Mistaken Identity at carriage trade, NY.

Mistaken Identity / Dan Graham, Innocence Project, Carol Irving, John 
Schabel, Karen Yama, The Yes Men

While the genre of portraiture tends to feature clearly defined 
subjects, the portrait show Mistaken Identity focuses instead on the 
uncertainties of facial recognition and how misperception might affect 
behavior in everyday experience. Linking the concept of belief to what 
we can 'know' about an individual's face, the exhibition explores 
identification as a process influenced by the particular circumstances 
of any given encounter.

http://carriagetrade.org/

Contact
[email protected]
Peter Scott / Director
Phone: 1 212 343 2944

Address
carriagetrade.org
carriage trade
62 Walker Street
New York, NY 10013
USA

Info
May 7 - June 13, 2010
Wed – Sun, 2–7 pm

Commonly associated with detective stories and courtroom dramas, the 
need of proof of an individual's identity also has a utilitarian aspect, 
as our memories for faces plays a significant role in the most mundane 
of exchanges. In the somewhat rare case of people with prosopagnosia 
(face blindness), friends and family are indistinguishable from 
strangers, so that the 'context' of an individual (hair, clothing, the 
sound of a voice) often provides the only clues to their identity. For 
an eyewitness or victim of a crime, these same associations can prove 
misleading, as they may falsely trigger a link to an innocent person who 
has chance connections to a perpetrator's appearance.

The case of imposters provides yet another example of a loss of identity 
through context, but here the subject willingly foregoes recognition in 
favor of subterfuge. When exposed, the temporary forfeiture of an 
identity is often met with a great deal of hostility. Those fooled by 
the deception are now faced with the uncertainty of their convictions. 
This need for authentication in connection with facial identification 
runs deep, as it underlines the survival mechanisms that guide our 
perceptions of whom and what we can trust.

Approaching portraiture as a means to explore the complex relationship 
between perception and circumstance, the work in the exhibition Mistaken 
Identity presents a range of possibilities concerning the construction 
of belief in the process of fixing an individual's identity.
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