Simon, very poetical and emotives films, thanks for sharing!
Ana

On Mon, May 30, 2011 at 12:37 AM, Simon Mclennan
<[email protected]>wrote:

> Thank you- I'm really glad someone can get something from this,
> Simon
> On 29 May 2011, at 13:18, Ann Light wrote:
>
> > What a glorious lunchtime for me on the list, catching up with
> >
> > 'Park House'
> > http://www.vimeo.com/17226732
> >
> > and
> >
> > 'Friday morning at the surgery'
> > http://edwardpicot.com/fridaymorning
> >
> > If you haven't followed these links, I can only suggest that you
> > do. So much
> > of life seems to be there in different ways on each.
> >
> > What a fabulous list. Thank you Simon, Edward ... and Michael. And
> > Ruth and
> > Marc. Happy BHWE.
> >
> > Ann
> >
> > -----Original Message-----
> > From: [email protected]
> > [mailto:[email protected]] On Behalf Of Michael
> > Szpakowski
> > Sent: 29 May 2011 11:27
> > To: NetBehaviour for networked distributed creativity
> > Subject: Re: [NetBehaviour] a film called The Ship
> >
> > Hi Simon
> > I like this, in parts. It has moments of intense beauty and it
> > bursts with
> > ideas, some of which seem to me to work more successfully than others.
> > I've been looking at some of your other work - in particular
> >
> > 'Park House'
> > http://www.vimeo.com/17226732
> > and
> >
> > 'Big Moth'
> > http://www.vimeo.com/17198361
> >
> > which seem to me to be quite incontrovertibly triumphant. I think what
> > underpins this success for me is that these pieces are both looser
> > & wilder
> > in their construction and more intense in their content. In 'The
> > Ship' the
> > quasi-narrative form means less poetry per minute plus all the
> > traps of
> > unevenness (and to some extent cliche) that using performers brings.
> > Frankly, I'm not sure how much is gained by the "narrative" thread
> > - it is
> > still fairly opaque and I wouldn't have guessed, without your gloss
> > on the
> > vimeo page, that it is "A film about an artist with a dilemma. A
> > poetic take
> > on split personality and narrative breakdown."
> > What seems to me makes for more powerful and unified work in the
> > other two
> > is that the glue is your beautiful writing and (not to be
> > underestimated)
> > extraordinarily charismatic speaking voice, combined with a superb
> > visual
> > sense... they are *precisely* audio visual lyric poems...
> > I can see that this could feel unsustainable over a greater length,
> > like
> > that of 'The Ship' - the lyric approach could begin to feel
> > overcooked over
> > more than about three minutes (although this never stopped Brakhage).
> > I wonder whether the longer work needs more "scaffolding" - longer
> > rehearsal
> > periods, more precise scripting, even , dare I say, storyboarding
> > ( although
> > I can see the huge amount of work that went into it as it stands).
> > warmest wishes
> > michael
> >
> >
> > --- On Thu, 5/26/11, Simon Mclennan <[email protected]> wrote:
> >
> >> From: Simon Mclennan <[email protected]>
> >> Subject: [NetBehaviour] a film called The Ship
> >> To: "NetBehaviour for networked distributed creativity"
> > <[email protected]>
> >> Date: Thursday, May 26, 2011, 5:42 PM
> >> A film I made - I would be interested
> >> in feedback from anyone on net
> >> behaviour. Its about 6 minutes long and follows a sort of
> >> narrative.
> >>
> >> http://www.vimeo.com/17199370
> >>
> >> Incidentally this film was accidentally stolen by thieves
> >> from my
> >> flat twice during editing- two separate times on two
> >> separate
> >> computers- now there's a chance for you.
> >> The first part is shot at Furtherfield Gallery, kindly lent
> >> to me for
> >> a couple of hours by Mark and Ruth some time ago.
> >>
> >> thanks,
> >>
> >> Simon
> >>
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> >>
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