hi that would be perfect!
dave 2009/7/11 Alan Sondheim <[email protected]>: > > > Hi - I hate to sound moronic, but when you've finished this, could you > post it with easy instructions, so we could all use it? The one program I > liked, that Jim Reith did, was the one with the mathematics function built > in (as I mentioned, you can rewrite the function to do any number of > things) - the result was always surprising. I thought of it in the same > way you might have written a mathematical filter in gimp for visual > images, something like that. But gimp paves the way; it was harder in > text. > > Thanks greatly! - Alan > > > On Fri, 10 Jul 2009, www-data wrote: > >> [email protected]> >> Date: Fri, 10 Jul 2009 18:17:19 +0000 >> X-Mailer: IlohaMail/0.8.14 (On: webmail.positive-internet.com) >> Message-ID: <[email protected]> >> In-Reply-To: <[email protected]> >> From: "james morris" <[email protected]> >> Bounce-To: "james morris" <[email protected]> >> Errors-To: "james morris" <[email protected]> >> MIME-Version: 1.0 >> Content-Type: multipart/mixed; >> boundary="[email protected]" >> >> >> This message is in MIME format. >> >> [email protected] >> Content-Type: text/plain; charset=ISO-8859-1 >> Content-Transfer-Encoding: quoted-printable >> >> Sometimes I like the subject line to be slightly misleading and perhaps >> make the content sound more cleverer than it is. plus one section of it >> loosely brought to mind atoms and stuff. >> >> BTW, the liberroneous is coming along nicely and i've kludged together >> some autotools stuff and now liberroneous is built and installed as a >> genuine library that can be linked against ( gcc myprog.c -lerroneous -o >> myprog ). recent investigations have revealed there were already in >> existence in the standard C library functions performing the function of >> some of the functions i've created in liberroneous. nevermind, mine are >> more sensibly named. anyway, the motion thing - this is a library which >> does stuff to ascii text and so how it's used is down to the developer >> using it - motion was certainly something i realised during creation the >> output i posted as 'string theory'. the section quoting Pall's >> message regarding art/language unfortunately got mangled by the webmail >> system when it sent. find proper version attached. i thought the motion >> thing here: the stripes could move horizontally. anything. code is not >> ready yet for release. investigations into things like: >> >> char* getpointerwithinastringsomehow(const char* str) >> >> where the return value is of type 'char*' and is a pointer within the >> string 'str' which is of type 'const char*' so warnings about >> conversion upon returning the ptr are emitted and look untidy and non >> professional so am gonna download and try getting my head round the >> standard C lib and looking into the implementations of the string >> functions (those in string.h) to see how they do it - if it's at all >> readable and not drowned in conditional compiles and macros and other >> weird stuff i know nothing about. >> >> yes theres aalib - an ascii art library, but liberroneous i trying to >> gear more toward being a library for text manipulation much like some of >> the scripts you use do. >> >> james >> >> On 10/7/2009, "Alan Sondheim" <[email protected]> wrote: >> >>> >>> >>> Why string theory and not string transformations? Just curious. >>> One thing comes to mind - if you page fast down, you get motion - there >>> are people who have made ascii films that way - and I think even Guy >>> Debord's situationist film was treated that way - Alan >>> >>> >>> On Fri, 10 Jul 2009, james morris wrote: >>> >>>> >>>> ...desrever neeb sah gnirts sihT >>>> >>>> We coul\ \d, for \ \instanc\ \e say t\ \hat Imp\ >>>> \ression\ \ism emp\ \loys a \ \visual \ >>>> \languag\ >>>> \e based\ \ not on\ \ a flow\ \ing gra\ \dation >>>> \ >>>> \of colo\ \r but a\ \ more s\ \egmente\ \d, >>>> grad\ >>>> \ual bui\ \lding o\ \f color\ \. I don\ \'t >>>> know\ >>>> \ if eve\ \ryone w\ \ould ag\ \ree tha\ \t >>>> this \ >>>> \is corr\ \ect but\ \ that's\ \ beside\ \ >>>> the po >>>> \ \int. Th\ \e thing\ \ is tha\ \t a lot\ \ >>>> of pe >>>> o\ \ple wer\ \e so ha\ \ppy wit\ \h the n\ >>>> \eo-cl >>>> as\ \sical "\ \flow" o\ \f color\ \s (impe\ >>>> \ccab >>>> ly \ \blended\ \ gradie\ \nts, et\ \c.) tha\ >>>> \t t >>>> hey \ \couldn'\ \t under\ \stand w\ \hy some\ >>>> \on >>>> e wou\ \ld want\ \ to bre\ \ak that\ \ up int\ >>>> \o >>>> somet\ \hing sp\ \lotchy \ \and pat\ \chy. To\ >>>> \ >>>> the cr\ \itics i\ \t just \ \didn't \ \make se\ >>>> \nse to \ \attempt\ \ a text\ \ural re\ >>>> \present\ >>>> \ation o\ \f somet\ \hing ba\ \sed on \ \a >>>> textu\ >>>> \re that\ \ just w\ \asn't t\ \here. T\ \his >>>> was\ >>>> \ a visu\ \al lang\ \uage us\ \ed by t\ \he >>>> impr\ >>>> \essioni\ \sts. Th\ \en we g\ \et the \ >>>> \same so\ >>>> \rt of t\ \hing wi\ \th Duch\ \amp whe\ \re >>>> no o >>>> \ \ne unde\ \rstands\ \ the co\ \nceptua\ >>>> \l lang >>>> u\ \age of \ \his sug\ \gestion\ \ that a\ >>>> \n ups >>>> id\ \e down \ \urinal \ \can be \ \a work \ >>>> \of a >>>> rt \ \worthy \ \of a sp\ \ot in a\ \ museum\ >>>> \ si >>>> mply\ \ becaus\ \e the a\ \rtist h\ \as sign\ >>>> \ed >>>> it. \ \Kandins\ \ky didn\ \'t even\ \ expect\ >>>> \ >>>> people\ \ to und\ \erstand\ \ his vi\ \sual la\ >>>> \ >>>> nguage \ \so he w\ \rote "d\ \ictiona\ \ries" >>>> o\ >>>> \f sorts\ \ to exp\ \lain it\ \. I say\ \ that >>>> a\ >>>> \rt is a\ \lways e\ \litist \ \because\ \ the >>>> ac\ >>>> \t of cr\ \eating \ \somethi\ \ng as a\ \rt >>>> sugg\ >>>> \ests th\ \at it t\ \he arti\ \st's "v\ >>>> \ersion"\ >>>> \ has so\ \me tran\ \scenden\ \tal qua\ >>>> \lity to\ >>>> \ it. Ev\ \en in t\ \he case\ \ of Tho\ >>>> \mas Kin >>>> \ \caid. T\ \he fact\ \ that h\ \e creat\ >>>> \es pai >>>> n\ \ting su\ \ggests \ \that he\ \, at le\ >>>> \ast, >>>> fe\ \els tha\ \t the r\ \esult o\ \f his b\ >>>> \rush >>>> wor\ \k someh\ \ow tran\ \scends \ \the act\ >>>> \ual >>>> obj\ \ects he\ \'s pain\ \ting. I\ \n the b\ >>>> \ro >>>> adest\ \ sense \ \of the \ \word, t\ \hat has\ >>>> \ >>>> to cou\ \nt as a\ \ type o\ \f eliti\ \sm. >>>> >>>> ##########(1)(3)###############(2)####(1)(3)###############(2)## >>>> ##(1)(3)###############(2)####(1)(3)###############(2)####(1)(3) >>>> ###############(2)####(1)(3)###############(2)####(1)(3)######## >>>> #######(2)####(1)(3)###############(2)####(1)(3)###############( >>>> 2)####(1)(3)###############(2)####(1)(3)###############(2)####(1 >>>> )(3)###############(2)####(1)(3)###############(2)####(1)(3)#### >>>> ###########(2)####(1)(3)###############(2)####(1)(3)############ >>>> ###(2)####(1)(3)###############(2)####(1)(3)###############(2)## >>>> ##(1)(3)###############(2)####(1)(3)###############(2)####(1)(3) >>>> ###############(2)####(1)(3)###############(2)####(1)(3)######## >>>> #######(2)####(1)(3)###############(2)####(1)(3)###############( >>>> 2)####(1)(3)###############(2)####(1)(3)###############(2)####(1 >>>> )(3)###############(2)####(1)(3)###############(2)####(1)(3)#### >>>> ###########(2)####(1)(3)###############(2)####(1)(3)############ >>>> ###(2)####(1)(3)###############(2)####(1)(3)###############(2)## >>>> ##(1)(3)###############(2)####(1)(3)###############(2)####(1)(3) >>>> ###############(2)####(1)(3)###############(2)####(1)(3)######## >>>> #######(2)####(1)(3)###############(2)####(1)(3)###############( >>>> 2)####(1)(3)###############(2)####(1)(3)###############(2)####(1 >>>> )(3)###############(2)####(1)(3)###############(2)#### >>>> >>>> this string will be repeated once:this string will be repeated once: >>>> >>>> th#s #trin# #as#b##n r#n#omly #ar### #ith # h##h ##arac###. >>>> t#i# str#n# #a##b#en rand##l# #ark#d w#th a##a#h cha###te## >>>> th#s#string#h#s #e###randomly#m#rked #it# # hash ch##acter. >>>> th## stri## #as#b#en##and#mly#marked wi#h a##### cha###t#r# >>>> thi# st#in# has #een#rando##y #ar#ed with # ha#h#c#####t#r. >>>> >>>> Thi*s string* ha*s be*en r*and*omly* sp*lit int*o s*ubstr*ing*s >>>> betwe*en 3 *and 8* cha*racte*rs long* and *glued *back to*gether >>>> * (then h*ard w*rapped t*o 64 *chars w*idth)..*. >>>> This str*ing* has be*en rando*mly spl*it into* substr*ings b*etw >>>> een 3* and 8 *char*acters* long an*d gl*ued* back to*gethe*r (th >>>> en *hard* wr*apped to* 64 cha*rs wid*th)... >>>> This s*tring *has* been *rand*omly spl*it into *substrin*gs bet* >>>> ween 3 *and 8* ch*ara*cte*rs lon*g and *glued *back to*geth*er ( >>>> t*hen* har*d wr*app*ed *to 6*4 c*har*s width)*... >>>> >>>> 'this string will be rotated left by one character each time...' >>>> 'his string will be rotated left by one character each time...t' >>>> 'is string will be rotated left by one character each time...th' >>>> 's string will be rotated left by one character each time...thi' >>>> ' string will be rotated left by one character each time...this' >>>> 'string will be rotated left by one character each time...this ' >>>> 'tring will be rotated left by one character each time...this s' >>>> 'ring will be rotated left by one character each time...this st' >>>> 'ing will be rotated left by one character each time...this str' >>>> 'ng will be rotated left by one character each time...this stri' >>>> 'g will be rotated left by one character each time...this strin' >>>> ' will be rotated left by one character each time...this string' >>>> 'will be rotated left by one character each time...this string ' >>>> 'ill be rotated left by one character each time...this string w' >>>> 'll be rotated left by one character each time...this string wi' >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> [email protected] >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>>> >>> >>> >>> >>> | Alan Sondheim Mail archive: http://sondheim.rupamsunyata.org/ >>> | Webpage (directory) at http://www.alansondheim.org >>> | [email protected], [email protected], tel US 718-813-3285 >>> ! 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