,,,,,,,,,,,,,,, , , , , , , , , , , , , , , , , "directly" in experience. Information, Earth is defined as a redundancy , a demand that the "real world" operate as a , a distance built out of centuries , a new fabricated archive can , a successful , acquires , again through a new , already, already an impatience is , also, always already annulled idealism. If the inauthentic , and idealized in the , another equivalent experience is constructed. The , appearing for the first time., are , as a construct offering itself to , as a move to avert boredom. At the same time, as a void structure which can be filled out. Nor is , as has already been mentioned, as if , as something we seek on Earth or beyond it, aspires to a living digital archive which will no longer , at least, at least the awareness of its , at most, authentic experience is constructed in a fashion that, back on Earth. , be a landscape , be foremost in the world's , bound , bureaucratic manner combined with a somnambulist's , but "as it , but also , by , by asking for a restoration of the Earth, by necessity: the landscape of the , by understanding bareness as a constructed, characterizes , closed, closed-off space, cognizant , contemporaneous development of , dangerous versions. The post-Internet exotic , due to the capacity of archiving "in , due to the quality and quantity , either. , enacting a self. While pornography is increasingly , enclosed , entry into the , exotic condition would certainly not , fabricated images, fallen Earth. Though , false , for the purposes of this argument, game , has the place of Cameron's Pandora. The designation of , he is outside the map because of the limitations of his , he will invest in a novel, however, i.e. in the aftermath of its destruction, in a naïve manner, in fact - we have a hard time establishing a , in nature) man is no longer like water is in , in the place of , in the stage- sets of augmented reality, in two different ways: , inside a world conceived and constructed by , interconnected via closed off corridors: the , into a mechanism auxiliary to the project of , introduces us into some other kind of limited , invalid and fake, is, is bareness a plausible perspective for some , is based on his moves on the map. The archive works, is no longer newsworthy or a source of surprise. We are , is now substituted by a sum of inauthentic, is presented as a need for the mundane. A bare world emerges , is telling of the difficulty of , it characterizes "a world without lack". Without loss and , it is , it is organized as a construct. Nature's regenerative cycle has , its , its , lack of plasticity, lies the renewed discovery of the New World. Existing planets, like an image of mourning, lived experience of the world., man appears immersed in guilt of a theological order. , mapped-out sets, might become realized imaginary destinations for future man, military operation. In addition, naturalistic regime, navigational data , navigational data archive is composing the , no doubt, not as , now presents a categorized and , on each , or, or, organize a new , promotes, questioning" is replaced by a series of , rather, realizes the idea of the end of planet Earth by means of moving , remain , remains to consider what meaning is possible for this , reminiscent , renders them insignificant right from the start. , requires - , retains a number of , simultaneously, simultaneously becomes entry into the time of their , some archaeological , some function of locality is organized out of this , some live, some sort of passive pleasure deriving from a , structured in , substitute from the outset the places of which the , suits the denial of the inauthentic, take up no moral position. The mode in which , that which is enclosed in advance , the , the , the , the , the , the Earth of the avatar would be , the activity of digital , the alternative case for this particular return, the commonplace and the exotic, the definition of the map's inmate outside of , the demand for the , the escape from the , the experience is predictable on the basis of , the fact notwithstanding that we no longer know , the landscape would be constructed on the basis of some , the map's , the map's , the map's inmate cannot restore intimacy with , the mapped-out world is , the scenario of supporting the illusion by , the traveller (accustomed to the , the world, the world of experience is radically affected by the , the world's impressive , then, theological manner of the planet Pandora in James Cameron's movie , therefore, this , though different, though it is based on shared information platforms, though without it being something in , three-dimensional representations and by , to an extent, to either survive in opposition to , to which , today more so than , too, unfamiliar aspect of reality (which has been frequently , we answer "somehow". We do not , we can then say that the , we encounter the magnificent paradox of the , we may take a look at reality: , we only , we used to have recourse to , we wonder how it would be possible for political , when it , which exemplifies , which has been collected and stored: , which is to , which is to say, which may be constructed on each occasion, without thresholds to cross , would be, would be answered by an , yet,"itself" is not enough anymore. Furthermore,"personalized". And what about the places where humans gather? What ,"primordial" sin is intrinsically related to the planet's destruction: ,"real" body.,"space-in-itself'. The places of the earth are to be imminently mapped ,"wise" function: every entry into digitally created applications of the ,A first move towards the exotic archived landscape requires that we ,Active navigational archives construct the Internet's geographic ,Avatar: in this movie,Can an avatar pose radical questions in relation to itself or its ,Earth,Earth". This is the official rhetoric of guilt for the planet's abuse. ,First move towards the archived la,From the position of this present-day return to the body and its needs,Google Earth landscape,In a tedious,In the first case,Information is stored in appropriate slots and fills out the mapped-out ,Outside of the digital archive,Pandora,Post-Internet pleasure may appear limited by comparison to pleasure ,Rather,Return to places through key-words.,Second move towards the archived landscape,Some contemplation of the mundane due to investments in the empirical ,The experience of the world is tantamount to the lived experience of a ,The information which will be henceforth added to the lived experience ,The landscape-archive does not lend itself to escapes. It provides ,The map's inmate and two moves towards an archived Earth,The map's inmate is faced with the choice of abandoning the archived ,The map's inmate might also comprehend bareness as a "return to the ,The mundane and the map,The recent sin of "the destruction of nature" also leads to the ,There,Understanding the exotic in this manner,With the experience of travelling subverted,Yet,a world that is not mapped out or where some details,abandonment of the archived Earth seeks nature in something which is no ,about the communities of the people on the map? Those,actions are limited by the platform where the user's presence is ,active archive is tantamount to a denial of nature and/or a construction ,active engagement,additional click which offers one more zoom. Present-day man moves about ,alongside the mundane,also included (or could be) the surveying viewer. This observer of the ,an invalid. The planet's landscape is reminiscent of a mere carapace ,and with moving towards situations - information platforms,answers and a series of substitutions of those same answers:,appear as a separate world. The Internet no longer constructs exotic ,archive,archive. The planet-landscape appears as a catalogued,archive: we can induce exotic impressions with new,archiving impacts on its material references if any such reference is ,are accessible by means of key-words or tags. Every area of the ,areas of data and a renewed obeisance to the data archive. "Escape" ,articulated as a population of zoomable fragments. The live mapping-out ,artificial landscape of a non-existent planet. Paradox does not feature ,as a possible demand. Yet,ascendancy of this particular way of organizing the world goes,assertion reflects a powerful constant of the human imaginary,assertions which follow,authentic on Earth,authenticity: though it continues to be defined by boundaries,available today,awareness of those,bankrupt" and every platform with false mappings and technologies of ,bareness,been interrupted by some "degenerate" human action: this strange ,been the case for some time - to regard nature in the way of the past: ,bifurcation between the world of the archive and a world that resists ,can be played out in some sense,catalogued planet: every question concerning it,closed,common traits. Even if the former constitutes a denial of the Earth's ,concerning this,condition organized around an untouched new landscape which would no ,connected to authenticity and has also been presented as that ,conscious substitution. Conscious substitution is also at the centre of ,constructed out of stored thematic units which are recommended rather as ,construction is built as a layer of reading of reality through ,construction. ,construed at an imaginary level. In that sense,contemplate this experience of returning to the real world by analogy to ,correct. The abandonment of the Earth signifies a distaste towards the ,culture which revolves around redundancy appears more stabilized than ,data provide evidence and references; ordinary shared data repositories ,demarcation between the two. In the past,depictions,depictions. With the high technology of representation,different each time. A new nature reminiscent of Cameron's false planet,differentiations taking place within the digital archives. We have ,difficulty to assimilate to the Internet archives. This "reality" ,digitally constructed mechanism. That is the moment of the augmented ,eliminated between the map and the mapped-out: within that landscape is ,empirical world and the latter an investment in the empirical world,encapsulates the lived experience of some form of incapacity. It ,enclosure),environment? It acts within determined conditions and each time,eventuation. The map's inmate experiences some sense of control with ,ever,ever. Moreover,exotic,exotic look of an avatar in order to enter the portal of an exotic video ,exoticism is crushed by archiving in the course of the planet's ,experience has been turned to a world of representations due to the ease ,experience includes enjoyment / jouissance and is articulated as a ,experience is constructed in a different way for each one,experience of spatiality which we are in the habit of designating as ,experience of teleportation among the worlds of the map) is permanently ,experience of these places. Archived and archivable data "build" the ,experiencing such a constructed,expressed for a mapping out,extension,features to be developed within communities of avatars or masked users. ,for the map's inmate: he is defined by the representations which he has ,for yet one more first time. If the experience of the Earth cannot be ,formations. It is thus possible that the inauthentic aspect,game. A mask and a technologically generated landscape,habitual and the extraordinary,have to look for nature in artefacts which will imitate nature,he immerses himself: it evinces harshness,human means.,idealization of nature,illusory spaces which he has come to know as an avatar. In spaces where ,in a different way today - sophisticated techniques for its ,in archived landscapes of planets which we have constructed on different ,in the commercial movie in question: it is a precondition for navigating ,inauthenticity of the fallen Earth and,inauthenticity will be presented in an "authentic" manner.,inclusion in the map. At a first level,increasing frequency,inmate acquires the consciousness of being the substitute of himself.,inmate moves from mapped-out place to mapped-out place. An escape from ,inside his representations,inside the map is presented in its most extreme form. Man asks to remain ,investment in representation,is,is an analogue of the experience of the Earth: in like manner,is residing back in its owner's body,it appears,it is possible to determines the moves within a map,it or be organized by its structure. Some pre-view or post-view of "the" ,it were human beings who would determine its fate in its entirety.,its naïve "authentic" aspect has turned tedious,its transformation to representation. The map's inmate is either ,itself. Nature,landscape is defined in this manner. This will,landscape will now be designated as "incarcerated in the map" or "the ,levels and a hierarchy of moves are on offer in three-dimensional ,light on the construction of the present-day landscape in the course of ,like Titan,located of `augmented reality": to transform "natural space" and,locations are tantamount to constructed landscapes: platforms,longer be the Earth or,longer on the Earth. Nature is a lost memory and,lost from the archival banks can be reconstituted,lost nature as "Pandora" is not only due to the fact that the film ,made his habitat.,making one's way in reality in the absence of special effects. The world ,management of data,map which is intended as an exotic locale,map's inmate seeks in his experience of `reality" the structure of the ,map's inmate worships nature as something about which he is already in ,map's inmate". He will be "part of the landscape" insofar as the ,means of the "normal' sensory pathway,merely spells a change of location in the interior of the digital ,mourning. On the Earth (or,nature in the way he imagines. It is no longer possible - and this has ,nature is no longer the environment where the human species longs. The ,navigating around new data. This experience of "the exotic element" is ,navigational data archive is describable as a reentry into new,navigational system of the metro network in large metropolitan centres ,naïve,ndscape,necessitates periodic returns to base and leave-taking from the exotic ,needing to abandon a bankrupt planet.,new,new significations. It is here that some nodal point survives of local ,notion of "return". Let us not lose sight of the way this tends to be ,notion of return or enact it. Nature is constructed by man so that it ,occasion,occupying the territory of experience with its easily metabolised ,of a video-game set up,of human labour. Thus,of information data. Earth could be anything that stills resists the ,of its limitations,of representations and,of space,of the "Earth" on the internet,of the archive It would be the necessary auxiliary space for the flights ,of the avatar,of the cataloguing of representations,of the exotic: every such digital application is a simultaneous ,of the map,offers a special condition of contemplation whereby the distinction is ,on the one hand,opening-out which cannot be contained in advance by any kind of ,organization as an activated map. Yet,organization plan. Yet,organized as a mere base of operations for launching the novel illusions ,organized at any given moment. Within the avatar experience,organized on new platform levels. It seeks the experience of the first ,organized on the basis of entries accumulated in situ: geotagging). ,out or have already been so. Certainly,overbearing constants and many other kinds of inflexibility. The drive ,particular filling out. A location does not merely appear as identical ,particular location as well as a "collection of experiences of it". To ,particularities on the map: the landscape in the navigation system ,place of infirmity and bodily restrictions. Following from this ,places. Furthermore,planet is not another possible point of return among the rest in which ,planet's landscape in pages accessible on the Internet. As far as the ,platforms and down slopes of concerted sliding. The component of ,platforms that are external to lived experience but aspires to ,platforms where the map's inmates are defined as avatars. We might ,platforms with common traits: these platforms are the town squares of ,pornographic fixation on representation. Pornography,precisely what we mean by the term "nature". At the same time,predetermined readings. Some parallel,projections. In `augmented reality" the hypothesis of incarceration ,pursuing this specific condition: in what ways is loss being lost? What ,qualify as an authentic experience,question the specific but already offer an analog. The founding of a ,reality. Faced with the phenomenon of his own bodily resistance against ,referred to the construction of reality as bodily constraint and as ,regard to the time unfolding at a particular platform. The feeling that ,region" to another.,remaining forever inside the exotic map of constructed landscapes,representations,representations already existing or added at future times. The world of ,representations which entail it. This is where the grand aspiration is ,representations: into the skin that could support a variety of possible ,reproduction of the supposed denial of inauthenticity. Starting with ,requires the construction of yet another world which would thematize the ,responsibility,restoration of nature would,return to nature as a hallucinatory entry into some fabricated,say,should be": perfect,situ".,situated within the vast substructure which positions him in the world ,some augmentation of may reactivate the relationship to the archive and ,sorts of moves take place "without" loss? The conflict between the ,space or "the" places based on archive works constructs the lived ,stage management. The need for no distance is not sufficient to annul ,start with,still solid enough outside the archived object: on occasion -with ,structuring experience itself,subsequent world? This has no interest as a "real" question. However,substitute for the exotic element: we need the 3-D glasses and the ,substitution,summoned to live within that field,supplant the experience of the exotic. The virginal landscape which was ,tandem with a particular representation is presented "immediately" ,the archive's dynamic is already achievable with the technologies ,the avatar experience: it constructs a hidden subject with no ,the dire opposite of situationist logic,the distance between man and nature,the experience of sleeping. The avatar is asleep when inactive,the illusion. Specifically,the landscape is produced as the construct of a live,the landscape-archive cannot describe a flight nor can it avoid ,the map,the map if we happened to lose our bearings. The present habitation ,the map's inmate might answer in the affirmative,the modern-day world's netscapes.,the possibility of connections with the active archive is not provided,the space of his own experience as if he were moving from one "archive ,the vacuous idealization which that same denial implies. "The planet is ,they both provide ideal environments for the map's inmate. The hope for ,this a proposition which might specifically concern anything,this first move towards the landscape,through the use of active,time and leads to other such,to another planet. Behind this drive of the map's inmate for a new ,to some weak and,to take place towards new archival worlds. Earth is thus proven to be a ,to the information concerning it,towards the digital archive and its facilities is a major determinant ,transformation into information. Thus,traversing and escaping,treats the subject of nature's loss and extols,uncharted,understand this transformation of landscapes and visitors as a ,unwavering intent,videogame or some virtual,viewpoint,water. His return to nature,we can ascertain a variety of returns. Some "post apocalyptic",we do not ask "what?" but,we see it now,which is equivalent to a new kind of sleep,which the map's inmate drags along,within a particular representation of itself,within any of its open,within the map's interior is organized as a loss of the loss. We shed ,without a perception of its frame.,without lack: in such a world,world which lie ahead of us. In the exotic logic required by the world ,world-map is filled out by images which provide "information" about the ,
-- _ : http://jwm-art.net/ -audio/image/text/code _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
