Hi Luis,

OK - meet you in Plymouth later in the year with my review pad :-)

marc
> Hi Marc, 
>
> since the projects will be co-commissioned by LX 2.0 and Kurator, they 
> will be launched online, but we are thinking of having an 
> event/talk/presentation with the artists and invited guests at the end 
> of the residency in Plymouth. Maybe we can meet then. That would be 
> nice :)
>
> Best, 
>
> Luis
>
> 2009/2/23 marc garrett <[email protected] 
> <mailto:[email protected]>>
>
>     Hi Luis,
>
>     I must of missed the info regarding the discussion.
>
>     Will it all be presented as an exhibition at all, as well on the net?
>
>     marc
>
>
>     > For immediate release:
>     >
>     > Kurator and LX 2.0 are pleased to announce the two selected
>     projects for
>     > INFECTED, part of the Anti-Bodies contemporary art programme
>     coordinated
>     > by Relational.
>     >
>     > During the Anti-Bodies launch and discussion event, held
>     > at Arnolfini, Bristol, on February 19, carlos katastrofsky and Heath
>     > Bunting were presented as the winners of the viral call for
>     viral work.
>     > The INFECTED selection panel included Zoe Shearman, Curator,
>     Relational,
>     > Luis Silva, Curator, LX 2.0, and Franz Thalmair, Curator,
>     cont3xt.net <http://cont3xt.net>
>     > <http://cont3xt.net>,
>     - Mostrar citação -
>     > Joasia Krysa and Geoff Cox, Curators, KURATOR.
>     >
>     > carlos katastrofsky submitted vir.us.exe, a windows program
>     which, once
>     > executed, will delete itself. On a website, communicated and
>     spread by
>     > e-mail announcements, mailinglists and other networked (viral) press
>     > activities, the program/site is promoted while the freedom of
>     decision
>     > to download vir.us.exe or not is up to the users.
>     >
>     > According to the artist's proposal, a virus lives upon the
>     reproduction
>     > of itself with the aim to survive as long as possible. However,
>     the most
>     > dangerous parts of such an infection are not always the harmful
>     cells a
>     > virus is based upon; it is the psychological concept of fear acting
>     > invisibly in the background. The project will thus strip down the
>     > mechanisms of a viral infection and transfer its core
>     priniciples into
>     > the digital realm. By avoiding everything a virus should do,
>     only the
>     > virus itself (without the harmful cells or malicious commands)
>     will be
>     > left. This way it will become a meta-virus spreading not because
>     it is
>     > an actual virus but because it is perceived as such.
>     >
>     > Heath Bunting proposed a new reiteration of his Status Project,
>     through
>     > which the artist intends to make visible our collective regulatory
>     > systems for the purpose of broader and more precise understanding of
>     > their shape and function plus our place and scale within them.
>     >
>     > According to Bunting's proposal, the key intention for the
>     project is to
>     > provide greater individual mobility and freedom within often
>     confusing
>     > and often intentionally obstructing organisational substructures and
>     > systems. The work is triangulated from the Buddhist idea of
>     feeling that
>     > we are only the summation of our environmental factors, from the
>     cyber
>     > punk hacker fantasy of self power and freedom by finding the
>     password or
>     > key phrase and from the techno mysticism of finding the spirit
>     within
>     > the machine.
>     >
>     > "Navigating the system requires skill and patience. People often
>     risk
>     > frustration, humiliation and criminalisation just to survive
>     within such
>     > a disorientating terrain. I intend to develop tools to not only
>     > alleviate these risks, but to also enable people to fly. Identity
>     > manipulation, mutation and creation are enshrined in UK law, but is
>     > obviously under constant enclosure from corrupt elites. Within this
>     > project I intend to locate these fences and create gates in them"
>     >
>     > These projects will be developed during a short residency with
>     the Art &
>     > Social Technologies Research group at the University of
>     Plymouth, in the
>     > UK, later this year.
>     >
>     > +++
>     >
>     > Biographies:
>     >
>     > carlos katastrofsky is a Vienna-based artist working primarily
>     in the
>     > field of new media art. His work examines the politics of
>     Internet-based
>     > art production, distribution and consumption, and considers how
>     dominant
>     > practices of the artistic modus vivendi - curating, dealing,
>     showing,
>     > and reviewing - function in the virtual realm, where the
>     immaterial has
>     > replaced the object. His works explore characteristic features
>     of the
>     > Internet such as software, interfaces, language, and discussion
>     forums -
>     > to question the current development of the Web.
>     >
>     > Heath Bunting was born a Buddhist in Wood Green, London, UK and
>     is able
>     > to make himself laugh. He is a co-founder of both net.art and
>     sport-art
>     > movements and is banned for life from entering the USA for his
>     anti GM
>     > work. His self taught and authentically independent work is
>     direct and
>     > uncomplicated and has never been awarded a prize or been bought
>     or sold.
>     > He is both Britain's most important practising artist and The
>     World's
>     > most famous computer artist. He aspires to be a skillful member
>     of the
>     > public and is producing an expert system for identity mutation.
>     >
>     > +++
>     >
>     > KURATOR is collaborating with LX 2.0 to develop a programme of
>     new work
>     > to infect the Olympics.
>     > http://www.kurator.org/
>     > http://www.lisboa20.pt/lx20/
>     >
>     > The overall Anti-Bodies programme is curated and co-ordinated by
>     > Relational,
>     > Bristol, with support from Arts Council England.
>     > http://relational.org.uk/
>     >
>     > http://www.anti-bodies.net
>     > http://open.kurator.org
>     > http://www.art-social.net
>     >
>     >
>     >
>     >
>     >
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