*REAL ONES ALWAYS SURVIVE *

*or WOULD WE SAY NO? IV*

*A tour against racism and polemics in every day language and thinking
through a few districts of Vienna in June 2009*

The media artist Alexandra Reill together with the social worker Karin
Gruber take to the street with their socio-cultural project REAL ONES
ALWAYS SURVIVE or WOULD WE SAY NO? IV. The interdisciplinary team tours
the districts Leopoldstadt, Landstraße, Margareten, Neubau, Alsergrund,
Ottakring and Donaustadt – the vast majority of these districts being
working class neighbourhoods. At street fairs, traffic junctions and in
markets the team distribute to people in the street [post] cards with
images and text quotations out of the media showing the bluntness of
prejudices and populist arguments used by racist forces at all times.

 

 

*Place and Time*
*
9th district: Alsergrund: June 6, 2009*
at the Südwind festival in the old AKH
11 am to 6 pm

*7th district: Neubau: June 7, 2009*
at the street fair in Stiftgasse on Spittelberg
1 pm to 10 pm

*2nd district: Leopoldstadt: June 12, 2009*
in front of the church Nepomukkirche on Praterstraße
10 am to 2 pm

*5th district: Margareten: June 13, 2009
on Margaretenplatz*
10 am to 5 pm

*3rd district: Landstraße: June 19 and 20, 2009
in front of the subway station Rochusgasse on Rochusmarkt*
3 pm to 7 pm


*22nd district: Donaustadt: June 19 and 20, 2009
as an installation in public space on Genochmarkt in cooperation with MIK*
6 pm to 11 pm
*
16 th district: Ottakring: June 20, 2009
at the farmer's market on Yppenplatz*
10 am to 2 pm

With their historic text and image citations, the cards document the
situation of unemployed people in the 30ies, Nazi propaganda on the term
work and enthusiasm of the vast majority of the Viennese population for
the "Anschluß" 1938. Contemporary motifs are compared to today's
polemics surrounding the issue of work and prosperity, areas of social
life, still and again strongly used by racist forces defaming and
segregating people with different cultural backgrounds without any
differentiation, having gone so far lately that they show their
preparedness to threaten and kill people.

The card objects point out how deceptive populism is and acts but how
powerful it is in its influence on attitudes of people. In this context,
the question of how deeply rooted fascistoid and racist attitudes are in
Viennese populations, is not blocked out. Not only prompted by current
incidents in Austrian society but also on a long-term basis a sustained
analysis of contemporary anti-semitism and racism in everyday thinking
and language is an issue.

The white cube is probably the wrong place, and maybe contemporary
cultural production took to the street a long time ago. In any case, for
the transdisciplinary and socio-cultural profile of this project the
artistic approach of intervening in public space and directly
encountering people works particularly well. As a sign of communication
in public space and as a reminder sign in kitchens and living rooms, the
printed [post] card itself as much as the changing of the cards from one
hand to the other opens up the possibility of outreach to people, mobile
discourse and open dialogue. With her project REAL ONES ALWAYS SURVIVE
or WOULD SAY NO? IV, a fourth adaptation of the original sequence
installed in shops and restaurants in Kirchengasse and Siebensterngasse
in 1070 Vienna in autumn 2008, Alexandra Reill stands up to everyday
racism and xenophobia, prejudice and populist polemic and the fear of
the unknown.

*
Team *
Concept:
Alexandra Reill
Intervention in public space, video documentation:
Alexandra Reill, Karin Gruber
Production:
kanonmedia, Vienna 2009

*Press Contact*
Alexandra Reill
call: + +43 [0] 6991 820 70 03
write to: 12/24, Richtergasse, A 1070 Vienna
mail to: [email protected]
visit: http://www.kanonmedia.com

Support
REAL ONES ALWAYS SURVIVE or WOULD SAY NO? IV  is supported by the
following Municipalities:

1020 Vienna 1030 Vienna 1040 Vienna 1050 Vienna
1070 Vienna 1090 Vienna 1160 Vienna 1170 Vienna

At this point we would also like to thank Mission Ignition Kagran and
Südwind hosting the projects in the context of the socio-cultural
interventions on MIK Genochmarkt and within the framework of the Südwind
Festival.

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