MediaArtHistories out as educational edition (paperback).
MediaArtHistories edited by Oliver GRAU now out as educational edition
(paperback)
With contributions by: Rudolf ARNHEIM, Andreas BROECKMANN, Ron BURNETT,
Edmond COUCHOT,
Sean CUBITT, Dieter DANIELS, Felice FRANKEL, Oliver GRAU, Erkki HUHTAMO,
Douglas KAHN,
Ryszard W. KLUSZCYNSKI, Machiko KUSAHARA, Timothy LENOIR, Lev MANOVICH,
W.J.T. MITCHELL,
Gunalan NADARAJAN, Christiane PAUL, Louise POISSANT, Edward A. SHANKEN,
Barbara Maria STAFFORD
and Peter WEIBEL
"A rich selection of important texts by some of the most noteworthy
figures
in media art history, and together they will do much to shape the
content of
this new discipline."
-- Charlie GERE - Art Book
"Hmmm. That looks pretty handy." -- Bruce STERLING
"With the growth of media art (and media art programs), MediaArtHistories
is an important--and timely--book. Scholars, teachers, and artists all have
much to gain from reading
it." -- Dene GRIGAR
"The essays presented in MediaArtHistories comprise a compelling addition
to the bookshelf of any academic interested in art history."
--
Paul THOMAS, realtime +onscreen
"MediaArtHistories provides a wide view on the complex, in-progress field
of media art, in which this volume intends to stand as one of the main
bibliographical reference points." -- Horea AVRAM,
Rhizome.org
CONTENTS: Digital art has become a major contemporary art form, but it
has yet to achieve acceptance from mainstream cultural institutions; it
is rarely collected, and seldom included in the study of art history or
other academic disciplines. In MediaArtHistories, leading scholars seek
to change this. They take a wider view of media art, placing it against
the backdrop of art history. Their essays demonstrate that today's media
art cannot be understood by technological details alone; it cannot be
understood without its history, and it must be understood in proximity
to other disciplines--film, cultural and media studies, computer
science, philosophy, and sciences dealing with images. Contributors
trace the evolution of digital art, from thirteenth-century Islamic
mechanical devices and eighteenth-century phantasmagoria, magic
lanterns, and other multimedia illusions, to Marcel Duchamp's inventions
and 1960s kinetic and op art. They reexamine and redefine key media art
theory terms--machine, media, exhibition--and consider the blurred
dividing lines between art products and consumer products and between
art images and science images. Finally, MediaArtHistories offers an
approach for an interdisciplinary, expanded image science, which needs
the "trained eye" of art history.
WEBSITES:
BOOK http://www.mediaarthistory.org/pub/mediaarthistories.html
MAH Conference Series & Archive www.mediaarthistories.org
FACEBOOK MAH Platform www.facebook.com/group.php?gid=36056054067&v=wall
www.amazon.com (->MediaArtHistories)
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