grey) (area: Sarah Cook presents Marina Zurkow: Elixir III.

grey) (area - space of contemporary and media art, Korcula, Croatia

11 – 27.8

opening Wednesday August 11 . 21 - 23 h

Guest curator Sarah Cook (UK / Canada):

Marina Zurkow (USA): Elixir III (from the Elixir Series 2007-2009)

single channel animation

Elixir III is one of a series of four single channel animations by 
Marina Zurkow which encapsulate human endeavour relative to the sublime 
forces of the oceans and skies. A single cut crystal decanter bobs and 
spins in a watery seascape reminiscent of a Romantic painting, while the 
weather turns overhead. In each animation a line-drawn figure appears 
inside the bottle, striving in a repetitive action: rowing, diving, 
stumbling. In Elixir III, a young woman flaps her arms which are tied to 
paper wings, but never lifts into the air. The artist cites the 
influence of the paintings of waves and swells by Russian artist Ivan 
Aivazovsky (1817-1900) yet the images read contemporaneously, drawn from 
modern day sources such as media coverage of dramatic weather events or 
holiday videos uploaded to the web, then rotoscoped by hand, frame by 
frame. Rain appears to splatter the screen, reminding us that we too are 
watching through a glassy surface.

Zurkow has made work on the theme of flooding and climate change in 
other forms, for a network of CCTV screens in a convention centre built 
adjacent to highway overpasses and a river prone to flooding, and for a 
panoramic site-specific projection on the side of a car parking lot in a 
US Gulf state. Here her work Elixir III is shown rear-projected, on a 
loop, in the doorway of a villa on the Croatian island of Korcula facing 
out to the water, with a haunting soundtrack by Pat Irwin. Churning 
away, the weather within the bottle (volcanic ash induced red sunsets 
and wind storms) manifests as a kind of instable magical potion, while 
the figure’s actions appear to act like a dynamo or combustion agent, 
although it seems there is nothing they alone can do to release this 
potion in order to change the state of the seas beyond the beautiful 
bottle in which they are trapped (it is said that even the ancient 
Greeks used oil, drop by drop, to calm a stormy sea for safe passage). 
This apparition of a vial of elixir, for our current environmental 
troubles, or in response to our subconscious desire for a medicine to 
induce forgetting, is all the more tantalizing at a time when we are 
inescapably conscious of what our effect our actions have on the waters 
that surround us.

The entire Elixir Series is showing simultaneously at Catherine Clark 
Gallery in San Francisco from July 10 to August 21, 2010.

- - -

Marina Zurkow (based in Brooklyn, NY) makes psychological narratives 
about humans and their relationship to animals, plants and the weather. 
Her work includes multi-channel videos, customized multi-screen computer 
pieces, animated cartoons, interactive mobile works, and pop objects. 
She has undertaken residencies at Eyebeam in New York, Isis Arts in 
Newcastle and the Banff Centre in Canada, and has been commissioned to 
make new work for and exhibited internationally at FACT (Liverpool), 
FutureEverything (Manchester), SIGGRAPH, The Sundance Film Festival, 
ISEA 2006 / 01SJ Biennial (San Jose), Media City at the Seoul 
International Media Art Biennale, Ars Electronica, Rhizome, The 
Rotterdam Film Festival, Res Fest, Creative Time, The Kitchen, The 
Walker Art Center, The Brooklyn Museum, The National Museum for Women in 
the Arts, and at Bryce Wolkowitz Gallery. In 2003 she was awarded a 
Rockefeller New Media Fellowship and in 2001 a Creative Capital grant. 
Marina Zurkow teaches on New York University's Interactive 
Telecommunications Program (ITP).

http://www.o-matic.com

- - -

Sarah Cook is curator (of contemporary art)
and editor/researcher/cofounder of CRUMB the resource for curators of 
media art
at the University of Sunderland. She is coauthor of Rethinking Curating 
(MIT Press, 2010), a trustee of folly in Lancaster
and was the inaugural curatorial fellow at Eyebeam in New York in 2008.

- - -

open daily 21 - 22 h or by appointment . free entrance

gallery: Put sv. Nikole 7 . Korcula

mail: po box 95 . 20260 Korcula . Croatia

contact: Darko Fritz . [email protected] . tel: + 385 91 5800193

http://www.grey-area.org

----

gray) (area presents works of contemporary and media art with a focus on 
those that fill the gap between these two art worlds and discourses. 
Preferable are programs that shift the media and skip the frame of 
simple definitions and interpretations. gray) (area operates from the 
city of Korcula on Korcula island in Croatia, enjoying the free position 
of the cultural periphery and the challenge of having no context of 
either contemporary or media art within the close neighborhood. The 
periphery provides freedom from established cultural power-games, 
fashionable keywords, double criteria [that depends on the geo-political 
position of the art-producer] and other positions of predictability that 
are part of an artist's reputation building system in relation to the 
cultural industries, present even within small media art circles.

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