The Digital Pioneers collection is mainly made up of works that were in the
collection of the Computer Arts Society. Most of these were works on paper,
although they were mainly produced using generative techniques on the
computers of the time ­ such as mainframes. In many cases the works pre-date
the work of Evans and Sutherland that led to the first real-time interaction
with computers via CRT.

Go to http://www.bbk.ac.uk/hosted/cache/ for the fuller story.

best

Simon


Simon Biggs

[email protected]  [email protected]  Skype: simonbiggsuk
http://www.littlepig.org.uk/
Research Professor  edinburgh college of art  http://www.eca.ac.uk/
Creative Interdisciplinary Research into CoLlaborative Environments
http://www.eca.ac.uk/circle/
Electronic Literature as a Model of Creativity and Innovation in Practice
http://www.elmcip.net/



From: Rob Myers <[email protected]>
Reply-To: NetBehaviour for networked distributed creativity
<[email protected]>
Date: Tue, 02 Mar 2010 22:00:37 +0000
To: NetBehaviour for networked distributed creativity
<[email protected]>
Subject: Re: [NetBehaviour] Digital Pioneers.

On 02/03/10 21:34, Jim Andrews wrote:
> is most of the work generative? in other words, is it generated from
> programming the artist wrote?
>
>   
I don't know how many technicians will have been involved, but given the
time period covered it's almost a given that most of the art would be
produced by custom software. Much of the work is abstract and rule-based
but some of the most intriguing does deal with the human figure or
recognisable points of reference.
> was there any principle of selection in the exhibit other than a temporal
> one, ie, work from the 50's through 70's?
>   
The show is in the print rooms at the V&A, so the works exhibited are
all prints rather than screen-based or 3D. The CAS collection did
include some sculpture, for example, so concentrating on prints is a
selection criterion.

- Rob.

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