? saddie benning <http://www.vdb.org/smackn.acgi$artistdetail?BENNINGS>.
On Tue, Jun 1, 2010 at 5:24 PM, Simon Biggs <[email protected]> wrote: > Sadie Benning? > > Simon Biggs > [email protected] [email protected] Skype: simonbiggsuk http:// > www.littlepig.org.uk/ > Research Professor edinburgh college of art http://www.eca.ac.uk/ > *C*reative *I*nterdisciplinary *R*esearch into *C*o*L*laborative > *E*nvironments > http://www.eca.ac.uk/circle/ > *E*lectronic *L*iterature as a *M*odel of *C*reativity and *I*nnovation in > *P*ractice http://www.elmcip.net/ > *C*entre for *F*ilm, *P*erformance and *M*edia *A*rts http:// > www.ed.ac.uk/schools-departments/film-performance-media-arts > > > ------------------------------ > *From: *anniea <[email protected]> > > *Reply-To: *NetBehaviour for networked distributed creativity < > [email protected]> > *Date: *Tue, 1 Jun 2010 16:59:17 +0200 > > *To: *NetBehaviour for networked distributed creativity < > [email protected]> > *Subject: *Re: [NetBehaviour] Media Art and Teenage > > Hi Lauren, > I was a bit like Michael, but also I cant find the name of the artist I was > thinking about > Some ten or even more years ago an American young girl had a videotoycamera > for her birthday and starts after a sort of emotional shock, if I remember > well, filmimg her life. The videos are very low tech and beautifull. > Maybe my mail triggers someome elses mind :) > > Yours > Annie > > On Tue, Jun 1, 2010 at 11:44 AM, <[email protected]> wrote: > > Hi Michael, Ruth, > > Many thanks for the suggestions – really really helpful. I had that Axel > Stockburger piece on my list already, but not the rest. The show’s finally > beginning to coalesce a bit, but I still felt I’d not found quite the right > work to look critically at the role of technology in teenagers’ lives. So > some really good tips in there. If anyone else has thoughts do keep them > coming! > > xxlaw > > > ------------------------------ > > *From:* [email protected] [ > mailto:[email protected]<[email protected]>] > *On Behalf Of *Michael Szpakowski > *Sent:* 31 May 2010 14:27 > > *To:* NetBehaviour for networked distributed creativity > *Subject:* Re: [NetBehaviour] Media Art and Teenage > > > Hi Lauren > I felt guilty about not replying to this for ages but I couldn't think of > *anything* teenager related, which says quite a lot about me , I think. > Ruth's reply prompted me think a bit harder and I remembered Michael Daines > who was a bit of a star on Rhizome as a teenager in the 2001 or so. The one > that people remember is "the body of michael daines" but he also made a > couple of other good things including a rather droll work called "it is now > safe to turn off your computer" . There's a Rhizome memory lane editorial > here: > http://rhizome.org/editorial/2707 > > I couldn't find any of the actual pieces though.. > > hope it's all going well! > michael > > > --- On *Mon, 5/31/10, Ruth Catlow <[email protected]>* wrote: > > > From: Ruth Catlow <[email protected]> > Subject: Re: [NetBehaviour] Media Art and Teenage > To: "NetBehaviour for networked distributed creativity" < > [email protected]> > Cc: "LWright" <[email protected]> > Date: Monday, May 31, 2010, 1:15 PM > Hi Lauren, > > > Sorry for the tardy reply > Been meaning to get back to you with a few suggestions. > > Jeanie finlay makes beautiful work (film, live, networked media, all sorts) > with different groups of people Including this, Teenland, film > http://www.jeaniefinlay.com/wordpress/?p=3 > > Classic early (and controversial) netart notable for it's uncomfortable > intimacy and heat > http://www.mouchette.org/ > > I found this on Turbulence---Beyond the Fire is an interactive documentary > by Sesh Kannan which tells the stories of *teenage* war refugees and their > journeys to the U.S. http://archive.itvs.org/beyondthefire/ > Although this probably wouldn't make ideal gallery viewing, an online > component of this nature might connect with the experience of a section of > local Margate teenagers. Could be a great spur for work with the gallery > education/outreach programme > > An old favourite of mine is *Boys in the Hood* - video, Axel Stockburger > > http://art-action.org/proposition/catalogue/detail_cat.php?codeoeuvre=B13152&lang=en&qui=reali&oeuvre=B13152 > "interviews with players of the controversial computer game "Grand Theft > Auto". The players deliver their perspective of the narrative space of the > game by giving detailed descriptions of locations, movements, and actions in > the game. These subjective accounts of a shared space lead to a diffusion of > the borders between ‘real’ and ‘virtual’." > > This from the 2008 Whitney Bienniale sounded pretty spectacular > > http://whitney.org/www/2008biennial/www/?section=events&page=at_park_performances > *Teenage Lontano > *Marina Rosenfield invited 40 teenagers to engage in a musical > performance. Under a speaker installation suspended overhead in the vast > Drill hall, each teenager wears a set of headphones and mp3 player > containing an original vocal score, derived from Gyorgy Ligeti's 1967 piece > *Lontano* for orchestra. As the choir performs Rosenfeld's "cover > version" of the Ligeti work, electronic sounds sweep in circles around the > architecture of the drill hall from a single horn rotating, like a > turntable, at 33 1/3 r.p.m. > > David Valentine (Mediashed) - Video Sniffing > Commercial (made using hacked CCTV footage) around Southend > http://www.youtube.com/watch?v=ZRQjLRm1xD8 > and > The Duelists (cctv freerunning film) made in Manchester's Arndale Centre > http://www.youtube.com/watch?v=lwueQrsTxXM&feature=related > > Golan Levin Kamal Nigam ,Jonathan Feinberg *Dumpster*(visualization of > online teenage breakup texts) > http://www.tate.org.uk/netart/bvs/thedumpster.htm > > Hope these are helpful. It's a great subject for a show. > > : ) > Ruth > > > -----Original Message----- > *From*: [email protected] > *Reply-To*: NetBehaviour for networked distributed creativity < > [email protected] < > mailto:netbehaviour%20for%20networked%20distributed%20creativity%20%[email protected]%3e<netbehaviour%20for%20networked%20distributed%20creativity%20%[email protected]%3e>> > > > *To*: [email protected] > *Subject*: [NetBehaviour] Media Art and Teenage > *Date*: Tue, 25 May 2010 15:29:46 +0100 > > Hello NetBehaviourists, > > > > For those who don’t recognise my name, I’m a former full-fledged > Furtherfielder (Assistant Director and Co-Curator of HTTP) who is now in a > new role, but still an adjunct of sorts, and very much (perhaps more than I > knew!) a Furtherfielder at heart. > > > > I’ve been a NetBehaviour lurker and sometime-participant for a long time > now – I hope you don’t mind my calling on you for some help. I know this is > a forum where an interesting discussion might arise… So here goes… > > > > My new role is Curator at Turner Contemporary, an arts organisation in > Margate, Kent soon (next year) to open a new gallery. The first big project > I’m really getting stuck into is a major exhibition now called Teenage, > which will open next summer. It will examine how Teenage – principally as a > complex experience with an ambivalent rap in contemporary culture – has been > represented in art since about 1900. It will also consider ‘Teenage’ as a > concept with an interesting and compelex history, resulting in the > ambivalence we now have as a culture toward young people – we both envy them > for their youth, and media and capitalism do all they can to exploit that > image, but we also collectively fear them (if the press ‘they’ get is any > indication…) > > > > The project arose from lots of really good work they’ve been doing here > long before my time with both young people and older people reflecting on > their own experiences as teenagers. For those who don’t know it, Margate is > now quite a deprived town so many of their experiences are quite difficult, > but it also has a really interesting history wrt teenage – many people from > all over the country will have spent holidays here in their youth, and it > became quite famous as a place for different groups like Mods and Rockers to > hang out (and sometimes fight!). So many people have much more positive > memories and associations. > > > > The show will probably include artworks but also other stuff like music, > photographs, etc. I’m very very keen that it include some great media art > works and have been doing some research, but wondered if anyone had made, > seen or knew of any thing, recent or not so recent, that might be relevant > for me to look at. > > > > I’m also happy to hear your thoughts on the project generally, or your > reflections on the idea of ‘teenage’. It’s quite a tricky project to put > together as a curator, esp as it’s being led by someone from our learning > team. It needs to be relevant to lots of different audiences – local, > regional, national, international – but I don’t want it to be anything like > a dry historical survey. So, any and all thoughts very much appreciated! > > > > Best to all, > > Lauren > > > > > > Lauren A Wright > > Curator > > * > * > *P* *Before printing, please think about the environment > * > > ---------------------------------------------------------------------------- > > *Follow us on Twitter* http://twitter.com/TCMargate > > * > * > *Turner Contemporary *17 - 18 The Parade, Margate, Kent, CT9 1EY > > *T* +44 (0) 1843 294208 *Ext* 213* F *+44 (0) 1843 294390* > * > > > > For more information about all our exhibitions and events, and to sign up > for our free e-newsletter please visit www.turnercontemporary.org < > http://www.turnercontemporary.org/> > > > > This e-mail, and any attachment, is intended only for the attention of the > addressee(s). Its unauthorised use, disclosure, storage or copying is not > permitted. If you are not the intended recipient, please destroy all copies > and inform the sender by return e-mail. > > Turner Contemporary Registration No: 5084830. Registered Address: 17-18 The > Parade, Margate, Kent CT9 1EY > > ---------------------------------------------------------------------------- > > * > **Tracey Emin > I Never Stopped Loving You > *From Saturday 1 May 2010 > > Droit House, Stone Pier, Margate > > > > A new Neon work for Margate by Tracey Emin. > > *I Never Stopped Loving You* is commissioned by Turner Contemporary with > the support of Thanet District Council. > > > > _______________________________________________ > NetBehaviour mailing list > [email protected] > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > -----Inline Attachment Follows----- > _______________________________________________ > NetBehaviour mailing list > [email protected] < > http://us.mc1145.mail.yahoo.com/mc/[email protected]> > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > _______________________________________________ > NetBehaviour mailing list > [email protected] > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > -- > 29/05/2010 20.30 Nimk Amsterdam performance Huis Clos / No Exit - On > Translation http://nimk.nl/eng/performmikka-internettikka > > Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS, > Maria Chatzichristodoulou in Digimag 54 May 2010 > http://www.digicult.it/digimag/article.asp?id=1793 > > ------------------------------ > _______________________________________________ > NetBehaviour mailing list > [email protected] > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > Edinburgh College of Art (eca) is a charity registered in Scotland, number > SC009201 > > > > > _______________________________________________ > NetBehaviour mailing list > [email protected] > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > -- glimpsecontrol.com baiowulf.com
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