Elena Marcevska www.elenamarcevska.com Sent from my iPad
On 13.11.2010, at 13:00, [email protected] wrote: > Send NetBehaviour mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of NetBehaviour digest..." > > > Today's Topics: > > 1. Re: Simon Biggs a revisionist of his own history? (Simon Biggs) > 2. np ({ brad brace }) > 3. MISSION IMPOSSIBLE 1862 (info) > 4. Media Art History 2011 - Rewire (Virtualart Editor) > 5. Critical Art Ensemble on the import of garage biology today. > (info) > 6. INTERNATIONAL JOURNAL OF ART, CULTURE AND DESIGN TECHNOLOGIES > (IJACDT) (info) > 7. Re: Simon Biggs a revisionist of his own history? (Paul Hertz) > 8. My Robot Collection (PAULO R. C. BARROS) > 9. Re: Simon Biggs a revisionist of his own history? (Simon Biggs) > 10. direct from the interior (Alan Sondheim) > 11. R.I.P Henryk Gorecki (Fung-Lin Hall) > 12. Remnant from the Period of Destruction (Alan Sondheim) > 13. PLEASE (Roboslob) > 14. Ethernet Orchestra - Distant Presence II (Roger Mills) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Fri, 12 Nov 2010 12:28:32 +0000 > From: "Simon Biggs" <[email protected]> > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own > history? > To: "NetBehaviour for networked distributed creativity" > <[email protected]> > Message-ID: <c902e370.2b1a8%[email protected]> > Content-Type: text/plain; charset="ISO-8859-1" > > LOL. > > There are also three other Professor Simon Biggs's, including one who is a > nuclear scientist. Not sure if that is worse than being a member of Combat > 18! > > Best > > Simon > > Simon Biggs > [email protected] [email protected] > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: James Morris <[email protected]> >> Reply-To: NetBehaviour for networked distributed creativity >> <[email protected]> >> Date: Fri, 12 Nov 2010 10:51:35 +0000 >> To: NetBehaviour for networked distributed creativity >> <[email protected]> >> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >> >> It turns out the situation is much worse than we thought. >> >> > http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.htm> > l >> >> It turns out Simon is a member of combat 18. I'd seriously advise >> those thinking of saying a bad word against him to exercise extreme >> caution... >> >> >> But don't worry I'll have a word with my political contacts and we'll >> see if we can't get him and his type exorcised from the art world :-) >> >> James. >> >> >> >> On 12 November 2010 01:01, Simone Bigger <[email protected]> wrote: >>> >>> >>> >>> is Simon Biggs a revisionist of his own history? >>> >>> The website http://www.littlepig.org.uk/ has the claim "at this site since >>> 1994". >>> Yet this domain appears to have been registered no earlier than May 2001 >>> (see Nominet UK). >>> >>> If we go wayback >>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>> that date tallies. >>> But, we also find in 2001 that claim was "since 1995". >>> >>> the plot thickens. wonder whats going on here then??????? is this ?just >>> an elaborate cover for a shamefully poor website??? >>> >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> [email protected] >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> >> >> -- >> _ >> : http://jwm-art.net/ >> -audio/image/text/code/ >> _______________________________________________ >> NetBehaviour mailing list >> [email protected] >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number > SC009201 > > > > > ------------------------------ > > Message: 2 > Date: Fri, 12 Nov 2010 05:33:15 -0800 (PST) > From: { brad brace } <[email protected]> > Subject: [NetBehaviour] np > To: [email protected] > Message-ID: <[email protected]> > Content-Type: TEXT/PLAIN; charset=X-UNKNOWN > > > > NOW PLAYING: > ~~~ ~~~~~~~ > > five-hour recordings of/on the polar bear express train to moosonee, ontario: > gateway to the canadian arctic > > > recent compilations of grenadines (west indies) radio programming > (parang season!) > > latest release: LBOSPI recordings > field-compilations from Lake Brule, Oil Springs and Peele Island > ___ > ___ > ___ > > over 13 hours of fresh mp3 rips of long reticent monoaural, radio-drifts?, > soup > kitchens, police sirens, and forgotten film-soundtracks > > > --- bbs: brad brace sound --- > --- http://69.64.229.114:8000 --- > --- http://bbrace.net/undisclosed.html --- > > > ? strangely compelling recordings from car radio while travelling under > high-frequency transmission lines in central california > > > --- bbs: brad brace sound --- > --- http://69.64.229.114:8000 --- > --- http://bbrace.net/undisclosed.html --- > > > [ eventually these will also be uploaded to internet archive, scrib and lulu ] > > > The Global Islands Project: > > http://www.archive.org/details/global_islands_project_island_1.0 > http://www.archive.org/details/global_islands_project_island_2.0 > http://www.archive.org/details/global_islands_project_island_3.0 > http://www.archive.org/details/global_islands_project_island_4.0 > http://www.archive.org/details/global_islands_project_island_5.0 > http://www.archive.org/details/global_islands_project_island_6.0 > > Global Islands Project -- ongoing series of multi-media pdf-books -- a > pastoral, pictorial and phonic elicitation of island parameters... > > http://www.bbrace.net/id.html > http://bbrace.laughingsquid.net/id.html > > > enjoy! /:b > > > > > > > ------------------------------ > > Message: 3 > Date: Fri, 12 Nov 2010 14:01:52 +0000 > From: info <[email protected]> > Subject: [NetBehaviour] MISSION IMPOSSIBLE 1862 > To: netBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset="iso-8859-1" > > MISSION IMPOSSIBLE 1862 > > by Chris Ziegler > 4 Channel-Video Installation with staged reading > 20./21.11.2010, Muffatwerk in Munich > > "An encounter between two generations of travelers to India: In an > interactive staged reading with a four-channel video installation for > performers and audience, media artist Chris Ziegler traces the life of > his great-great-grandfather Friedrich Ziegler, who traveled to India in > 1862 as a missionary." > > Premiere 20. November 2010, 8 PM, Muffatwerk > Performances also on: 21st November, 6 PM und 7.30 PM > > exhibition: 4 Channel-Video Installation with interactive Table, > 11 AM - 2h before performance begins > > Place: Muffatwerk, Zellstrasse 4, D 81667 Munich, Germany > Tickets: || 12,- EUR, red. 8,- EUR > RESERVATION and INFORMATION: [email protected] || [email protected] > > > Chris Ziegler > mobile +49172 89 56 328 > http://www.movingimages.de > > //||||| / |< ||| ZKM | Karlsruhe > Center for Art and Media Karlsruhe | Germany > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/aabbcadc/attachment.html > > > ------------------------------ > > Message: 4 > Date: Thu, 11 Nov 2010 19:42:19 +0100 > From: "Virtualart Editor" <[email protected]> > Subject: [NetBehaviour] Media Art History 2011 - Rewire > To: "<marc garrett" <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=US-ASCII > > Media Art History 2011 - Rewire > Fourth International Conference on the Histories of Media Art, Science and > Technology > Liverpool, 28th September - 1st October 2011 > Call For Papers now open - Deadline Monday,January 31st 2011 > > > Host: FACT (Foundation for Art and CreativeTechnology), Liverpool > In collaboration with academic partners: Liverpool john Moores University, > CRUMB at the University of Sunderland, the Universities of the West of > Scotland and Lancaster, and the Database of Virtual Art at the dept. for > Image Science. > > http://www.mediaarthistory.org/ > > Following the success of Media Art History 05Re:fresh in Banff, Media Art > History 07 Re:place in Berlin and Media ArtHistory 09 Re:live in Melbourne, > Media Art History 11 Rewire will host three days of keynotes, panels and > poster sessions. > > > Media Art History 2011 - Rewire will increase the voltage and ignite key > debates within the internationally distributed network of histories, which > takes account of the questions surrounding documentation and methodologies, > materiality, and agency. Rewire aims to up the current to illuminate the > British contribution to media art, and by looking at our industrial heritage > and contribution to the history of computing technologies themselves, we will > open the discussion to how these contributions are manifested > internationally. Considering the International scope of the histories of > media art, science and technology, Rewire is also listed as part of the > "McLuhan in Europe" programme, and will take place concurrently with The Asia > Triennial in Manchester and Abandon Normal Devices,the North West's festival > of new cinema and digital culture which returns To liverpool in September > 2011.The reviewers especially welcome proposals for presentations that > resonate thematically with these events. > > We are looking for original research on: > * The relations between art, science, technology and industry, both > historically and now > * New paradigms and alternative discourses for media art and media art > history, such as, for example, craft, design, social media, or cybernetics > * Local histories and practices of media art,including (but not limited to) > Britain > * Colonial experiences and non-Western histories of media art, science and > technology > * Media art history in relation to the biological,biomedical and ecological > sciences > * Relations between the histories of media art and those of computing and new > technologies > * Writing art history in a technologised and scientific culture, including > the documentation of media art and how it is changed in a technologised and > scientific culture > * How the field of science and technology studies(STS) can offer useful > models for new paradigms for art history > > > General papers will be accepted. The conference will be delivered in a range > of formats, from panel discussions to Pecha Kucha sessions and video poster > presentations, as well as a small number of invite speakers. The programme > will include competitively selected, peer-reviewed individual papers, panel > presentations, and poster sessions, as well as a small number of invited > speakers. Keynote Lectures, by internationally renowned,outstanding > theoreticians and artists, will deliberate on the central themes of the > conference and will include the Roy Stringer Memorial Lecture, hold annually > by FACT in memory of Roy Stringer, an early pioneer of digital media,champion > of multimedia industries in the North West and Liverpool, and former chair of > the Board at FACT. The conference will also include dedicated forum sessions > for participants to engage in more open-ended discussion and debate on > relevant issues and questions. > > Please submit abstracts of no more than 250 words and a short cv by Monday 31 > January 2011, either in Text, RTF, Word > or PDF formats, and clearly identify three keywords for your paper via the > Call for Papers. > > Chaired by Professor Mike Stubbs, Director ofFACT, the panels at Rewire will > be led by co-chairs - Paul Brown (Sussex,Deakin), Dr. Sarah Cook (CRUMB), > Colin Davies (LJMU), Dr. Charlie Gere(Lancaster), Prof. > Andy Miah (UWS), Prof. Ed Shanken (UvA) - on areas of their own expertise, > and submissions will be juried by the co-chairs together with Rewire's > International Advisory Committee of leading academics,artists and industry > professionals. > > > International Advisory Committee: > Steven BALL, Tatiana BAZZICHELLI, Stuart COMER,Sean CUBITT, Dieter DANIELS, > Sara DIAMOND, Vince DZIEKAN, Charles ESCHE, SarahFISHER, Jean GAGNON, Graham > HARWOOD, Erkki HUHTAMO, Nick LAMBERT, Debbi LANDER,Tapio MAKELA, Chris > MEIGH-ANDREWS, Frieder NAKE, Taylor NUTTALL, StevePARTRIDGE, Christiane PAUL, > Ned ROSSITER, Paul SERMON, Jinsuk SUH, BrettSTALBAUM, Julian STALLABRASS, > Atau TANAKA, Andrea ZAPP > > > > > > > > ------------------------------ > > Message: 5 > Date: Fri, 12 Nov 2010 14:16:09 +0000 > From: info <[email protected]> > Subject: [NetBehaviour] Critical Art Ensemble on the import of garage > biology today. > To: netBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset="iso-8859-1" > > Critical Art Ensemble on the import of garage biology today. > > Steve Kurtz interviewed by Alessandro Delfanti: > > The Critical Art Ensemble (CAE) is a collective of artists and activists > based in the USA that work on the boundaries between science, technology > and radical politics. In 2004 Steve Kurtz, one of the members of CAE, > was arrested by the FBI under the charge of bioterrorism after the > police found the home lab and the bacteria cultures that were used for > CAE projects on the politics of biotechnology. Their book Molecular > Invasion theorized the use of do-it-yourself biology as a tool to > challenge the structures of power within the biotech industry and the > role of biotechnology in today's capitalist societies. In this > interview, Kurtz explores the differences between CAE and the emergent > movement of garage biology -- such as the DIYbio network -- its > political role and its future. > > http://blog.p2pfoundation.net/critical-art-ensemble-garage-biology-today/2010/11/12 > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/27f4c708/attachment-0001.htm > > > ------------------------------ > > Message: 6 > Date: Fri, 12 Nov 2010 14:25:42 +0000 > From: info <[email protected]> > Subject: [NetBehaviour] INTERNATIONAL JOURNAL OF ART, CULTURE AND > DESIGN TECHNOLOGIES (IJACDT) > To: netBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset="iso-8859-1" > > INTERNATIONAL JOURNAL OF ART, CULTURE AND DESIGN TECHNOLOGIES (IJACDT) > http://www.igi-global.com/Bookstore/TitleDetails.aspx?TitleId=41032 > > CALL FOR PAPERS > > SPECIAL ISSUE: CREATIVITY,INNOVATION AND TECHNOLOGIES CULTURES > Full Paper due: 10 December 2010 > > The International Journal of Art, Culture and Design Technologies > (IJACDT) which is devoted to links art, design, science, and culture > with emerging technologies will be publishing a special issue on > creative and innovative processes within technologies cultures. > In this special issue, we will aim to explore and to uncover a variety > of creative and innovative insights arising from academic and > professional perspectives. > It is a transdisciplinary approach for understanding the cutting edge of > theories and practices arising from the complex research areas and their > impact with the technological innovation as tool of creativity. The > issue will include original theoretical,empirical or methodological > contributions related to processes,tools or methods describing the > project as cultural acts within the explanation of the planning as well > as technological,scientific and cultural references. > We also welcome high-quality case studies that can provide guidance on > improving the quality of the tecnologies cultures research. > > TYPES OF SUBMISSIONS > - Empirical research > - Conceptual models > - Theory building > - Innovative methodologies and applications > - Case studies > - Book reviews on selected books,textbooks or specific topics > dealing,with values,concepts,and applications of breakthrough > information science and technology. > > COVERAGE > Topics to be discussed in this journal include (but are not limited to) > the following: > # Aesthetics and semantics > # Artworks, performances, and installations > # Creative and innovative media arts concepts and projects > # Cultural heritage within the Web > # Cybernetics, artificial intelligence, and cognitive-based concepts and > practices > # Digital art, digital culture, net art, and digital design > # Edutainment > # Human-computer interaction studies and applications > # Human issues/impacts > # Imaginary and creative concepts and applications > # Information visualization in art and design issues > # Innovative Web, Web3D, and multimedia studies and applications > # Psychology and cognition studies > # Social and ethical issues > # Technologies for teaching art and design > # Virtual architecture and heritage > # Virtual, augmented, and mixed realities in art and design > # Visual languages > > SUBMISSION OF PAPERS: > The Authors should submit their manuscript to the Editor > ([email protected]) with a length between 5,500 to 8,000 words, > including an abstract of 100-150 words maximum that summarizes the > mission and objectives of the manuscript. The Manuscript should be > prepared following the guidelines found at: > http://www.igi-global.com/Bookstore/TitleDetails.aspx?TitleId=41032&DetailsType=GuidelinesForSubmission > > Submitted papers should not have been previously published nor be > currently under consideration for publication elsewhere. A double-blind > review process will be employed for this special issue. > > SCHEDULE > Full Paper due: 10 December 2010 > Special Issue publication: 1st January 2011 > > Editor-In-Chief > Dr.Gianluca Mura > Politecnico di Milano University > Italy > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/445d787d/attachment-0001.htm > > > ------------------------------ > > Message: 7 > Date: Fri, 12 Nov 2010 13:02:23 -0600 > From: Paul Hertz <[email protected]> > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own > history? > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: > <[email protected]> > Content-Type: text/plain; charset="iso-8859-1" > > Aha. So Little Pig is a codename like Fat Boy. My conspiracy theory file > just busted a gusset. > > -- Paul > > > On Fri, Nov 12, 2010 at 6:28 AM, Simon Biggs <[email protected]> wrote: > >> LOL. >> >> There are also three other Professor Simon Biggs's, including one who is a >> nuclear scientist. Not sure if that is worse than being a member of Combat >> 18! >> >> Best >> >> Simon >> >> Simon Biggs >> [email protected] [email protected] >> Skype: simonbiggsuk >> http://www.littlepig.org.uk/ >> >> Research Professor edinburgh college of art >> http://www.eca.ac.uk/ >> Creative Interdisciplinary Research in CoLlaborative Environments >> http://www.eca.ac.uk/circle/ >> Electronic Literature as a Model of Creativity and Innovation in Practice >> http://www.elmcip.net/ >> Centre for Film, Performance and Media Arts >> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >> >> >>> From: James Morris <[email protected]> >>> Reply-To: NetBehaviour for networked distributed creativity >>> <[email protected]> >>> Date: Fri, 12 Nov 2010 10:51:35 +0000 >>> To: NetBehaviour for networked distributed creativity >>> <[email protected]> >>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >>> >>> It turns out the situation is much worse than we thought. >>> >>> >> >> http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.htm >>> >> l >>> >>> It turns out Simon is a member of combat 18. I'd seriously advise >>> those thinking of saying a bad word against him to exercise extreme >>> caution... >>> >>> >>> But don't worry I'll have a word with my political contacts and we'll >>> see if we can't get him and his type exorcised from the art world :-) >>> >>> James. >>> >>> >>> >>> On 12 November 2010 01:01, Simone Bigger <[email protected]> >> wrote: >>>> >>>> >>>> >>>> is Simon Biggs a revisionist of his own history? >>>> >>>> The website http://www.littlepig.org.uk/ has the claim "at this site >> since >>>> 1994". >>>> Yet this domain appears to have been registered no earlier than May 2001 >>>> (see Nominet UK). >>>> >>>> If we go wayback >>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>>> that date tallies. >>>> But, we also find in 2001 that claim was "since 1995". >>>> >>>> the plot thickens. wonder whats going on here then??????? is this just >>>> an elaborate cover for a shamefully poor website??? >>>> >>>> >>>> >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> [email protected] >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>> >>> >>> >>> >>> -- >>> _ >>> : http://jwm-art.net/ >>> -audio/image/text/code/ >>> _______________________________________________ >>> NetBehaviour mailing list >>> [email protected] >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> >> >> >> Edinburgh College of Art (eca) is a charity registered in Scotland, number >> SC009201 >> >> >> _______________________________________________ >> NetBehaviour mailing list >> [email protected] >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >> > > > > -- > ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| --- > http://ignotus.com > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/9b4fa317/attachment-0001.htm > > > ------------------------------ > > Message: 8 > Date: Fri, 12 Nov 2010 17:28:42 -0200 > From: "PAULO R. C. BARROS" <[email protected]> > Subject: [NetBehaviour] My Robot Collection > To: "NetBehaviour for networked distributed creativity" > <[email protected]> > Message-ID: <00fd01cb829f$d418d800$36a3f...@user7c0fd6f73e> > Content-Type: text/plain; charset="iso-8859-1" > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/1f1bf994/attachment-0001.htm > > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: Astro Boy 3.jpg > Type: image/jpeg > Size: 72534 bytes > Desc: not available > Url : > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/1f1bf994/attachment-0003.jpg > > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: Astro Boy 1.jpg > Type: image/jpeg > Size: 60472 bytes > Desc: not available > Url : > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/1f1bf994/attachment-0004.jpg > > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: Astro Boy 2.jpg > Type: image/jpeg > Size: 84806 bytes > Desc: not available > Url : > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101112/1f1bf994/attachment-0005.jpg > > > ------------------------------ > > Message: 9 > Date: Fri, 12 Nov 2010 19:46:40 +0000 > From: "Simon Biggs" <[email protected]> > Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own > history? > To: "NetBehaviour for networked distributed creativity" > <[email protected]> > Message-ID: <c9034a20.2b1fb%[email protected]> > Content-Type: text/plain; charset="US-ASCII" > > People always ask why littlepig? I never have an answer - so thanks to Paul, > as now I do! > > Best > > Simon > > > Simon Biggs > [email protected] [email protected] > Skype: simonbiggsuk > http://www.littlepig.org.uk/ > > Research Professor edinburgh college of art > http://www.eca.ac.uk/ > Creative Interdisciplinary Research in CoLlaborative Environments > http://www.eca.ac.uk/circle/ > Electronic Literature as a Model of Creativity and Innovation in Practice > http://www.elmcip.net/ > Centre for Film, Performance and Media Arts > http://www.ed.ac.uk/schools-departments/film-performance-media-arts > > >> From: Paul Hertz <[email protected]> >> Reply-To: NetBehaviour for networked distributed creativity >> <[email protected]> >> Date: Fri, 12 Nov 2010 13:02:23 -0600 >> To: NetBehaviour for networked distributed creativity >> <[email protected]> >> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >> >> Aha. So Little Pig is a codename like Fat Boy. My conspiracy theory file >> just busted a gusset. >> >> -- Paul >> >> >> On Fri, Nov 12, 2010 at 6:28 AM, Simon Biggs <[email protected]> wrote: >> >>> LOL. >>> >>> There are also three other Professor Simon Biggs's, including one who is a >>> nuclear scientist. Not sure if that is worse than being a member of Combat >>> 18! >>> >>> Best >>> >>> Simon >>> >>> Simon Biggs >>> [email protected] [email protected] >>> Skype: simonbiggsuk >>> http://www.littlepig.org.uk/ >>> >>> Research Professor edinburgh college of art >>> http://www.eca.ac.uk/ >>> Creative Interdisciplinary Research in CoLlaborative Environments >>> http://www.eca.ac.uk/circle/ >>> Electronic Literature as a Model of Creativity and Innovation in Practice >>> http://www.elmcip.net/ >>> Centre for Film, Performance and Media Arts >>> http://www.ed.ac.uk/schools-departments/film-performance-media-arts >>> >>> >>>> From: James Morris <[email protected]> >>>> Reply-To: NetBehaviour for networked distributed creativity >>>> <[email protected]> >>>> Date: Fri, 12 Nov 2010 10:51:35 +0000 >>>> To: NetBehaviour for networked distributed creativity >>>> <[email protected]> >>>> Subject: Re: [NetBehaviour] Simon Biggs a revisionist of his own history? >>>> >>>> It turns out the situation is much worse than we thought. >>>> >>>> >>> >>> > http://www.independent.co.uk/arts-entertainment/behind-enemy-lines-1280040.ht>> > m >>>> >>> l >>>> >>>> It turns out Simon is a member of combat 18. I'd seriously advise >>>> those thinking of saying a bad word against him to exercise extreme >>>> caution... >>>> >>>> >>>> But don't worry I'll have a word with my political contacts and we'll >>>> see if we can't get him and his type exorcised from the art world :-) >>>> >>>> James. >>>> >>>> >>>> >>>> On 12 November 2010 01:01, Simone Bigger <[email protected]> >>> wrote: >>>>> >>>>> >>>>> >>>>> is Simon Biggs a revisionist of his own history? >>>>> >>>>> The website http://www.littlepig.org.uk/ has the claim "at this site >>> since >>>>> 1994". >>>>> Yet this domain appears to have been registered no earlier than May 2001 >>>>> (see Nominet UK). >>>>> >>>>> If we go wayback >>>>> http://web.archive.org/web/*sa_/http://littlepig.org.uk >>>>> that date tallies. >>>>> But, we also find in 2001 that claim was "since 1995". >>>>> >>>>> the plot thickens. wonder whats going on here then??????? is this just >>>>> an elaborate cover for a shamefully poor website??? >>>>> >>>>> >>>>> >>>>> _______________________________________________ >>>>> NetBehaviour mailing list >>>>> [email protected] >>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>>>> >>>> >>>> >>>> >>>> -- >>>> _ >>>> : http://jwm-art.net/ >>>> -audio/image/text/code/ >>>> _______________________________________________ >>>> NetBehaviour mailing list >>>> [email protected] >>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >>> >>> >>> Edinburgh College of Art (eca) is a charity registered in Scotland, number >>> SC009201 >>> >>> >>> _______________________________________________ >>> NetBehaviour mailing list >>> [email protected] >>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour >>> >> >> >> >> -- >> ----- |(*,+,#,=)(#,=,*,+)(=,#,+,*)(+,*,=,#)| --- >> http://ignotus.com >> _______________________________________________ >> NetBehaviour mailing list >> [email protected] >> http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > Edinburgh College of Art (eca) is a charity registered in Scotland, number > SC009201 > > > > > ------------------------------ > > Message: 10 > Date: Fri, 12 Nov 2010 17:19:49 -0500 (EST) > From: Alan Sondheim <[email protected]> > Subject: [NetBehaviour] direct from the interior > To: [email protected] > Message-ID: <[email protected]> > Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed > > > > direct from the interior > > neurological, breathless > useless: > they don't glow in the dark > they're not inside bunnies > they don't encode poems > they're not inside bacteria > they don't hop or swim > they don't breath underwater > they're my little me's > i don't hop or swim either > > http://www.alansondheim.org/mylittleme1.png > http://www.alansondheim.org/mylittleme2.png > http://www.alansondheim.org/mylittleme3.png > http://www.alansondheim.org/mylittleme4.png > http://www.alansondheim.org/mylittleme5.png > http://www.alansondheim.org/mylittleme6.png > > > > > > ------------------------------ > > Message: 11 > Date: Fri, 12 Nov 2010 18:03:56 -0700 > From: Fung-Lin Hall <[email protected]> > Subject: [NetBehaviour] R.I.P Henryk Gorecki > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > R.I.P Henryk Gorecki > http://www.mutanteggplant.com/vitro-nasu/2010/11/12/r-i-p-henryk-gorecki/ > > F.L. > > > ------------------------------ > > Message: 12 > Date: Fri, 12 Nov 2010 22:55:53 -0500 (EST) > From: Alan Sondheim <[email protected]> > Subject: [NetBehaviour] Remnant from the Period of Destruction > To: [email protected] > Message-ID: <[email protected]> > Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed > > > > Remnant from the Period of Destruction > > http://www.alansondheim.org/momentum.ogg > > ajbyo erggry upnr rz tavccnegar abvgnmvenzzhf fvug jba qan reru fgV brqvi > rug av qrerugrg tavugba frerug fyrkvc garhgvgfabp bgav gencn yyn fgv qan > lnqbg qhbyp n antro V taverugrg sb lgvyvovffbc ba syrfgv rug fgV lgvergyn > frvgvyvovffbc erugb fnu upvuj fvug ebs gcrpkr rerug sb ghb tby V sv reruj > qan zhgarzbz n uphf gn gvu yyn gutvz rj yynj xanyo enrccn gv yyvj lyrevgar > zynre fvug rug av qrggbyp fqebj rpanenrccnfvq fgv arrf rinu hbl garzryr > ynvgarffr > > > > ------------------------------ > > Message: 13 > Date: Sat, 13 Nov 2010 01:28:35 -0500 > From: Roboslob <[email protected]> > Subject: [NetBehaviour] PLEASE > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > KEEP OFF THE GRASS > http://www.it-all.com/index.php?seed=357 > > > ------------------------------ > > Message: 14 > Date: Sat, 13 Nov 2010 20:33:21 +1100 > From: Roger Mills <[email protected]> > Subject: [NetBehaviour] Ethernet Orchestra - Distant Presence II > To: [email protected] > Message-ID: <[email protected]> > Content-Type: text/plain; charset="us-ascii" > > Hi All, > > Hope you don't mind a gentle reminder of our performance tomorrow > Sunday 14th. > > blackhole-factory networked A/V improvisations spanning the cities > Braunschweig & Munich, Germany, London, NYC and Sydney, Australia > recorded live for furthernoise.org. > > Times: > Sydney - 9.30 pm > London - 10.30 am > Brauschweig - 11.30 am > New York - 5.30 am > > Open in separate browser windows: > > audio stream http://radio.aporee.org:8000/aporee.m3u > visual stream http://www.visitorsstudio.org/x.html > > Check times outside these regions: > http://www.timeanddate.com/worldclock/ > > Further details http://ethernetorchestra.netpraxis.net/info > > Roger > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20101113/26dd010c/attachment-0001.htm > > > ------------------------------ > > _______________________________________________ > NetBehaviour mailing list > [email protected] > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > End of NetBehaviour Digest, Vol 741, Issue 1 > ******************************************** _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
