Hi Curt

This is brilliant!

Do you have a version that generates artist statements?

dave

On 21 October 2010 20:04, Curt Cloninger <[email protected]> wrote:
> cf: http://playdamage.org/manifest-o-matic
>
>
>>I agree with you here - also Olson's on field poetry (forget the exact
>>title). But it's the heart of absolutism that manifestos also offer that
>>can be a problem.
>>
>>- Alan
>>
>>On Thu, 21 Oct 2010, Edward Picot wrote:
>>
>>>   I'm very late coming to this, because I tend to let Netbehaviour posts
>>>  pile up and then trawl through them a week or so at a time, but this has
>>>  been a very absorbing thread, especially the exchange between Alan and
>>>  Curt about significance in art, art-teaching, etc.
>>>
>>>  I'd just like to say a belated word in defence of manifestos. I'm quite
>>>  anti-manifesto personally, in the sense that I don't personally want to
>>>  get involved with one, or can't think of one with which I would want to
>>>  get involved; but I can see that they sometimes serve their purpose.
>>>  Radically new art sometimes has to create the critical framework from
>>>  which it should be judged, and manifestos can help with this. Being a
>>>  literary sort of person I'm thinking of things like the Imagist
>>>  manifesto, George Eliot's lengthy remarks about realism in literature in
>>>  Scenes from Clerical Life (or was it Adam Bede?) and Wordsworth and
>>>  Coleridge's preface to The Lyrical Ballads, with its plea that poetry
>>>  should be written in "language really used by men" instead of the
>>>  highly-artificial diction favoured by the Augustans. Exciting ideas, and
>>>  ideas which helped to alter the course of our literature.
>>>
>>>  - Edward
>>>  _______________________________________________
>>>  NetBehaviour mailing list
>>>  [email protected]
>>>  http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>
>>>
>>
>>
>>==
>>email archive: http://sondheim.rupamsunyata.org/
>>webpage http://www.alansondheim.org
>>music archive: http://www.espdisk.com/alansondheim/
>>==
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