City as Stage, City as Process - MIT Visual Arts Program Lecture Series 
Fall 2009.

Monday, October 26, 2009
7:00pm
'Propaganda City'
Speaker: Mike Bonanno of 'The Yes Men'

Massachusetts Institute of Technology
Bartos Theater
(Building E15, Wiesner Building)
20 Ames Street
Cambridge, MA, USA
Map
Phone: 001-617-253-5229
Contact:
[email protected]

http://visualarts.mit.edu/

The activist collective The Yes Men transformed New York City for a day 
through a tactical media intervention. A hoax print of the New York 
Times was massively distributed throughout the city during the US 
presidential election campaign in 2008.

The Yes Men have an unusual hobby: posing as top executives of 
corporations they hate. Armed with nothing but thrift store suits, The 
Yes Men lie their way into business conferences and parody their 
corporate targets in ever more extreme ways - basically doing everything 
that they can to wake up their audiences to the danger of letting greed 
run our world. The Yes Men were featured in the documentary, The Yes Men 
Fix the World, which won the Panorama Audience Award at the 2009 Berlin 
Film Festival.

This lecture series, City as Stage, City as Process, brings together 
speakers from art and (counter) culture, architecture, urbanism, and 
media technology to discuss such questions as: In what way is the city 
not a fixed entity, but a process? How do artists and cultural activists 
reclaim the street, activating the city as backdrop and insisting on the 
right to a public sphere? What makes a city a city? Who owns the city? 
How can media technology be designed to intervene in and navigate the 
city? The MIT Visual Arts Program (VAP) lecture series is directed by 
Ute Meta Bauer and Amber Frid-Jimenez. On the occasion of the 20th 
anniversary of the VAP this term, the lecture series highlights the 
issues at the core of the academic program and the work and research of 
the faculty.

LECTURE SERIES SCHEDULE

09/28/09 - Factory City
Christoph Schaefer
In the new urban fabric, subcultures, cultural workers, musicians and 
artists play a significant role as producers of collective spaces, of 
places shaped by desires, and as inventors of new perspectives and 
lifestyles. Christoph Schaefer will introduce Park Fiction, a collective 
self-organised project that sought to break an expensive piece of land 
at the prestigeous riverbank of Hamburg St. Pauli out of the grip of 
real estate developers. This fight by residents, along with artists, for 
the right to the city, and against gentrification, succeeded in the 
creation of a public park with a harbor view. Hamburg-based German 
conceptual artist Christoph Schaefer focuses on urban space and how it 
can be altered through art.

10/05/09 - Performative City
Joan Jonas
Performance and video pioneer Joan Jonas screens and discusses her 
outdoor performance pieces Jones Beach Piece, Nova Scotia Beach Piece, 
and Delay, Delay that she developed into a video piece titled Song Delay 
(1973). First performed in lower Manhattan in 1972, the footage was shot 
from the roof of a loft building. From there, the audience overlooked 
the performance taking place in empty lots below with a view to the 
distant docks of the Lower West Side. Performing with a cast that 
included Gordon Matta-Clark, Jonas choreographed a theater of space, 
movement and sound with the urban landscape of New York in a featured 
role. She performed this piece a second time in Rome, where the audience 
watched the performance from the other side of the Tiber riverbank. Joan 
Jonas is a professor in the MIT Visual Arts Program, teaching 
performance and related media.

10/19/09 - Public City
Antoni Muntadas
Artist Muntadas investigates notions of 'City' and 'public.' Is there 
still a public space? Is the city a place for interventions? City 
authorities and the private sector provide surveillance and control. Yet 
it is the city dwellers who should make critical decisions over the 
city. Can they? What contribution can artists, architects, designers, 
city planners make today to this discussion? Antoni Muntadas is a 
visiting Professor of the Practice in the MIT Visual Arts Program. In 
his teaching, Muntadas focuses on the shift of public art to the 
production of public spheres through artistic intervention.

10/26/09 - Propaganda City
Mike Bonanno of the The Yes Men
The activist collective The Yes Men transformed New York city for a day 
through a tactical media intervention. A hoax print of the New York 
Times was massively distributed throughout the city during the US 
presidential election campaign in 2008. The Yes Men have an unusual 
hobby: posing as top executives of corporations they hate. Armed with 
nothing but thrift-store suits, they lie their way into business 
conferences and parody their corporate targets in ever more extreme ways.

11/02/09 - Protest City
Ana Miljacki, Nomeda Urbonas
Architect and architecture theorist Ana Miljacki speaks about her 
project Classes, Masses, Crowds. Representing The Collective Body and 
The Myth of Direct Knowledge. Miljacki is an Assistant Professor in 
MIT's Department of Architecture. Nomeda Urbonas, member of the 
Lithuanian artist collective Gediminas and Nomeda Urbonas, talks about 
the concept, process, and outcome of their project Pro-test Lab, a 
multi-dimensional project to save a historical cinema in Vilnius.

11/09/09 - Fragmented City
Angus Boulton
Berlin-based English photographer Angus Boulton talks about his photo 
series Richtung Berlin currently on view at the Wolk Gallery in MIT's 
Department of Architecture. This 'Becoming Berlin' event is 
collaboration between the MIT Museum and the MIT Visual Arts Program on 
the occasion of the twentieth anniversary of the fall of the Berlin 
wall. Boulton's Berlin images are currently on view at the Wolk Gallery 
in MIT's Department of Architecture.

11/16/09 - Porous City
Krzysztof Wodiczko
Artist Krzysztof Wodiczko introduces his critical design proposals 
including Poliscar and Homeless Vehicles. Wodiczko's work points toward 
the search for the city to come, one which provides a space that allows 
for disagreement, a prerequisite for democracy. This lecture coincides 
with his solo show at the ICA Boston, which will be open November 4, 
2009 to March 28, 2010. Wodiczko is a professor in the MIT Visual Arts 
Program and Director of the Interrogative Design Workshop and the Center 
for Advanced Visual Studies at MIT.

ABOUT US

The MIT Visual Arts Program offers a two-year Masters of Science in 
Visual Studies (SMVisS). The program emphasizes the development of 
artistic practices focusing on artistic research and transdisciplinary 
studies. The program is part of the Department of Architecture at the 
Massachusetts Institute of Technology

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