This sounds like a perfect opportunity for a RL museum to enter SL and
establish an in-world facility to preserve and disseminate such work. Are
there any museum curator¹s lurking on this list ­ a Rudolf Frieling, David
Ross or Steve Dietz?

Regards

Simon


On 24/2/09 16:29, "Alan Sondheim" <[email protected]> wrote:

> 
> 
> Hi Simon,
> 
> Originally I was to have the space for an exhibition in July, 2008. This
> was through Sugar Seville, who ran the space (see below); I met her
> through Ian Ah, who also runs OCAD (Ontario College of Art and Design
> Hybrid). Sugar liked the work enough to turn the space over to me for a
> long residency, which originally was to end in November, then December,
> then the end of February. After that Sugar seemed to drop out of Second
> Life; none of us heard from her - I think I had 2 emails over months. I
> wrote repeatedly asking for a definite answer regarding the end of the
> installation and didn't hear (wrote her in email and IM in Second Life).
> Yesterday she suddenly opened up the space - all of the Odyssey sim - for
> anyone to change any piece. I found her online and convinced her to
> rescind the opening for a week. At the same time Doncoyote Antonelli had
> put up a large piece which enveloped mine; Sugar eventually took that
> down. She said she hadn't heard from me because her email was down and was
> apologetic, but the result of course is that the original length of stay
> on Odyssey is observed, and the piece won't be mine, whatever else it
> might be, after the end of this month. I'm doing as much documenting as I
> can. The head of a dance technology group here was also going to do a
> documentary on it; I'm not sure what will happen there. I'm grateful for
> the time I've had - Sugar repeatedly said it was the most interesting
> piece in SL and that's why she chose to keep it up. She also said she
> wouldn't be doing any more curating after the installation.
> 
> That's the story. Ian Ah, OCAD Minotaur, has opened up a space for me at
> the Hybrid digital campus of OCAD and I have a piece up there; I might try
> to move some of the Odyssey installation as well (it's fairly modular),
> but I don't know how long that space is available. What I'd need of course
> would be a more or less permanent installation in SL, at least for a few
> years, but rentals are high and we have no money (I'm not university
> affiliated of course). I'm going to speak to Ian about this space, but I'm
> not all that optimistic for the long term - it's a learning environment.
> 
> I hope you can keep the material on the installation in the article; I can
> send you images and video, but that's about it.
> 
> Apologies, and thank you!
> 
> yours, Alan
> 
> 
> 
> Hi Alan
> 
> Why are you taking this down?
> 
> I have just written a report on SL, in which your project features. It
> will
> be a pity if it isn?t there when people go to find it! It?s probably the
> most interesting thing in SL (strangely SL is too much like RL for my
> taste).
> 
> Regards
> 
> Simon
> _______________________________________________
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Simon Biggs
Research Professor
edinburgh college of art
[email protected]
www.eca.ac.uk
www.eca.ac.uk/circle/

[email protected]
www.littlepig.org.uk
AIM/Skype: simonbiggsuk


Edinburgh College of Art (eca) is a charity registered in Scotland, number 
SC009201


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