Dear Annie,

Apologies for the delayed response to your thoughts and observations about Fundamentalism v Evolution - another dilemma of coexistence http://www.visitorsstudio.org/session.pl?id=88

While we were in Banff we set ourselves a number of things to investigate: approaches to artistic collaboration, artware for live networked performance, free and open tools for digital media production.

We had worked out from a few prior experiments that the most productive artistic collaborations arose from themes that tapped into genuine, ongoing controversies (or bickering) that arose between us and that also had a universal resonance. We also knew that we wanted to create our first work within VisitorsStudio as a platform that we are already familiar with.

In our search for a juicy controversy for our collaborative performance in VisitorsStudio we looked through a range of (often newly published) media archives. We discovered a 1925 silent news reel that portrayed the news of the day about the Scopes Monkey Trial by staging a head on collision between two trains upon which painted in large letters were the words Fundamentalism and Evolution.

We also had an idea that we wanted to create works whose form/medium was somehow itself expository of the difficult subject under discussion. The key role of looped (and therefore repeating) media files within VisitorsStudio mixes provided (in my mind at least) a formal and aesthetic reinforcement of the recurring clash between fundamentalist Christians and advocates of an evolutionary theory of existence.

To get closer to the subject and to develop positions on the many arguments, we gathered and manipulated files from all over the web and from the VS archive. Then we both spent time creating mixes in the solo studio using montages of looped sound and image. Returning to the Live studio together we reconstructed these mixes in sequence which revealed a series of tangles in the dilemmas; unexpected alliances and shared world-views in strange places.

We realised that often the main figurehead protagonists of our conflict- fundamentalist beilevers in the literal truth of the book of Genisis and the Atheistic champions of the evolutionary principle of existence- often shared similar approaches to their beliefs/ knowledge and its dissemination and deployment (in the form of digestible stories and descriptions) through institutions constructed and maintained by mainly male hierarchies.

However there appeared to be at least one core difference in approach. Fundamentalism takes the written and unchanging Word of God as an eternal authority (choosing to ignore the ramifications of endless translation and mutations and the natural wear and tear of politics on the Word) whereas the theory of evolution proposes endless, fundamental change through repetition and small mutations in response to changing conditions over an epic time-scale- evolution is the constant unchanging principle of change; )

And no I can't conceive of a personal interventionist God and I don't think Marc does either, but instead that we evolve together and that this can and does bring about individual personal transformations. Transformation appears to be another common preoccupation of both Fundamentalism and Evolutionary theory- then the argument is about whether the value of this transformation lies in the times of our lives or in a proposed afterlife!

Thanks again Annie

: )

Ruth


On 20 Apr 2008, at 12:25, aabrahams wrote:

Dear Ruth and Marc,

I just watched
http://www.visitorsstudio.org/session.pl?id=88
Fundamentalism v Evolution
another dilemma of coexistence

the archives of your performance at Banff

I am impressed, It's beautiful, and it brings on reflexion!
Great.

While watching I sometimes thought the whole thing was promoting a believe in God. If it wasn't for the undertitle and the context I would, could believe you being fundamentalists.
So strange!
"genes are forever" ?
??
I was wondering how people reacted after your performance. Could you please tell us more about it, and maybe also about your stay in Banff?

The piece has a good pace, beautiful sound, it's not imposing, but letting you time to adjust, to find your way, and all the time it isn't where I thought it would be, it doesn't bring me where I thought it might bring me. That's probably it's force..
I wish someone would write about it.

Yours Annie
--
http://www.bram.org
http://aabrahams.wordpress.com/
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