great! enjoying every word! more!
m.

--- On Fri, 7/11/08, edwardpicot <[EMAIL PROTECTED]> wrote:

From: edwardpicot <[EMAIL PROTECTED]>
Subject: [webartery] The Puzzle Box, Chapter 6 (and other items of interest)
To: [EMAIL PROTECTED]
Date: Friday, July 11, 2008, 5:29 PM






Dear all -

“Tired as they were, they almost ran up the last part of the stair,
and found themselves in another cave; but it was completely different
to the one with the snake in it. As far as they could see by the light
of the box, it was crammed with old bric-a-brac: bits and pieces of
every possible description, some of them valuable but most of them
not, thrown together in a horrendous jumble, stacked up high above
their heads, and covered in dust and cobwebs. There were
walking-sticks, pith helmets, books, dolls, carpets, bottles, pens,
games of Monopoly, stuffed animals, false teeth, family photographs,
toy trucks, maps, birthday cards, pram wheels, diaries, screwdrivers,
umbrellas, plugs, pianos, old coins, kettles, picture frames, odd
shoes, Gladstone bags, wooden legs, rocking chairs, someone's PE kit,
and so on and so on and so forth and so forth â€" like the contents of
the biggest, dirtiest and most badly-organised second-hand shop in the
world.�

The children encounter a shape-shifter called Ratatosk, who tells them
about the snake they have seen, a tree called Yggdrasil, some owls,
and the Queen of the Night. Dora rediscovers one of her old dolls, and
Ratatosk explains how possessions get lost so easily, and why things
don't always work when they ought to. 

The sixth chapter of twelve.

"We are enjoying The Puzzle Box very much!" - William, www.artselector. com

http://www.edwardpi cot.com/puzzlebo x/

- Edward Picot
http://hyperex. co.uk - The Hyperliterature Exchange
http://edwardpicot. com - personal website

NEW FROM MY LINKS PAGES:

Title: Fundamentals (http://www.deenalar sen.net/fundamen tals/)

Description: From hypertext fiction author Deena Larsen, an
introduction to the fundamentals of hyperliterature. This is intended
as a teaching aid, and it's not just for students of the genre but for
those who are interested in producing hyperliterature themselves. As
such, it provides a relatively jargon-free approach with lots of
practical exercises and examples of work from here and there around
the Web. It seems a trifle oldfashioned in its assumption that
hyperliterary texts should generally have mazeliks structures of
multiple links and nodes, in the style popularised by Eastgate, but it
remains a thoroughly useful primer all the same.

Title: http://www.realityc pu.com

Description: From Tabor Robak. As described by Rhizome
(www.rhizome. org), this is "like stumbling upon a scrambled memory
bank of images captured sometime around 1993: a dream-arcade of faux
vector graphics, neon color schemes, Uzi-blasting last action heroes
and gratuitous drop-shadows" . I'll go along with that. The same
writeup goes on to attempt to ascribe some deeper meaning to the
piece, which I'm not so sure about - but it's an absolute blast anyway.

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