OCCULTO FEST

A two day festival. A series of sound performances. A video screening. A 
workshop.
12-13 March 2011
Ausland
Lychener Straße 60
10437Berlin
www.ausland-berlin.de

At the end of the 1970s Sam Wagstaff put together an extensive 
collection of photos taken between 1870 and the 1930s, including 
Mumler’s ghost portraits, Kirlian’s experiments, Darget’s “thoughts 
photographic pictures” and other pioneering photographer’s works 
attempting to demonstrate the reality of certain supernatural phenomena. 
These pictures, beside the historical and ethnographic interest, are 
strongly suggestive abstract pieces, and Wagstaff explained that the he 
had collected them to satisfy his own desire to contemplate and explore 
the “pleasure to see, as when we see people dancing from a window”.

With somehow similar hopes and fears, several people tried to start a 
communication within a non-human dimension,
experiment known as Electronic Voice Phenomena (EVP), voice-like sounds 
not resulting from intentional voice recordings or renderings. They have 
been claimed to derive either from paranormal events, or from a kind of 
materializing of the subconscious (apophenia, or auditory pareidolia), 
or to be simply hoaxes.

In his short novel It Belongs to the Cucumbers, William Burroughs traces 
a similitude between his own writing technique of cut-up and Raudive’s 
“ghost voices” recordings, intentionally creating a mysterious aura 
around the subconscious process of creativity. Acousmatic music could be 
seen to be treading the same path; and maybe the same could be said for 
most creative exploration.
Artistic and musical research often brings results that are surprising 
not only for the viewer/listener, but also for the artist as well. 
Unexpected changes, distortions and deviations are a lively part of any 
creative and intellectual process; but sometimes they are also 
intentionally part of the project from the beginning.

In his debut as a director Shadows, John Cassavetes let the actors free 
to improvise on a scenario, something accustomed in the Italian Comedy 
of Art, but quite unusual in Hollywood. Besides exploring the issue of 
interracial relationships in a very simple and enlightened way, he also 
offers one of the best family rows in the history of cinema.

Occulto Fest involves artists and musicians that often focus on unusual, 
creative and diverted ways to collect and use
data, be they recorded sounds, scientific data, legends, computer 
programming languages, novels, circuits or images
found on the web. But this is not the full story; they also do so with 
wit, utilising well developed skills and with the criticaland 
challenging approach which has always been the best part of any DIY 
philosophy.

Occulto Fest proposes an exploration of something between scientific 
experimentation, wonder, hoax, subconscious suggestions and physical 
reality, using music, videos and other media.

Alice Cannavà + Federica Rossella
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