In the US at least, design has increasingly overpowered art, in art- 
schools (by design, I mean the field, not designs); students are attracted 
to the concrete possibility of jobs, and art schools are tied, more and 
more, into corporate sponsorship - the most blatant example of which is 
the Savannah College of Art and Design. A certain critical edge is lost, 
as far as education is concerned - there will always be rebellious 
students thank god, but teaching and showing in general are 'flattening' 
out as a result of commercial pressure. Forgive me for being exhausted btw 
- hope I'm making sense here. - Alan



On Sat, 1 May 2010, dave miller wrote:

> Hi Alan
>
> I'm always interested in how the art system works - can you please
> expand on "A big problem is the relation
> between art and design..."
> thanks dave
>
> On 1 May 2010 18:47, Alan Sondheim <[email protected]> wrote:
>>
>>
>> I wonder if this isn't the result of an absent somewhat self-sustaining
>> art community? In NY, there are numerous venues - it's almost impossible
>> to get into a museum etc. (that's "blue-chip" stuff) - but it's not
>> difficult to set up a show somewhere, or show at a smaller space - it's a
>> much broader base. This is especially true for dancer/musician/performer -
>> these things can be done fast and there are a lot of venues - everyone I
>> know here shows somewhere, including people who aren't making money from
>> their work. So the big deals are still there, but they're with "big"
>> artists who are also brokers - it's a different kind of corruption, but
>> it's one that's easier on bottom-feeders. A big problem is the relation
>> between art and design - so many young artists are concerned with making
>> it and the political/critical edge isn't there so much. On the other hand
>> earlier on, people like Vito Acconci and Dan Graham seemed ruthless here -
>> ambition was everything.
>>
>> - Alan
>>
>>
>> On Sat, 1 May 2010, manik wrote:
>>
>>> ...ART BUREAUCRACY IS EXTENSION OF CORPORATIVE *IDEA*...THEY EXISTED TO
>>> EXPLOIT RESOURCE WHICH ART MAKE TROUGH HER SHORT INDEPENDENT
>>> HISTORY/ARTIFACTS...REAL ESTATE.../ETC.../SO CALLED *AESTHETIC*AS SCIENCE IS
>>> NOTHING ELSE THAN ONE MORE PLAYGROUND FOR MARKET...ART
>>> BUREAUCRACY LIKE CLERKS BUY AND SELL...NOTHING MORE ...NOTHING LESS...*BIG*
>>> NAMES OF CURATORS...ARTISTS... AND ART BROKERS ARE LIKE HEAP IN SOME BIG
>>> STOCK MARKET...THEIR NAMES ARE EPHEMERAL...THEIR ROLE IN ART IS MOSTLY
>>> DISHONEST...EXAMPLE...IF YOU WANT TO MAKE SOME EXHIBITION IN MY COUNTRY YOU
>>> MUST CONTACT SOME STATE INSTITUTION...NOT SOME NET.CHARACTER LIKE MANIK OR
>>> SOMETHING...DEAL IS BETWEEN TWO SIMILAR INSTITUTIONS...MINISTRY IN SERBIA
>>> STEP IN DEAL WITH RECIPROCAL MINISTRY OF OTHER COUNTRY AND FLOW OF MONEY IS
>>> ESTABLISHED... INDIVIDUAL IS JUST SIGNATURE ON CHECK WHO GIVE LEGALITY TO
>>> THIS DREGS...FOR ARTIST LEFT SOME SMALL CHANGE AND *GLORY*... FINALLY *ART
>>> BUREAUCRACY* DECIDE WHAT'S ART AND WHO COULD BE ARTIST...ARTIST'S ARE
>>> COLLATERAL DAMAGE NOW ...THEY LIVE IN WORST UTOPIA EVER...IN WORLD OF
>>> *WESTERN POTLATCH*
>>> /.BATAILLE-http://en.wikipedia.org/wiki/Georges_Bataille/...BUT WITHOUT IT'S
>>> ETHIC BASE...EXTINGUISHED AND HUMILIATE ARTIST IS HAPPY TO GIVE TO FAT *ART
>>> BUREAUCRACY*HIS BLOOD...IN RETURN THEY CAN SHIT OVER HIM AND HIS
>>> SURVIVAL...THAT'S LOOK TO US LIKE WORST PERVERSION...EVER...MANIK...MAY
>>> DAY...2010...
>>>
>>>
>>
>>
>> ==
>> email archive: http://sondheim.rupamsunyata.org/
>> webpage http://www.alansondheim.org
>> music archive: http://www.espdisk.com/alansondheim/
>> ==
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==
email archive: http://sondheim.rupamsunyata.org/
webpage http://www.alansondheim.org
music archive: http://www.espdisk.com/alansondheim/
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