The Visual Collider
Nina Czegledy and Marcus Neustetter

Central and East European destinations:

Budapest, Hungary
1 September 6:30pm
2B Gallery, 1092 Raday U. 47
Opening speech by Janos Sugar
Exhibition closing 9 September

Bratislava, Slovak Republic
6 September 6:30pm
Enter Gallery, Panska 13, 81101
Exhibition closing 22 September

Vienna, Austria
9 September 7pm
Machfeld Studio, Max Winter Platz 21, 1020
One night intervention

Istanbul, Turkey
14 September 2pm-4pm
Karakoy Communication Center Terrace, 2 Bankalar Caddesi, 34420
As par of the Imaginary Futures Special Event


Following its first cycle of exhibitions in Vela Luka (Croatia), New 
York (USA), Banff (Canada) and Dalcrombie (Scotland), The Visual 
Collider continues its journey starting in Budapest and reappearing in 
Bratislava, Vienna and Istanbul in the second half of 2011.

In May 1, 2011, the Large Hadron Collider in France - according to a 
press release - had uncovered the much sought-after subatomic particle. 
The God particle is the pet name for the Higgs boson. Leading up to this 
event, on November 29, 2009, billions of subatomic particles were 
smashed together in nano-seconds inside the Large Hadron Collider (LHC), 
the world's most powerful particle accelerator, designed to mimic the 
first moments of the Big Bang, "bringing new understanding of the 
primordial universe". Thousands of scientists worked for decades to 
achieve this scientific spectacle, "challenging those who seek 
confirmation of established knowledge, and those who dare to dream 
beyond the paradigm." Inspired and intrigued by the Large Hadron 
Collider mega project, Nina Czegledy and Marcus Neustetter set out to 
create a visual collider for the images and impressions they produce 
individually.

At the actual Collider every function including research, development 
and production, is based on principles and systems. In contrast our 
method is spontaneous, immediate and intentionally unsystematic. 
Nevertheless there are significant junctures. LHC is an immense 
scientific mission - paralleling our deep interest in the intersection 
of arts, science and technology. While in the sciences it is prudent to 
build on fundamental facts with analytical precision, in reality these 
investigations are often permeated with the exploration of the unknown, 
reaching unexpected revelations. "In our practice working with the 
bizarre, traveling towards unpredictable destinations is a regular 
pursuit. In science a negative experimental result might become as valid 
as an expected outcome." These unexpected results including happy 
accidents often lead to significant alternate solutions or theories. The 
adjacent images presented in this exhibition reveal unconventional 
interpretations
frequently through unforeseen collisions.

By employing a personal approach to the Visual Collider we challenge 
mega-projects such as the actual LHC, asking atypical questions 
concerning the experimental smashing together of information whether in 
the form of photographic light or protons.


---

Nina Czegledy, artist, curator, academic, works internationally on 
collaborative art& science& technology projects. The ever changing 
perception of the human body and its environment and paradigm shifts in 
contemporary art is the focus of most of her projects.  She has 
exhibited widely, won awards for her artwork and has lead and 
participated in workshops, forums and festivals worldwide. Czegledy 
curated and presented numerous international touring projects and 
published extensively. The Visual Collider touring project is developed 
and presented in collaboration with Marcus Neustetter. Latest projects 
include: Areosphere/Atmosphere (with Janine Randerson) @ New Plymouth 
Observatory, New Zealand (2011), Aura,Aurora in collaboration with 
Bettine Schuelke, Marton Andras Juhasz and Laszlo Kiss @ artMuse 
Festival 2011, Bocholt, Germany, and @ the Plein Air festival, 2B 
Gallery, Budapest, (2010). The Pleasure of Light co-curated with Rona 
Kopeczky, @ the Ludwig Museum, Budapest (2010)  and the National Museum 
of Gdanks, Poland (2011),
McLuhan in Europe (2011).  Czegledy is a Senior Fellow, KMDI, University 
of Toronto, Associate Adjunct Professor Concordia University, Montreal, 
Senior Fellow, Hungarian University of Fine Arts, member of the 
Leonardo/ISAST Governing Board, member of Observatoire Leonardo des Arts 
des Techno-Sciences OLATS, and contributing editor to LEA. 
www.ninaczegledy.net


Johannesburg based artist, cultural activist and producer, Marcus 
Neustetter, reflects critically and playfully on his context through his 
art and collaborative projects. His strategy has been to pro-actively 
create, play and experiment to build opportunities and experiences that 
investigate, reflect and provoke. Mostly process driven, his production 
of art at the intersection of art, science and technology has led him to 
work in a multi-disciplinary approach from conventional drawings to 
permanent and temporary site specific installations, mobile and virtual 
interventions and socially engaged projects internationally. In the past 
15 years Marcus Neustetter has been consistently producing and 
exhibiting art www.marcusneustetter.com and, in partnership with Stephen 
Hobbs, has been active with his art production lab The Trinity Session 
and in their collaborative capacity as Hobbs/Neustetter www.onair.co.za. 
In current projects Neustetter is developing structures of observation 
and interventions in Sutherland, the Cradle of Humankind and the Inner 
City of Johannesburg, is featured on group shows at the UNISA Gallery, 
Standard Bank Gallery and Circa Gallery, exhibiting at the Joburg Art 
Fair, touring The Visual Collider with Nina Czegledy, presenting works 
in dialogue with Walter Stach in Vienna, and embarking on an 
intervention as Hobbs/Neustetter in Mali in October.
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