Whoever wants to have a sneak preview of the TAP - online venue for
performance/presentation/mix media - within WATERWHEEL project, is welcome.

Just let me know...sign-up first on http://water-wheel.net and send me an
email with your skype address.
Cheers

Suzon


On 20/07/11 1:00 PM, "[email protected]"
<[email protected]> wrote:

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> 
> Today's Topics:
> 
>    1. #99 (manik)
>    2. #100 (manik)
>    3. #101 (manik)
>    4. uncanny homeless (Alan Sondheim)
>    5. The Simpsons on FA-G (kim asendorf)
>    6. Future of the Humanities ({ brad brace })
>    7. ooud, thoughtful (acoustic) oud solos (Alan Sondheim)
>    8. Distributed Exhibition Project (info)
>    9. NK: Marcus Schmickler / Peter Ablinger / Alberto de Campo /
>       Bill Kouligas / DJ Rumpsti Pumsti (Musik) (Manuela Benetton)
>   10. Re: #101 (Michael Szpakowski)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Tue, 19 Jul 2011 17:35:03 +0200
> From: "manik" <[email protected]>
> Subject: [NetBehaviour] #99
> To: "netbehaviour" <[email protected]>
> Message-ID: <FF3A857A6C23425C972E6905BA22C059@user>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> 
> 
> ...MANIK...JULY...2011...
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> ------------------------------
> 
> Message: 2
> Date: Tue, 19 Jul 2011 17:36:40 +0200
> From: "manik" <[email protected]>
> Subject: [NetBehaviour] #100
> To: "netbehaviour" <[email protected]>
> Message-ID: <851F7B984F384CC1AA7644EFAF4FFC16@user>
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> 
> 
> 
> ...MANIK...JULY...2011...
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> ------------------------------
> 
> Message: 3
> Date: Tue, 19 Jul 2011 17:38:11 +0200
> From: "manik" <[email protected]>
> Subject: [NetBehaviour] #101
> To: "netbehaviour" <[email protected]>
> Message-ID: <F63766E96FA049FF8C09FB01568CB787@user>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> 
> 
> ...MANIK...JULY...2011...
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> ------------------------------
> 
> Message: 4
> Date: Tue, 19 Jul 2011 13:06:06 -0400 (EDT)
> From: Alan Sondheim <[email protected]>
> Subject: [NetBehaviour] uncanny homeless
> To: [email protected]
> Message-ID: <[email protected]>
> Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed
> 
> 
> 
> uncanny homeless
> 
> fit for nothing, uncanny &
>   homeless, struggled shaman &
> luminescence i
>   light my way & my own way
> 
> http://www.alansondheim.org/unheimloss.mp4
> 
> fitless, everything ordinary or
>   homing, cured or
> sullen darkness you
>   block my way or yours
> 
> canny unhomed
> 
> 
> 
> ------------------------------
> 
> Message: 5
> Date: Tue, 19 Jul 2011 19:17:26 +0200
> From: kim asendorf <[email protected]>
> Subject: [NetBehaviour] The Simpsons on FA-G
> To: netbehaviour <[email protected]>
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="utf-8"
> 
> Fach & Asendorf Gallery
> ?????????????????????????
> 
> Two new exhibitions online:
> 
> Max Capacity ? We'll Be Right Back! ?
> http://fa-g.org/ongoing/maxcapacity-wellberightback
> 
> 
> JK Keller ? Realigning My Thoughts On Jasper Johns ?
> http://fa-g.org/ongoing/jkkeller-realigningmythoughtsonjasperjohns
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> 
> ------------------------------
> 
> Message: 6
> Date: Tue, 19 Jul 2011 13:48:21 -0700 (PDT)
> From: { brad brace } <[email protected]>
> Subject: [NetBehaviour] Future of the Humanities
> To: "[email protected]" <[email protected]>, Spectre
> <[email protected]>, Oliver Grau <[email protected]>
> Cc: Online seminar for digital humanities
> <[email protected]>, [email protected],
> [email protected], webartery <[email protected]>,
> NetBehaviour for networked distributed creativity
> <[email protected]>
> Message-ID: <[email protected]>
> Content-Type: TEXT/PLAIN; charset=US-ASCII
> 
> 
> buy-now, it's an obviously exclusive, pointedly calculated,
> dismal, tired and insular discussion that somehow sadly
> shuffles "the deadly futures" of increasingly
> indebted/desperate privileged artworld acolytes who are
> compelled to repay by recycling received collegial/corporate
> diatribes...  not unlike treacherously asking interrelated
> corrupt institutions such as illegitimate States whether
> they have any future: who will continue to profit and at
> what repercussive-peril for the populace (?)  and what can
> it now mean to cling to the bandied, hollowed refrain of "we
> the people..."
> 
> 
> /:b
> 
> 
> 
> =============
> 
> PROXY Gallery
> http://bit.ly/proxygallery
> 
> global islands project:
> http://bbrace.net/id.html
> 
> "We fill the craters left by the bombs
> And once again we sing
> And once again we sow
> Because life never surrenders."
> -- anonymous Vietnamese poem
> 
> "Nothing can be said about the sea."
> -- Mr Selvam, Akkrapattai, India 2004
> 
> "... for every star-driven enterprise there are corollary
> benefits for those who support it and keep their mouths shut."
> -- John Young, NYC 2010
> 
> "Shikata ga nai -- There's nothing we can do about it."
> -- Japanese tsunami survivors, 2011
> 
> { brad brace }   <<<<< [email protected] >>>>  ~finger for pgp
> 
> ---    bbs: brad brace sound                               ---
> ---    http://69.64.229.114:8000                           ---
> ---    http://bradbrace.net/undisclosed.html      ---
> 
> .
> The 12hr-ISBN-JPEG Project       >>>> posted since 1994 <<<<
> 
> + + +         serial           ftp://ftp.eskimo.com/u/b/bbrace
> + + +      eccentric          ftp://  (your-site-here!)
> + + +     continuous         hotline://artlyin.ftr.va.com.au
> + + +    hypermodern      ftp://ftp.rdrop.com/pub/users/bbrace
> + + +        imagery        http://12hr.noemata.net
> 
> News:  alt.binaries.pictures.12hr   alt.binaries.pictures.misc
>                alt.binaries.pictures.fine-art.misc    alt.12hr
> 
> .  12hr email
> subscriptions => http://bradbrace.net/buy-into.html
> 
> 
> .  Other  |  Mirror: http://www.eskimo.com/~bbrace/bbrace.html
> Projects  |  Reverse Solidus: http://bradbrace.net/
>           |                   http://bbrace.net
> 
> .  Blog   |  http://bradbrace.net/wordpress
> .  IM     |  [email protected]
> .  IRC   |  #bbrace
> .  ICQ    |  109352289
> .  SIP    |  [email protected]
> . SKYPE   |  bbbrace
>  |  registered linux user #323978
> ~>
> I am not a victim coercion is natural
> I am a messenger freedom is artifical
> 
> 
> 
> 
> /:b
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> ------------------------------
> 
> Message: 7
> Date: Wed, 20 Jul 2011 01:18:55 -0400 (EDT)
> From: Alan Sondheim <[email protected]>
> Subject: [NetBehaviour] ooud, thoughtful (acoustic) oud solos
> To: [email protected]
> Message-ID: <[email protected]>
> Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed
> 
> 
> 
> ooud, thoughtful (acoustic) oud solos
> 
> http://espdisk.com/alansondheim/ooud4.mp3
> http://espdisk.com/alansondheim/ooud3.mp3
> http://espdisk.com/alansondheim/ooud2.mp3
> http://espdisk.com/alansondheim/ooud1.mp3
> 
> 
> 
> ------------------------------
> 
> Message: 8
> Date: Wed, 20 Jul 2011 10:03:29 +0100
> From: info <[email protected]>
> Subject: [NetBehaviour] Distributed Exhibition Project
> To: NetBehaviour for networked distributed creativity
> <[email protected]>
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
> 
> The Distributed Exhibition Project aims to explore the global framework
> curently available for online networked art. It's a participative
> project based on online spectators contributions.
> 
> http://www.yannleguennec.com/dep/
> 
> 
> ------------------------------
> 
> Message: 9
> Date: Wed, 20 Jul 2011 11:10:15 +0200
> From: Manuela Benetton <[email protected]>
> Subject: [NetBehaviour] NK: Marcus Schmickler / Peter Ablinger /
> Alberto de Campo / Bill Kouligas / DJ Rumpsti Pumsti (Musik)
> To: [email protected]
> Message-ID:
> <CAEqUP6KuFx-CMRzfO7nRm+RFXCLV=e1wktm1v3feqnvfdxn...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> sorry for x-posting
> *
> NK
> Saturday Sept 24th 2011, Doors 21:30 Concert 22:00
> Marcus Schmickler / Peter Ablinger / Alberto de Campo / Bill Kouligas / DJ
> Rumpsti Pumsti (Musik)*
> 
> 
> Marcus Schmickler is a composer and performer. He studied composition and
> electronic music and since then has worked in the most diverse fields of
> composed and improvised music. He has won numerous prizes and honours and is
> closely associated with the Cologne label a-Musik. As a composer along with
> his many works of electronic music, he works with the ensemble recherche,
> the Staatskapelle Weimar, the musikFabrik, the Paragon Ensemble, the
> Ensemble zeitkratzer and many more. As a musician he works with musicians
> such as John Tilbury, Thomas Lehn, Otomo Yoshihide, David Behrman, Claudio
> Bohorquez and Julee Cruise. His discography so far consists of over 50
> titles, and he has been performing on the world?s stages and at
> international festivals for years. He gives lectures and seminars and also
> works as an author in the field of theatre, radio plays and film.
> http://www.piethopraxis.org/
> 
> Peter Ablinger was born in Schwanenstadt, Austria in 1959. He began studying
> graphic arts and was enthused by free jazz, but completed his studies in
> composition with Gösta Neuwirth and Roman Haubenstock-Ramati in Graz and
> Vienna. Since 1982 he has lived in Berlin, where he has initiated and
> conducted numerous festivals and concerts. In 1988 he founded the Ensemble
> Zwischentöne. In 1993 he was a visiting professor at the University of
> Music, Graz. He has been guest conductor of ?Klangforum Wien?, ?United
> Berlin? and the ?Insel Musik Ensemble?. Since 1990 Peter Ablinger has worked
> as a freelance musician. Peter Ablinger is one of the few artists today who
> uses noise without any kind of symbolism ? not as a signifier for chaos,
> energy, entropy, disorder, or uproar; not for opposing something, or being
> disobedient or destructive; not for everything, for eternity, or for
> what-have-you. As in all these cases of music deliberately involving noise,
> noise is the case, but for Ablinger: this alone. Peter Ablinger has also
> come a long way in questioning the nature of sound, time, and space (the
> components usually thought central to music), and his findings have
> jeopardized and made dubious conventions usually thought irrefutable. These
> insights pertain to repetition and monotony, reduction and redundancy,
> density and entropy. (Christian Scheib, edited by Bill Dietz)
> http://ablinger.mur.at/
> 
> Alberto de Campo has studied classical composition, jazz guitar, and
> electronic music in Austria and the US. After working at UC Santa Barbara,
> designing experimental software instruments with Curtis Roads, he taught at
> Media Arts Academy Cologne, the Institute for Electronic Music in Graz, and
> at TU Berlin. He held a professorship for Music Informatics at Music
> University Duesseldorf, and currently is Professor for Generative Art at
> Arts Univ. Berlin.?He plays with powerbooks_unplugged (just in time
> programming on mostly unamplified laptops); improvisation groups with
> acoustic instruments such as Quiet Noise Quartet, Syntopia Ensemble, and ad
> hoc constellations; electronic music with BlippooHazard (four musicians
> playing the Blippoo Box, a hardware synth by Rob Hordijk). Recent projects
> include creating software instruments and sound installations with Florian
> Hecker, e.g. ?No Night No Day? at Biennale Venice, and AuditoryObjects
> (Bordeaux), and collaborating with Marcus Schmickler and Carsten Goertz on
> ?Bonner Durchmusterung?, a project involving sonification und visualisation
> of atronomical data.
> 
> Bill Kouligas is a sound artist and designer, better known for his solo
> project Family Battle Snake. He also runs the label PAN with vinyl editions
> of electronic and experimental artists. His music captures a variety of
> different sounds and time periods filtered through an imaginary urban
> soundscape. Emerging through a noise underground, ominous like a cloak of
> whispers, he now floats on a plane ebbing and flowing between electronic
> tape music and gluey entropicalia. With the use of analogue synth, tape
> manipulation and electronics he employs warm drones and a musique concrete
> approach through structured perspectives on a journey across time. Bill has
> collaborated with the likes of C Spencer Yeh, Destroy All Monsters, Sudden
> Infant, John Olson (Wolf Eyes), Joseph Hammer (LAFMS), Ralf Wehowsky/RLW,
> Chris Corsano, Damo Suzuki, Christian Weber, Anla Courtis, Astro, MV Carbon,
> Valerio Cosi, Birds of Delay and Kouhei Matsunaga to name a few.
> www.pan-act.com
> DJ Rumpsti Pumsti (Musik)?http://www.rumpsti-pumsti.com/
> 
> 
> NK
> Elsenstr. 52/
> 2.Hinterhaus Etage 2
> 12059 Berlin Neukölln
> 0049(0)17620626386
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> ------------------------------
> 
> Message: 10
> Date: Wed, 20 Jul 2011 03:42:17 -0700 (PDT)
> From: Michael Szpakowski <[email protected]>
> Subject: Re: [NetBehaviour] #101
> To: manik <[email protected]>, NetBehaviour for networked distributed
> creativity <[email protected]>
> Message-ID:
> <[email protected]>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Hi Manik
> it's be great to see these series of images blogged or posted to your Flickr
> account, unless, of course, solely embedding them in e mail is a crucial part
> of the process (you wouldn't have to stop doing that though - maybe post to
> the list and then blog/Flickr several days later). It's just that personally I
> really want to be able to get the  verall sense of each *sequence*. It's quite
> difficult to do that currently since, not only do I need to open each mail
> separately ( which I do), but then in my e mail client I have to alllow
> images...
> Of course there's only so many times one can utter the same words of praise
> for  an ongoing work but ,once again,  they're great & do keep them coming!
> best wishes
> michael
> 
> --- On Tue, 7/19/11, manik <[email protected]> wrote:
> 
> 
> From: manik <[email protected]>
> Subject: [NetBehaviour] #101
> To: "netbehaviour" <[email protected]>
> Date: Tuesday, July 19, 2011, 4:38 PM
> 
> 
> 
> 
> 
> 
>  
> ...MANIK...JULY...2011...
> -----Inline Attachment Follows-----
> 
> 
> _______________________________________________
> NetBehaviour mailing list
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> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
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> ------------------------------
> 
> _______________________________________________
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> 
> End of NetBehaviour Digest, Vol 989, Issue 1
> ********************************************


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