Although I don't feel sympathetic to the name - it has religious resonances to my hears ... I love the idea!
I cannot access the blog either, so here is a snippet from Louise Bourgeois: 'I don't need to be a feminist - I'm a woman.' Ciniza On 05/04/2009, [email protected] < [email protected]> wrote: > > Send NetBehaviour mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of NetBehaviour digest..." > > > Today's Topics: > > 1. 3 films I watched on the Internet this week. (marc garrett) > 2. Re: 4 ? 6 April: Pure Data FLOSS Manual Book Sprint. (Rob Myers) > 3. battery (Alan Sondheim) > 4. dotar / electric saz / cura cumbus (Alan Sondheim) > 5. Re: Ada Lovelace and multi-maryfestos (Majena Mafe) > 6. Re: Ada Lovelace and multi-maryfestos (cristina l. duarte) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Sat, 04 Apr 2009 13:43:15 +0100 > From: marc garrett <[email protected]> > Subject: [NetBehaviour] 3 films I watched on the Internet this week. > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > 3 films I watched on the Internet this week. > > marc > > Enjoy :-) > > > Wolf Vostell by E.d.H.R. 1968 > Wolf Vostell's philosophy was built around the idea that destruction is > all around us and it runs through all of the twentieth century. He used > the term d?-coll/age (in connection with a plane crash) to refer to the > process of tearing down posters, and for the use of mobile fragments of > reality. His first Happening, Theater is in the Street, took place in > Paris in 1958, and incorporated auto parts and a TV. > http://www.youtube.com/watch?v=XzGsVbSdD3k > > -------------------------------- > > Hackney Girl > The piece is a video-wall diary describing the artist's journey from > Hackney, London where there are significant immigrant populations of > Turkish extraction, to Istanbul in Turkey where he decided to live. It > is a love story documenting the artist's involvement with Hackney Girl's > eponymous heroine, Yasemin G?ven?, a Turkish actress, who went back to > Istanbul to work. > > A central theme is that of environments and the people that populate > them. As such it is a visual meditation on place and displacement. The > camera thus follows the people who inhabit the scene as well as the > scene itself. Each time you walk in a place like Hackney Marshes, the > weather, the people and the path you take all conspire to give you > another version of the same story: a walk in your environment. In > effect, each time you play Hackney Girl, you get another walk. > > The work draws on a visual library of nearly 600 stills and over 550 > short movie clips to present this visual collage of static shots and > moving images that also end in a freeze photo frame. This along with the > three by three grid of alternately filling and emptying screens provides > the piece's staccato rhythm. > http://www.blipstation.com/hackney_girl/hackney.html > > ------------------------------- > > Excerpts from Ren? Vi?net's 1973 film "Can Dialectics Break Bricks?" > "Imagine a kung fu flick in which the martial artists spout Situationist > aphorisms about conquering alienation while decadent bureaucrats ply the > ironies of a stalled revolution. This is what you'll encounter in Ren? > Vi?net's outrageous refashioning of a Chinese fisticuff film. An > influential Situationist, Vi?net stripped the soundtrack from a > run-of-the-mill Hong Kong export and lathered on his own devastating > dialogue. . . . A brilliant, acerbic and riotous critique of the failure > of socialism in which the martial artists counter ideological blows with > theoretical thrusts from Debord, Reich and others. . . . Vi?net's target > is also the mechanism of cinema and how it serves ideology." > http://www.youtube.com/watch?v=3wPCiyjtBfo > > wishing all well... > > > > > > > > > > ------------------------------ > > Message: 2 > Date: Sat, 04 Apr 2009 13:58:20 +0100 > From: Rob Myers <[email protected]> > Subject: Re: [NetBehaviour] 4 ? 6 April: Pure Data FLOSS Manual Book > Sprint. > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset="windows-1252" > > info wrote: > > 4 ? 6 April: Pure Data FLOSS Manual Book Sprint. > > > > FLOSS Manuals is proud to announce a three-day book sprint for the Pure > > Data FLOSS Manual. > > The book sprint at Libre Planet for "an introduction to the GNU/Linux > command line" was a great success, and whether you're at the event or > online it's fun and illuminating to join in with a book sprint. > > Sign up here - > > > http://en.flossmanuals.net/bin/view/Main/UserRegistration?origurl=/bin/view/Main/WebHome > > find out about editing here - > > http://en.flossmanuals.net/write > > and/or practice editing here - > > http://en.flossmanuals.net/bin/view/Testing/WebHome > > - Rob. > > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: signature.asc > Type: application/pgp-signature > Size: 259 bytes > Desc: OpenPGP digital signature > Url : > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20090404/0e80b116/attachment-0001.bin > > ------------------------------ > > Message: 3 > Date: Sat, 4 Apr 2009 16:13:54 -0400 (EDT) > From: Alan Sondheim <[email protected]> > Subject: [NetBehaviour] battery > To: [email protected] > Message-ID: <[email protected]> > Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed > > > > > battery > > > http://www.alansondheim.org/yy.mp4 > http://www.alansondheim.org/ yy pngs > > this is the culmination of the recent series (some images and video > has been removed to make room for this) - please check it out live > if you can - http://slurl.com/secondlife/Odyssey/48/12/22 or above. > rectilinear elements of yamantaka fold in upon themselves. if you go > to the space, turn the audio on, and video on and off. move in among > the elements, twist in them. fly among them, turn in them. here are > theory, deconstruction, phenomenology, in action. so much to say but > you may discover it at the site. oh please have a look! (by the way, > probably, with suitable suturing, a knot in four dimensions.) > > <Su_Graham> the battery was running low i had a nice sundress, a > battery-operated computer, with built-in modem, some reasonable and > emotional battery, until the battery dies or the power turns off. a screen > and a good battery, an hypothesis. oh so faint, this battery's life.. > > Taut by the computer battery, itself winding its way to exhaustion, and > the skin, melting among the realms; battery-charged Alan forays once again > into the coming storms. > > Consider a battery on a planet. The the planet is an open circuit in > relation to the battery, unless the battery is part of a closed circuit; > even in that case, one may what? Make a loop of some sort, and there's a > measurable potential between what? Between the battery and its vision. > > <Su_Graham> the battery was running low i had a nice sundress which > worked after we replaced the battery and something will get us there! > > Not always well. Anyway, think of his use of battery power because of the > electrical real. > > your battery tongue your generator dynamo > your battery tongue your generator dynamo > your battery tongue your generator dynamo > > an energetic life! > > the language-battery says things like this > "things like this are said by the language-battery" > no idea whatsoever and excellent language-battery > > close to my body, keeping it warm, the battery charged > close to my body, keeping it warm, the battery charged > close to my body, keeping it warm, the battery charged > > > (thanks to Sugar Seville - see talkingwithsugar pngs) > > > > > ------------------------------ > > Message: 4 > Date: Sun, 5 Apr 2009 02:31:40 -0400 (EDT) > From: Alan Sondheim <[email protected]> > Subject: [NetBehaviour] dotar / electric saz / cura cumbus > To: [email protected] > Message-ID: <[email protected]> > Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed > > > > dotar / electric saz / cura cumbus > > solos > > dotar > http://www.alansondheim.org/yy1.mp3 > electric saz > http://www.alansondheim.org/yy2.mp3 > cura cumbus > http://www.alansondheim.org/yy3.mp3 > dotar > http://www.alansondheim.org/yy4.mp3 > > > > ------------------------------ > > Message: 5 > Date: Sun, 5 Apr 2009 16:31:57 +1000 > From: "Majena Mafe" <[email protected]> > Subject: Re: [NetBehaviour] Ada Lovelace and multi-maryfestos > To: <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset="us-ascii" > > After the Ada extravaganza, I've been thinking about all these wonderful > women and wondering where are their manifesto's. I've decided they should > have be called multiple-maryfesto's rather than manifestos. The list of > recommendations for the Ada Lovelace list of women distinguished in > technologies has revealed a very very long and rich as bunch of little > known > women and their creative works. What were these women thinking I wonder, > what was their frame of inspiration, how broad was their maryfesto? and how > close or far from achieving it was their work as we now know it. Is what we > take to be their work ....'THE' work. Women's achievements in the arts, is > a > marginalized & subversive force. (how exciting) ... but am wondering what > others think about re-visiting the manifesto and testing applying some of > the best to their own 'means' of mischief. > > So.a maryfesto is a ...is a list inspiring paradigms that shape creative > work, be it sonic art, creative knitting, experimental ecriture writing or > avant-garde painting practices...this is the place where every maryfesto's > written by a self identifying 'mary' is welcome. > > Where are the lost maryfesto's, by all the brilliant mary minds of the > past? > What is the maryfesto frame women and mary's are working with now? > > I've started a new forum collecting and working with all sorts of creative > MULTI_MARYFESTOS http://multi-maryfest.bogspot.com > <http://multi-maryfest.bogspot.com/> > > Please participate if this interests you too. > > Majena Mafe > Let me listen to me and not to them... Gertrude Stein > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20090405/446ba723/attachment-0001.html > > ------------------------------ > > Message: 6 > Date: Sun, 5 Apr 2009 12:47:48 +0100 > From: "cristina l. duarte" <[email protected]> > Subject: Re: [NetBehaviour] Ada Lovelace and multi-maryfestos > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: > <[email protected]> > Content-Type: text/plain; charset="windows-1252" > > Hi Majena! > i appreciated very much your words, and I tried to enter the multi maryfest > blog - excellent name and idea - but it was not possible. even when a add a > l to 'bogspot' (http://multi-maryfest.bogspot.com), the result was nule, > and the blogger said the name was not registered. So, it's only to relate > this I'm writing to you, > hoping you have a nice sunday, > to you all, > my best wishes > cristina duarte. > > On Sun, Apr 5, 2009 at 7:31 AM, Majena Mafe <[email protected] > >wrote: > > > After the Ada extravaganza, I?ve been thinking about all these wonderful > > women and wondering where are their manifesto?s. I?ve decided they should > > have be called multiple-maryfesto's rather than manifestos. The list of > > recommendations for the Ada Lovelace list of women distinguished in > > technologies has revealed a very very long and rich as bunch of little > > known women and their creative works. What were these women thinking I > > wonder, what was their frame of inspiration, how broad was their > maryfesto? > > and how close or far from achieving it was their work as we now know it. > > Is what we take to be their work ....'THE' work. Women's achievements in > > the arts, is a marginalized & subversive force. (how exciting) ... but am > > wondering what others think about re-visiting the manifesto and testing > > applying some of the best to their own 'means' of mischief. > > > > > > > > So?a maryfesto is a ...is a list inspiring paradigms that shape creative > > work, be it sonic art, creative knitting, experimental ecriture writing > or > > avant-garde painting practices...this is the place where every > maryfesto's > > written by a self identifying 'mary' is welcome. > > > > > > > > Where are the lost maryfesto's, by all the brilliant mary minds of the > > past? What is the maryfesto frame women and mary's are working with now? > > > > > > > > I've started a new forum collecting and working with all sorts of > creative > > MULTI_MARYFESTOS http://multi-maryfest.bogspot.com > > > > > > > > Please participate if this interests you too. > > > > > > > > Majena Mafe > > > > Let me listen to me and not to them... Gertrude Stein > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20090405/b06f8226/attachment-0001.html > > ------------------------------ > > _______________________________________________ > NetBehaviour mailing list > [email protected] > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > End of NetBehaviour Digest, Vol 202, Issue 7 > ******************************************** > -- Cinzia Visions in the Nunnery 22 to 31 May 2009 openvisions.org
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