The Postmodernism Generator... The short text below was randomly generated by the Postmodernism Generator.
Each time you visit or reclick on the web page - a new selection of found sentences, segments appear. "The Postmodernism Generator was written by Andrew C. Bulhak using the Dada Engine, a system for generating random text from recursive grammars, and modified very slightly by Josh Larios (this version, anyway. There are others out there)." http://www.elsewhere.org/pomo/ Enjoy ;-) Wishing you well. marc <snipintotxtnow> “Culture is responsible for class divisions,” says Lyotard; however, according to Dahmus[1] , it is not so much culture that is responsible for class divisions, but rather the economy, and some would say the defining characteristic, of culture. The subject is contextualised into a predialectic cultural theory that includes reality as a paradox. Therefore, the characteristic theme of the works of Spelling is the role of the writer as artist. Bataille uses the term ‘the deconstructive paradigm of expression’ to denote the bridge between society and culture. In a sense, the subject is interpolated into a postmaterialist rationalism that includes consciousness as a totality. The main theme of Drucker’s[2] essay on dialectic neosemioticist theory is not, in fact, discourse, but prediscourse. It could be said that the subject is contextualised into a Marxism that includes culture as a paradox. In the works of Spelling, a predominant concept is the concept of conceptual consciousness. Marx suggests the use of the deconstructive paradigm of expression to deconstruct hierarchy. But Wilson[3] holds that the works of Spelling are reminiscent of McLaren. Lacan uses the term ‘Marxism’ to denote a mythopoetical reality. In a sense, Lyotard promotes the use of Foucaultist power relations to attack and read society. The subject is interpolated into a dialectic neosemioticist theory that includes art as a totality. But if postdialectic narrative holds, we have to choose between dialectic neosemioticist theory and textual neostructural theory. The subject is contextualised into a Derridaist reading that includes narrativity as a paradox. It could be said that Lacan uses the term ‘Marxism’ to denote not theory per se, but subtheory. 1. Dahmus, J. (1993) The Reality of Paradigm: Marxism in the works of Spelling. And/Or Press 2. Drucker, Y. T. A. ed. (1977) Marxism, libertarianism and Debordist situation. Harvard University Press 3. Wilson, Q. (1988) The Forgotten Door: Marxism in the works of Burroughs. And/Or Press _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
