The Center for Research in Computing and the Arts presents Music Under 
the Influence of Computers:

VISIONS

Music Under the Influence of Computers returns with a collection of 
exciting experimental audiovisual offerings by composers and artists 
from the United States and Germany.

7pm
Wednesday, February 2nd, 2011
Calit2 Theater
Atkinson Hall
UCSD Campus

Program:

The Art of Noise of Cartoons (2011) - David Medine
(video and surround sound)

Omphalos (2008) - Kari Besharse
(surround sound)

Suburban Review: 1/8/2011, 4:45 - 5:50 pm (2011) - Joachim Gossmann
(video and surround sound)

Change in the Summation (2007) - Jason Bolte
(surround sound)

Yet Another Allegiance (2011) - Rick Snow
(live video and surround sound)

This concert series is sponsored by The Center for Research in Computing 
and the Arts (CRCA) and Calit2.

Please check out mutioc.blogspot.com for more information on the concert 
series.

Notes About the Program:

With The Art of Noise of Cartoons (2011) David Medine offers a 
recontextualization of pop culture from two distinct eras. His algorithm 
seeks to recreate a track by The Art of Noise using segments from the 
sound design of Warner Brother's Looney Tunes segment The Road Runner. 
However instead of only hearing the sound design from the cartoon we are 
also able to see the moments in the cartoon his recreation calls into 
action.

About Omphalos (2008) Kari Besharse writes:
In Greek, the word omphalos means "navel," but also means the center of 
the world. According to the ancient Greeks, Zeus sent out two eagles to 
fly across the world to meet at its center, the "navel" of the world. To 
mark central point, a stone monument was placed at the oracle in Delphi. 
James Joyce also references the omphalos several times in the novel, 
Ulysses.

 From these layered meanings, the idea of a center point was translated 
into personal terms. In my piece, Omphalos represents a search for 
mental peace and the connection between outer and inner worlds. The work 
is in the form of a journey from the far reaches of the universe, 
through the dissonant, active earth with its traffic and noise, into the 
soul, where hopefully one can find peace. However, a cognitive 
dissonance that exists between outer and inner worlds remains. There is 
always an interference pattern, or distortion that makes true inner 
peace perpetually ambiguous.

“To ourselves . . . new paganism . . . omphalos.”
- James Joyce, Ulysses

Joachim Gossmann's Suburban Review: 1/8/2011, 4:45 - 5:50 pm 
(2011)offers suggestively presented panoramas from the Thornton Hospital 
parking lot. The camera is at rest in this overlooked transitory space, 
a place usually visited only briefly while on the way somewhere else. 
Gossmann's video asks questions about the nature of this space as a 
permanent and often overlooked part of our landscape. Perhaps at its 
core, it is a study in positive and negative space.

Jason Bolte writes: Change in the Summation (2007) is a study of the 
continuum between the limits of pitched and noise-based materials, a 
change in the "spectral summation." The title also refers to a change in 
my own compositional practice; an exploration and conscious integration 
of controlled pitched material into the fabric and structure of the 
electroacoustic work. Change in the summation was awarded Second Prize 
at the 2008 ASCAP/SEAMUS Student Composition Competition, and was 
selected as a Finalist at the 2007 ETH Zurich Digital Arts Week 
Stereophonic Soundscape Competition.

In Yet Another Allegiance (2011) Rick Snow performs on an audiovisual 
instrument. The instrument offers the performer direct control over a 
virtual iris represented visually as an opening and closing window and 
aurally as a direct volume control. Accompanying each opening window is 
a collection of pitches and noises represented visually by a 3D analysis 
of the composite sound using a form of the the Lissajous. Psychological 
and dramatic scenes are created, alllowed to morph, and then destroyed 
in this dramatic work.


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