Hi Ana,

Just wanted to get back to you regarding reviews...

Really glad you want to give it another bash :-)

If you send us stuff, we can edit it - so give it a go...

wishing you well.

marc

 > Marc, I am going to make a new try. But again, the problem is my lack 
of language skills :( It means, I am fluent with Spanish and Swedish but 
my written English is not perfect :(
 >  if you can bear with me and make small editions of my posts I am 
going to try to be consequent and send a few reviews each month from 
South America. I am going to be based in Montevideo but if I can afford 
it (going to live in a very poor economy no Swedish wellfare, grants, etc :(
 > I am going to travel to Sao Paulo and Buenos Aires.
 > Ana
 >
 > On Mon, Sep 5, 2011 at 3:09 PM, marc garrett 
<[email protected]> wrote:
 >
 >     Furtherfield is looking for new Reviewers.
 >
 >     Furtherfield receives regular submissions inviting us to feature and
 >     review artworks and projects from artists, non-artists, and art 
groups
 >     from all over the world. We have an excellent team of reviewers 
working
 >     with us. Yet, we find ourselves overwhelmed by the amount of 
amazing and
 >     challenging works exploring our (shared) cultures beyond traditional
 >     remits more than ever now. And, as you can imagine, it is not easy
 >     keeping up with the workload.
 >
 >     AND - The (alarming) trend by particular groups, only respecting 
those
 >     who reside in main cities such as London, New York or Berlin; because
 >     they are so desperate to please an outmoded art market system of
 >     scarcity - this only works to serve and perpetuate the hegemonies and
 >     hierarchies of an already established, making them stronger. This is
 >     boring and of course shallow, and it is just not good enough - we
 >     deserve something better. With you - we want to reclaim and free 
up our
 >     culture, take it back! Challenge us and challenge yourselves to 
break it
 >     down! Redistribute it! Let our shared culture BREATH once more!
 >
 >     "In terms of culture, what I see developing is a new transnational
 >     culture, based on value and discourse communities, based on language,
 >     that are neither local, nor national, nor fully cosmopolitan, but
 >     'trans-national'." Michel Bauwens. Founder of the Foundation for P2P
 >     Alternatives. http://su.pr/2R2jSz
 >
 >     So - we are interested in writers who understand and know about (new)
 >     media art, P2P culture, net art, hacktivism, software art, social
 >     networks, live networked art, live Internet tv, free and open source
 >     software & hardware, digital recycling projects, tactical media, art
 >     blogs, net films, mobile phone projects, self institutions,
 >     psycho-geography, video games culture, activist games, as well as
 >     publications, books, events, projects, unconferences, exhibitions
 >     online/physical or both, and related conferences. And like us, if you
 >     are passionately and critically engaged in investigating the constant
 >     shifts and reinventions of our ever fascinating and imaginative 
world -
 >     You will enjoy working with us.
 >
 >     We welcome contributions from all kinds of writers – and are always
 >     interested bi-lingual reviewers who are able to 
introduce/translate work
 >     created by artists in non-English-speaking regions. We also 
interested
 >     in reviewers who are writing about ‘media art and ecology’ and the
 >     contemporary ideas coming out of this emergent genre.
 >
 >     If you are interested in becoming a reviewer at Furtherfield and 
wish to
 >     know more please contact marc garrett – marc.garrett [at] 
furtherfield.org
 >
 >     Note: Please do not apply unless you are sure that you are definitely
 >     interested.
 >
 >     Become a Reviewer
 >     http://www.furtherfield.org/get-involved/become-a-reviewer
 >
 >     Features: Articles, Reviews & Interviews
 >     http://www.furtherfield.org/features
 >
 >     About Furtherfield
 >     http://www.furtherfield.org/content/about
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 >
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 >
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 >
 >
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 >
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