Saturday Sept 24th 2011, Doors 21:30 Concert 22:00
Marcus Schmickler / Peter Ablinger / Alberto de Campo / Bill Kouligas / 
DJ Rumpsti Pumsti (Musik)



Marcus Schmickler is a composer and performer. He studied composition 
and electronic music and since then has worked in the most diverse 
fields of composed and improvised music. He has won numerous prizes and 
honours and is closely associated with the Cologne label a-Musik. As a 
composer along with his many works of electronic music, he works with 
the ensemble recherche, the Staatskapelle Weimar, the musikFabrik, the 
Paragon Ensemble, the Ensemble zeitkratzer and many more. As a musician 
he works with musicians such as John Tilbury, Thomas Lehn, Otomo 
Yoshihide, David Behrman, Claudio Bohorquez and Julee Cruise. His 
discography so far consists of over 50 titles, and he has been 
performing on the world’s stages and at international festivals for 
years. He gives lectures and seminars and also works as an author in the 
field of theatre, radio plays and film.
http://www.piethopraxis.org/

Peter Ablinger was born in Schwanenstadt, Austria in 1959. He began 
studying graphic arts and was enthused by free jazz, but completed his 
studies in composition with Gösta Neuwirth and Roman Haubenstock-Ramati 
in Graz and Vienna. Since 1982 he has lived in Berlin, where he has 
initiated and conducted numerous festivals and concerts. In 1988 he 
founded the Ensemble Zwischentöne. In 1993 he was a visiting professor 
at the University of Music, Graz. He has been guest conductor of 
‘Klangforum Wien’, ‘United Berlin’ and the ‘Insel Musik Ensemble’. Since 
1990 Peter Ablinger has worked as a freelance musician. Peter Ablinger 
is one of the few artists today who uses noise without any kind of 
symbolism – not as a signifier for chaos, energy, entropy, disorder, or 
uproar; not for opposing something, or being disobedient or destructive; 
not for everything, for eternity, or for what-have-you. As in all these 
cases of music deliberately involving noise, noise is the case, but for 
Ablinger: this alone. Peter Ablinger has also come a long way in 
questioning the nature of sound, time, and space (the components usually 
thought central to music), and his findings have jeopardized and made 
dubious conventions usually thought irrefutable. These insights pertain 
to repetition and monotony, reduction and redundancy, density and 
entropy. (Christian Scheib, edited by Bill Dietz)
http://ablinger.mur.at/

Alberto de Campo has studied classical composition, jazz guitar, and 
electronic music in Austria and the US. After working at UC Santa 
Barbara, designing experimental software instruments with Curtis Roads, 
he taught at Media Arts Academy Cologne, the Institute for Electronic 
Music in Graz, and at TU Berlin. He held a professorship for Music 
Informatics at Music University Duesseldorf, and currently is Professor 
for Generative Art at Arts Univ. Berlin.
He plays with 
powerbooks_unplugged (just in time programming on mostly unamplified 
laptops); improvisation groups with acoustic instruments such as Quiet 
Noise Quartet, Syntopia Ensemble, and ad hoc constellations; electronic 
music with BlippooHazard (four musicians playing the Blippoo Box, a 
hardware synth by Rob Hordijk). Recent projects include creating 
software instruments and sound installations with Florian Hecker, e.g. 
‘No Night No Day’ at Biennale Venice, and AuditoryObjects (Bordeaux), 
and collaborating with Marcus Schmickler and Carsten Goertz on “Bonner 
Durchmusterung”, a project involving sonification und visualisation of 
atronomical data.

Bill Kouligas is a sound artist and designer, better known for his solo 
project Family Battle Snake. He also runs the label PAN with vinyl 
editions of electronic and experimental artists. His music captures a 
variety of different sounds and time periods filtered through an 
imaginary urban soundscape. Emerging through a noise underground, 
ominous like a cloak of whispers, he now floats on a plane ebbing and 
flowing between electronic tape music and gluey entropicalia. With the 
use of analogue synth, tape manipulation and electronics he employs warm 
drones and a musique concrete approach through structured perspectives 
on a journey across time. Bill has collaborated with the likes of C 
Spencer Yeh, Destroy All Monsters, Sudden Infant, John Olson (Wolf 
Eyes), Joseph Hammer (LAFMS), Ralf Wehowsky/RLW, Chris Corsano, Damo 
Suzuki, Christian Weber, Anla Courtis, Astro, MV Carbon, Valerio Cosi, 
Birds of Delay and Kouhei Matsunaga to name a few.
www.pan-act.com
DJ Rumpsti Pumsti (Musik)
http://www.rumpsti-pumsti.com/


NK
Elsenstr. 52/
2.Hinterhaus Etage 2
12059 Berlin Neukölln
0049(0)17620626386

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