose and collect packaging to work with. Most of it is very light  
to carry and there's a bus right outside the market to Chelsea (the 87).

Alternatively, show up at Chelsea, Atterbury Street entrance, at  
10.30 am (with or without your own redundant food packaging).

We will also issue some 'briefing notes' to those as a way of helping  
you prepare beforehand, if you so wish.

PLEASE LET US KNOW IF YOU’D LIKE TO COME.

Hoping to see you soon – mail [EMAIL PROTECTED] with any  
queries.

Best

Mary Anne
For BTFM

* ‘Perverse Engineering’ is a perversion of ‘reverse engineering’ –  
taking something apart to find out how it’s made in order to acquire  
the knowledge to ‘make your own’.


A Creative Commons Licence 2.5 allows you:

•       to copy, distribute, display, and perform the work
•       to make derivative works
•       to make commercial use of the work

Under the following conditions:
Attribution. You must attribute the work in the manner specified by  
the author or licensor.
Share Alike. If you alter, transform, or build upon this work, you  
may distribute the resulting work only under a license identical to  
this one.
• For any reuse or distribution, you must make clear to others the  
license terms of this work.
• Any of these conditions can be waived if you get permission from  
the copyright holder.

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