"The Sympathy of Things: Ruskin and the Ecology of Design," the new 
publication by Lars Spuybroek

"We have to find our way back to beauty," writes Lars Spuybroek in the 
introduction to The Sympathy of Things. In this book Spuybroek argues 
that we must "undo" the twentieth century – the age in which the sublime 
turned from an art category into a technical reality. This leads him to 
the aesthetical insight of the nineteenth-century English art critic 
John Ruskin, from which he distils pointers for our time.

In The Sympathy of Things, the old romantic notion of sympathy, a core 
concept in Ruskin’s aesthetics, is re-evaluated as the driving force of 
the aesthetic experience. For Ruskin, beauty always comprises variation, 
imperfection and fragility, three concepts that wholly disappeared from 
our mindsets during the twentieth century.

Spuybroek addresses the five central dual themes of Ruskin in turn: the 
Gothic and work, ornament and matter, sympathy and abstraction, the 
picturesque and time, ecology and design. He wrests each of these themes 
from the Victorian era and compares them with the related ideas of later 
aestheticians and philosophers like Latour and Sloterdijk.

http://www.v2.nl/publishing/the-sympathy-of-things
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