Thanks but it really doesn't work that way!

Alan -


On Sun, 9 Jan 2011, Joel Weishaus wrote:

> Alan;
>
> You're work is too good, and your too well-known, to still be entering
> contests!
>
> -Joel
>
>
> ----- Original Message -----
> From: "Alan Sondheim" <[email protected]>
> To: "NetBehaviour for networked distributed creativity"
> <[email protected]>
> Sent: Sunday, January 09, 2011 10:40 AM
> Subject: Re: [NetBehaviour] Submissions Now Open for Irrational Exuberance:
> A Recession Art Show.
>
>
>
>
> We're pretty broke most of the time; charging "small" amounts depends on
> who's calculating. I wouldn't mind paying for services rendered, i.e.
> showing, but I do mind paying for someone else to show, i.e. for me to be
> judged and then turned down. Artists in the US at least have it bad;
> there's very little money for avant work of any sort, and what there is,
> is increasingly drying up. What money's available usually goes into health
> care. $20 for submission might seem small, but if you enter 6-7 of these
> contests - for that's what they are - you end up paying substantially.
>
> - Alan
> On Sun, 9 Jan 2011, marc garrett wrote:
>
>> Hi Catherine & all,
>>
>> I personally do not have an issue with anyone charging a small amount to
>> get a project into gear. I have been involved in various shared ventures
>> where the group throws money in the tin to get things happening,
>> especially if there is no funding for the project out there. Which is
>> more apparent these days, with the neoliberalist attack on humanities
>> across the board.
>>
>> And yes - I agree, why people are paying the money in the first place
>> needs to be openly declared so others can make a decision on whether
>> worth it. It also depends what the actual project is, people could be
>> being payed for travel, fees for showing and all quite minimal. It does
>> raise ideas around the concept of crreating a functional system which
>> allows a kiinf levelling system, which produces a layout where every
>> monetary interaction is seen as part of the process of doing the
>> project. It would have to be small though, inputting the data would be
>> quite demanding.
>>
>> wishing you well.
>>
>> marc
>>
>>
>>
>>> I'm glad people are mentioning it, because there seems to be a very
>> large group of even otherwise economically and politically aware artists
>> who have no problem with submission fees.  While I understand the ideal
>> that even guerilla administrators (curators, fundraisers, pr people, and
>> the like) ought to be respected for their work, perhaps by payments of
>> money or reimbursement for expenses... at the lowest level, one is
>> paying a fee for a service or product that one can execute alone.  And
>> why?
>>>
>>> But when did it become ok to charge fees, in time?
>>>
>>> On Fri, Jan 7, 2011 at 7:28 AM, Michael Szpakowski <[email protected]>
>> wrote:
>>>
>>>     Except under very exceptional circumstances I don't submit for
>> things that involve fees and I've backed out of shows when even a small
>> one has been retrospectively raised. If people want to mount shows they
>> should do the proper preparation and raise funds, preferably enough
>> (although I appreciate this is entirely unrealistic) to pay a fee the
>> artists they show
>>>     .
>>>     An interesting test is whether the person behind the call is
>> salaried/in receipt of a fee...
>>>
>>>     cheers
>>>     michael
>>>
>>>
>>>
>>>
>>>
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>
>
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