Can anyone save me some time and brainwork and suggest why this makes me
feel a bit icky?
Perhaps an experiment in Cloudthink , Cloudcriticality, Cloudmeanness?

: )
Ruth

-----Original Message-----
From: info <[email protected]>
Reply-To: NetBehaviour for networked distributed creativity
<[email protected]>
To: NetBehaviour for networked distributed creativity
<[email protected]>
Subject: [NetBehaviour] THE CLOUD – BROADCASTING HUMANITY
Date: Sat, 21 Nov 2009 11:56:47 +0000


(sent to the list from Alex Haw)

THE CLOUD – BROADCASTING HUMANITY

There’s new weather ahead – inhabitable digital weather, rising above 
London, sometime soon.

The CLOUD is a vast collaborative project to build a new spatial 
communications platform for the London Olympics in 2012. Designed by a 
global team of experts, it proposes a giant aerial cluster of 
transparent occupiable inflatable spaces saturated with intelligent LED 
technology, fed by real time information from all over the world. The 
CLOUD fulfils London’s potential to host the world’s first truly digital 
Olympics, a hymn to the democracy of the web, and the diversity of the city.

The project celebrates our new age of digitality – a monument to Code 
rather than Carbon, flickering with feeds from around the world and 
fund-raised by a collective humanity self-organising around social 
networks. Like clouds themselves, the CLOUD arises from local conditions 
but effortlessly transgresses borders and boundaries, nourished by 
contributions and communications from communities collaborating across 
space and time. Visitors lend their presence, their thoughts and their 
energy, able to ascend London’s ethereal artificial apex by foot or 
bicycle, the potential energy of their descent transmuted into 
electricity powering this great new climate towards carbon-neutrality.

 The CLOUD also innovates Joerg Schlaich’s world-class cable-net 
structures a step further, with exceedingly slender elements and 
absolutely minimal material used to engineer an astronomical volume – a 
delicate yet robust filigree of reliable high-tech components, its 
ingredients familiar, their composition radically new. Its luminous LED 
surfaces will be fed both by user-generated content – “the People’s 
Pixels” – and by Google’s vast databases, spatialising vast ranges of 
information like energy use, decibel levels, spectator numbers, medal 
tallies, transport patterns, mobile activity, internet traffic etc.

Like a cloud itself, the project has grown from many smaller elements, 
collecting partners and experts from around the world, forming an 
ever-shifting collective stretching across countries and timezones. The 
core team includes atmos, carlorattiassociati, the SENSEable City lab 
(MIT), Tomas Saraceno, Google, Arup, Sclaich Bergermann, Agence Ter, GMJ 
and Studio FM. The advisory committee includes writer and critic Umberto 
Eco, lead BMW designer Chris Bangle and architectural visionary William 
Mitchell. atmos first collaborated with MIT on a project for the Milan 
Triennale involving, appropriately, the clouding of smart glass for 
privacy; a short initial video of Spacebook is at 
http://www.youtube.com/watch?v=UYE5EXpgmN8


The CLOUD was initially conceived and coordinated by Carlo Ratti of 
carlorattiassociati - Walter Nicolino & Carlo Ratti; the team includes:


atmos   art/architecture group

MIT Senseable City Laboratory                         urban research cluster

Tomas Saraceno                                               artist

Joerg Schlaich                                                  
lightweight-structures expert

ARUP                                                                  
engineering group

Agence Ter                                                        
landscape architects

Studio FM                                                          
graphic designers

GMJ                                                                    
visualisation experts

Advisors to the team include Umberto Eco, Marco Santambrogio, Chris 
Bangle, Giuliano da Empoli, Antoni Muntadas, William Mitchell, Paul 
Richens, Gianluca Salvatori, Caterina Ginzburg, Liza Fior and Margo Miller.

Related upcoming atmos projects include an installation of a new version 
of Weather Projection (synchronous social sunlight) in London in January 
and a performance of Lumiskin (luminous responsive enclosures) in February.

For more information, please email Alex Haw at [email protected] or 
[email protected]  

 

All the best,

Alex



QUOTES



Alex Haw (atmos) 
:                                                                               
                              
 

The CLOUD proposes an entirely new form of observation deck, from which 
one can not only connect to the whole of London but the whole of the 
world, immersed in the gusts of weather and digital data.

Like all tell-tale signs of brooding weather, the CLOUD is a display 
system. It is both screen and barometer, archive and sensor, past and 
future. The patterns of its animated skins offer a civic-scale smart 
meter for the Olympic Park and for London as a whole, sign-posting 
particular events, transport patterns, weather forecasts, timetables and 
footage which can be real-time or decades old.

The CLOUD epitomises our global transformation from the age of steel and 
glass to a lighter, faster, more intelligent and more responsive age of 
Digitality.

The CLOUD proposes a new digital weather system for London - and the 
world - lifting humanity high above the city into an ethereal space 
flickering with real-time connectivity.

Inextricably intertwined with software, the CLOUD binds diverse 
activities together in one central space, its rain a gentle ambient 
drizzle of data.

 

Like CLOUDs composed of minute droplets of water vapour, the London 
CLOUD aggregates a million myriad particles of humanity and information, 
its particulate powered by the people.

Each luminous droplet of the CLOUD simultaneously represents a person in 
the city and a community from another nation - a varying real-time 
portrait of humanity and everyday Olympians.

The CLOUD will be built by a collective rather than corporate effort, 
with each pixel of its vast information system co-owned in a grassroots 
global-timeshare scheme, each small-scale contribution helping to keep 
the lamp of London aflame.

The CLOUD aims to be a symbol of global ownership, built through a 
bottom-up, distributed fundraising process. Many small contributions 
from several million people quickly amount to a vast sum – as witnessed 
by the Obama campaign’s fundraising.

The CLOUD, like the weather, recognises no boundaries, connecting 
everyone across time and space, promising a space of physical and 
informational freedom un-tethered from the restraints of land, tradition 
and nation.

The CLOUD symbolises the modern English spirit - fleet-footed and 
dynamic, light yet powerful, airy and diverse. Yet it also collects, and 
symbolises, the entire world.

Everyone from around the world will be able to contribute to the CLOUD – 
whether through the bodily presence of their visit or by their 
contributions towards a particular sphere and their ownership of a 
single LED, helping to keep the lamp of London aflame.

 

The CLOUD offers a real-time beacon for the 2012 Games, and for the 
broader climate of humanity. It is a monument to the Games and to 
freedom itself, empowered by the emancipations of knowledge and technology.

People can choose to ascend to the CLOUD by foot or bicycle – each 
individual footstep contributing to a vast collective energy-harvesting 
effort.

It will be a vast, collective, energy-harvesting effort. The people's 
energy, coupled with solar energy collected through on-site and off-site 
photovoltaic cells and various energy saving strategies will allow us to 
reach carbon neutrality, whereby the Cloud produces all the energy it uses.

People power the CLOUD; their activities compose its rainfall, their 
energy-harvested descent provide its electricity.

London, with its diversity and tolerance, unites countries; the CLOUD 
unites all people.

 

Carlo Ratti (Massachusetts Institute of Technology & 
carlorattiassociati) :  

Our main idea is to apply to architecture some of the processes that are 
currently revolutionizing the digital world. It is about CLOUD computing 
but also about self-organizing processes.

We would like the CLOUD to become a symbol of global ownership, built 
through a bottom-up,

distributed fundraising effort.

Our team works as a CLOUD and in the (digital) CLOUD- it goes beyond the 
old, traditional idea of Promethean architects and artists.

After a kick-off meeting in London, we have been working for three 
months in a networked way, spread over five continents and ten different 
time zones, brought together by the power of the Internet. The team was 
not assembled based on physical proximity or the history of past 
collaborations – but simply based on the quality of each contribution, 
regardless of geographic location.

We can build our Cloud with 5 million pounds or 50 million. The 
flexibility of the structural system will allow us to tune the size of 
the Cloud to the level of funding that is reached.


Dan Hill (ARUP) 
:                                                                               
                  
 

The CLOUD develops Arup’s ongoing interest in the idea of the 
‘civic-scale smart meter’, generating a structure that acts as a 
real-time feedback loop on the performance of urban activity within a 
civic framework.

The CLOUD synthesises data drawn from the Olympic Games in real-time, 
with broader cultural narratives about industry, energy, innovation and 
connectivity. This data could be visualised as ambiguous spectacle, 
using the effects most redolent with the landscape and locale (CLOUD, 
smoke, steam, fog, mist, water, wind, mechanical engineering, data).

The CLOUD's experience is physical and visceral, all about altitude, 
atmosphere, and exposure to the climate. Yet it is also digital, virtual 
and electronic, it is skin threaded with an addressable 3D matrix of LED 
pixels, alive to the touch, rippling in response to data and presence. 
As people climb the CLOUD and survey the city through these veils of 
glowing data, augmented reality interfaces overlay multimedia 
visualisations onto the CLOUD'S view of London.

In contrast to the rich industrial history of this site, the CLOUD 
produces streams of data rather than plumes of smoke, the 'new 
smokestacks' of our burgeoning and emerging digital post-industrial economy.

The CLOUD is the boldest manifestation of contemporary design practice, 
an innovative proposal that will forever change the face and climate of 
our great new world.

 

Matt Brittin & Obi Felten (Google) 
:                                                                  

When Carlo Ratti approached our founder Larry Page, we chose to 
collaborate because of his bold and visionary concept, and because of 
the fit with Google's mission of organising the world's information and 
making it universally accessible and useful.

We particularly like the idea of the CLOUD in the sky above London 
displaying information to the city and beyond, which makes it a powerful 
symbol for the openness and diversity of London, befitting the first 
truly digital Olympics.

Google will provide useful and visually interesting content for the 
digital display, via Google tools such as Google Trends, Google Maps and 
Google Latitude. For instance, we could provide a custom feed of 
(aggregated and anonymous) searches made by Londoners during the 
Olympics to give a real time 'barometer' of the city's interests and mood.

We plan that Google will provide free advertising on Google search and 
YouTube for the project, particularly to support the fundraising call to 
action to 'donate £1 for 1 pixel'. This will reach millions of Internet 
users in the UK and beyond.

 

Joerg Schlaich (Schlaich Bergermann und 
Partner)                                       

Having worked on lightweight structures for many decades, we can easily 
build this great CLOUD, on budget and on time for 2012.

Many tall towers have preceded this, but our great achievement is the 
high degree of transparency, the minimal use of material and the vast 
volume created by the spheres - all on exceedingly slender columns.

Though buffeted by wind and the elements, the CLOUD will not shake – 
secured by the same modern damping technology used in Japanese 
skyscrapers to resist earthquakes.

The CLOUD is a delicate yet robust filigree of reliable high-tech 
components, its ingredients familiar, their composition radically new.

The CLOUD’s lightweight structure is extremely cost effective. 
Minimising material also means minimising material costs - and 
construction time, since most parts can be preassembled on the ground.

This lightweight structure employs in its construction skilled labour 
from across the UK, creating jobs vital to the current economic climate. 
Benefits rain down from the CLOUD.



LINKS

 

www.raisethcloud.org                                         main 
information portal

[email protected]                                        questions & 
comments

 

http://www.facebook.com/raisethecloud         Links to coverage thus far

http://twitter.com/raisethecloud                         Collective 
aggregated tweets from the unbuilt building

 

http://www.youtube.com/watch?v=lYJ7GqDzyGA                         Video 
#1 : concept

http://www.youtube.com/watch?v=NmEBFWXMImM                  Video #2 : 
overview

 

http://news.bbc.co.uk/2/low/technology/8350770.stm                  BBC 
exclusive

http://www.cityofsound.com/blog/2009/11/the-cloud.html          Dan Hill 
post on City of Sound

 

www.atmosstudio.com                                       Alex Haw / 
atmos holding page

http://senseable.mit.edu                                     SENSEable 
City website

http://www.carloratti.com                                    Carlo Ratti 
/ Walter Nicolino website

http://www.tanyabonakdargallery.com            Tomas Saraceno gallery 
website

http://www.arup.com                                           ARUP website

http://www.sbp.de/en/fla/mittig.html                                 
Schlaich Bergermann website

http://www.gmj.co.uk                                           GMJ website

www.studiofmmilano.it                                      Studio FM website

 

http://www.weatherprojection.co.uk                 Weather Projection

http://www.vimeo.com/7219368                       Lumiskin



.
.  a t m o s  .  .   .     .       .          .
.
.  14 bacon street  .  london  .  e1 6lf  .  uk   .  
.  m +44(0)7815.040.619 (ah)  . +44(0)7984.820.788 (fv)  .
.  www.atmosstudio.com  .  [email protected]  .
.
.  THE CLOUD for the London Olympics 2012: www.raisethecloud.org  .
.  + http://www.youtube.com/watch?v=lYJ7GqDzyGA + 
http://www.vimeo.com/7553509  .
.
.  LUMISKIN : http://www.vimeo.com/7219368 + http://www.lumiskin.net  .
.
.  WEATHER PROJECTION : http://www.weatherprojection.co.uk  .
.
.  atmos have been awarded the ARUP residency, working with FACT in 
Liverpool  .
.
.  http://www.amazon.co.uk/XS-Extreme-Ideas-Small-Buildings/dp/0500342512  .
.
.  http://www.youtube.com/watch?gl=GB&hl=en-GB&v=F_3uldilFG4&fmt=18  .
.
.  this e-mail & any attachment is privileged and confidential  .
.  if you are not the intended recipient, please delete the message and 
notify the sender  .  ta  .
.

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