[email protected] * From: [email protected] * To: e <[email protected]> * Subject: [. e - k u n s t .] * Date: Sat, 16 May 2009 16:46:14 +0200 * Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:sender:from:date:x-google-sender-auth:message-id :subject:to:content-type:content-transfer-encoding; b=GoIrLMLl2vaplZV47yeqTLyOGlpU92EFDw+DeYx4+INDMJKvZR4XWP45YUGBLBA46H NOPC/9ltVELdM5sA78hPMzi7eI21GAU7DLJGxBSf0AR2AdS0ApIlxtxotI2JIQQG54j+ tWfeJ6m4+bXhkOQYRURyucZ3v9kRL2v5PAETI=
note on still life http://noemata.net/stilleben/?C=M;O=A ;(1-5) (Redirected from Stilleben) still.life or still-life considering the dot . art and life vs dynamic network and stasis does still-life as net.art suggest something? other than full stop of dynamis as network of stasis vanitas of social networking (narcissus)? twitter versus Only, this, I dont know what this is baxwbakwalanuxwsiwe -the Cannibal-of-the-North-End-of-the-World the debug code might give another sense of still-life private client-side run closed off but with mirror and window (how window almost looks like a mirror of mirror) warm-/cold-blooded homeostasis "tends to maintain a stable, constant condition" web2.0 self-amputation (obsolence) forbids self-recognition. closure or displacement of perception. (anti)narcissus: the youth narcissus would mistake another person's reflection in the water for himself. to adapt to your extention is to become a closed system. writing made introspection possible (horrible, horror vacui) blake sees men fragmented by his technologies, a visual stress when number appears. internet killed the video arts, UM s152 Fragmentation "beyond the power of touch, or hearing, or smell, or movement" number : touch, code also touch intimate life stream (introspection) facebook status updateshttp://www.youtube.com/watch?v=1GSpp3rm_Ic monkey mirror vanitas gravitas "It seems contradictory that the fragmenting and divisive power of your analytic Western world should derive from an accentuation of the visual faculty. This same visual sense is, also, responsible for the habit of seeing all things as continuous as connected. Fragmentation by means of visual stress occurs in that isolation of moment of time, or of aspect in space, that is beyond the power of touch, or hearing, or smell, or movement. By imposing unvisualizable relationships that are the result of instant speed, electric technology dethrones the visual sense and restores us to the dominion of synesthesia, and the close interinvolvement of the other senses."1 "in our electric age of instant and non-visual forms of interrelation, we find ourselves at a loss to define the "rational", if only because we never noticed whence it came in the first place.2 infinity, perspective, and vanishing point. while the still life: zero really meant a positional gap (cipher), it didn't aquire infinity until renaissance painting. dynamic content still life. dynamic? running code: running to stay in the same place. life coding? a place to run to stay to ... or a life to stray still like a bug/debug - bugdeb like mo-de-m. trompe l’oeil room effect. looking in binoculars beats it (stereoscopy), we forget that binoculars also enhance close objects into hyperreality. as with other artifacts they find their conventional use in recreating the ordinary eye in outer space to make the universe even flatter. the estethical flattening?: narcissus technology, visual arts. tao? the chinese language consists of visual gestalts, whole and continuous in contrary to the phonetic alphabet, which are like soldiers (versus emperor's still life terracotta army), does the still life depict some sense of the visual whole that relates to tao, but above all the estethification of life as art tending to the narcotic, if not directly narcissistic. noemata: the amputation of thoughts, amputation - amplification - art (numbness, beauty, narcosis). and the artist drug addict (introspection self-hypnosis, the thought-object). when i see a real-life movie like this, from inside a car moving, i'm transported to my childhood. it must be that the flattening of the movie corresponds to the child's experience of reality, before we learn to see depth more clearly. in hypnosis maybe there's a flattening, the hands seemed to be a flat image. Bien. What a language, as you would say. Nothing to object or expand. touch and number and code: where the heavy visual stress of literacy is lacking there occurs another form of sensuous involvement - patted, petted and prodded, you may end up feeling like the family dog. This propensity seems to us a tactile extension, as though trying to find out what you are made of. less literacy, ward off that insupportable silence which threatens to reign whenever conversation lags. the visual stress tending to touch seems to imply a relation between the visual and code, via number understood as an extension of the tactile sense. the debug code being put here in the still life explores somehow the tactile sense of the visual. for me it emphasizes its still life. "the spoken word does not afford the extention and amplification of the visual power needed for habits of individualism and privacy." "Bergson argues in creative evolution that even consciousness is an extension of man that dims the bliss of union in the collective unconscious" in some sense the visual arts, a still life of sorts removes the visual bliss from reality. nerve endings,extension of nerves media neverendings : uttering,outer ring 1: state[g0] is not ready 2: state[g0] is not ready 3: state[g0] is not ready 4: state[g0] is not ready 6: state[g0] is not ready 7: state[g0] is not ready 15: changeState( [object Object],g0,downrightB) 16: changeState( [object Object],g0,downrightB) 17: changeState( [object Object],g0,downrightB) 18: changeState( [object Object],g0,downrightB) 19: changeState( [object Object],g0,downrightB) 20: changeState( [object Object],g0,downrightA) 21: changeState( [object Object],g0,circle) 22: changeState( [object Object],g0,upleftA) 23: changeState( [object Object],g0,waitupleftA1) 24: changeState( [object Object],g0,waitupleftA1) 53: curren state/scenario: g0,waitupleftA1) 54: checkOnMouseOver( 0,0) 55: curren state/scenario: g0,waitupleftA1) 56: checkOnMouseOver( 0,0) 57: curren state/scenario: g0,waitupleftA1) 58: checkOnMouseOver( 0,0) 59: curren state/scenario: g0,waitupleftA1) 60: checkOnMouseOver( 0,0) 61: curren state/scenario: g0,waitupleftA1) 62: changeState( [object Object],g0,waitupleftA1) 70: changeState( [object Object],g0,downleftA) 71: changeState( [object Object],g0,downleftA) 72: changeState( [object Object],g0,waituprightB1) 73: changeState( [object Object],g0,downleftA) 74: changeState( [object Object],g0,downleftA) 75: changeState( [object Object],g0,downleftA) 76: changeState( [object Object],g0,downleftA) 77: changeState( [object Object],g0,upleftA) 78: changeState( [object Object],g0,downleftA) 79: changeState( [object Object],g0,upleftA) 176: changeState( [object Object],m4,pause) 177: changeState( [object Object],m4,pause) 178: changeState( [object Object],m4,pause) 179: changeState( [object Object],m4,pause) 180: changeState( [object Object],m4,pause) 181: changeState( [object Object],m4,pause) 182: changeState( [object Object],m4,pause) 183: changeState( [object Object],m4,fly_right) 184: changeState( [object Object],m4,pause) 185: changeState( [object Object],m4,fly_down) 341: changeState( [object Object],m4,pause) 342: checkOnMouseOver( 0,3) 343: curren state/scenario: m4,pause) 344: changeState( [object Object],m4,pause) 345: changeState( [object Object],m4,pause) 346: changeState( [object Object],m4,pause) 347: changeState( [object Object],m4,pause) 348: changeState( [object Object],m4,fly_right) 349: changeState( [object Object],m4,fly_down) 350: changeState( [object Object],m4,fly_down) 1330: changeState( [object Object],m4,fly_up) 1331: changeState( [object Object],m4,fly_up) 1332: changeState( [object Object],m4,fly_left) 1333: changeState( [object Object],m4,fly_up) 1334: changeState( [object Object],m4,fly_up) 1335: changeState( [object Object],m4,fly_up) 1336: changeState( [object Object],m4,fly_left) 1337: changeState( [object Object],m4,fly_up) 1338: changeState( [object Object],m4,fly_up) 1339: changeState( [object Object],m4,fly_up) 2248: changeState( [object Object],b0,left) 2249: changeState( [object Object],b0,left) 2250: changeState( [object Object],b0,left) 2251: changeState( [object Object],b0,left) 2252: changeState( [object Object],b0,left) 2253: changeState( [object Object],b0,left) 2254: changeState( [object Object],b0,left) 2255: changeState( [object Object],b0,left) 2256: changeState( [object Object],b0,left) 2257: changeState( [object Object],b0,left) 3422: changeState( [object Object],m4,fly_right) 3423: changeState( [object Object],m4,fly_right) 3424: changeState( [object Object],m4,fly_left) 3425: changeState( [object Object],m4,fly_up) 3426: changeState( [object Object],m4,fly_up) 3427: changeState( [object Object],m4,fly) 3428: changeState( [object Object],m4,fly_right) 3429: changeState( [object Object],m4,fly_down) 3430: changeState( [object Object],m4,fly) 3431: changeState( [object Object],m4,fly_left) 4806: changeState( [object Object],m4,fly_right) 4807: changeState( [object Object],m4,fly) 4808: changeState( [object Object],m4,fly_right) 4809: changeState( [object Object],m4,fly) 4810: changeState( [object Object],m4,fly_down) 4811: changeState( [object Object],m4,fly_up) 4812: changeState( [object Object],m4,fly_right) 4813: changeState( [object Object],m4,fly_up) 4814: changeState( [object Object],m4,fly_up) 4815: changeState( [object Object],m4,fly) 7161: changeState( [object Object],m4,fly_down) 7162: changeState( [object Object],m4,fly) 7163: changeState( [object Object],m4,fly_left) 7164: changeState( [object Object],m4,fly) 7165: changeState( [object Object],m4,fly) 7166: changeState( [object Object],m4,fly_down) 7167: changeState( [object Object],m4,fly_up) 7168: changeState( [object Object],m4,fly_left) 7169: changeState( [object Object],m4,fly_right) 7170: changeState( [object Object],m4,fly_left) * [. e - k u n s t .], INTERNET Archive powered by MhonArc 2.6.15. _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
