Hi Mark & all,

Very interesting discussion in many ways...

Now the maelstrom has passed. We have had a little time to reflect upon 
what was discussed on the list over a week ago on this subject. I do not 
particularly want to bring back the discussion where anyone is being 
aligned as being an anti-jew, which I see as a tactic to win an 
argument. I just wanted to pull a few things together, in respect of 
highlighting some of the issues that I personally felt were not dealt 
with - the fallout.

The main issue that I want to put forward which has always concerned me 
and it tends to happen often is, how the very people who are involved in 
raising and exploring (openly) important and difficult questions; can be 
tainted by it at the same time. I have had this experience myself in the 
past and it is one of those things which also, at that time can be 
unnerving and frustrating. Usually, when the situation itself does not 
allow a more contextual or relational understanding of who one is or 
where one is really coming from, as an individual - this can happen a 
lot with email discussions. Many things can be left unconsidered as well 
left unfinished. Which of course can more reflect the nature of list 
experience, yet it can also leave shades of misinformation and 
unquestoned asssumptions lingering in our memories that represent a more 
distorted view of things.

I 'personally' think that it is important for people to feel comfortable 
in knowing that they are able to express their own views and values on 
this list, whatever they may be. Even if they do not fit into the main 
concerns or purpose of the list's general interests or (assumed) shared 
ideals. This surely creates healthy controversies for all to explore, 
allowing shifts and potential space, for reasonings which 'many' may not 
experience (usually) in our everyday contexts. It can be messy and some 
of it may not be fully formed, but it is fresh and it is real, even if 
it is truncated through a digital, networked protocol such as email.

Secondly, I think when debating with each other on here, it may be 
useful (for me anyway it works) to consider that there is the choice and 
option to take into account that we are not actually the whole sum of 
what we discuss. I do not always agree with many things discussed on 
here, but I do take that extra bit of time to see where they are coming 
by researching about them outside of the list. This shows that, what an 
individual discusses may not necessarily represent them (literally) as a 
whole. By observing where some one is coming from outside of this list, 
we gather information that informs us more in how we can proceed 
regarding the subject and the dialogue.

"When people listen to you don't you know it means a lot,
'Cos you've got to work so hard for everything you've got."
Novelty - Joy Division.

marc



 >But hey, who doesn't like Monty Python?

 >Bob

Thanks, Bob, I'm glad to provide a little entertainment and I humbly bow 
to anyone else in the audience who hasn't already pegged me with a 
tomato. And apologies out to Bob and Rob for misreading "Rob" where I 
should have read "Bob" on that particular "truth" bit. I've loaded a 
glove with a brick and slapped myself silly for all of you.

Actually, I don't know why I didn't think of it before but this whole 
thing reminds me of the criticism of Hans Haacke for his Shapolsky 
Project in the 80s. Actually, folks are still debating it. I'm guessing 
that there would be a similar break down of interpretations from folks 
on the list as there were to Haacke's piece from critics in the 80's. 
I'd like to read thoughts...  or maybe not?

here's a relevant paragraph from
http://www.ccca.ca/c/writing/h/hassan/hass002t.html

"Leo Steinberg's text is not only an elaborate demonstration of an 
obvious failure to recognize the integrity of social / political art, 
but contains a perverse attack against Haacke. When reviewing the 
Real-Time Social Systems, he wonders why Haacke had to choose Shapolsky 
to illustrate a real estate network in New York City slums. He 
questions, 'Did this exposé of a stereotypical Jewish landlord express 
the old gut reaction that resents a non-Aryan presence among holders of 
wealth or was this the updated anti-Semitism of the New Left?', and 
writes from a completely cynical position when he flatly declares that, 
'The artist knows perfectly well that Mobil will not be induced to 
retreat from its South African market.' This is totally unlike Deutsche 
who locates the concepts of specificity and explains why Haacke selected 
the Shapolsky group as the subject for his work: in 1971 they held the 
largest concentration of properties in the Lower East Side and Harlem of 
any group owner. Thus Haacke's reasons were economic rather than racial. 
Deutsche' s insightful text articulately probes the temporal and 
relative nature of meaning within works of art to affirm the potential 
'education and transformation of the viewer' that further the 
implications of Haacke's work."



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