“We’re not getting any register on that bottom one anymore,” he said, 
sending two artist-technicians up onto a scaffold to figure out why a 
certain magnetic knocker was not turning one of the room’s giant 
Corinthian columns — topped by upended, gaping dolphins — into a kind of 
architectural castanet.

more... 
http://www.nytimes.com/2008/05/30/arts/music/30byrn.html?_r=1&partner=rssnyt&emc=rss&oref=slogin



rich
http://www.counterwork.co.uk

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