Dear Rob, Thanks for you comments.
I agree that is a question of scale and also time, if you think that one of the majors Festivals related to the digital art is about 30 years old (Ars Eletronica), but the pattern is already repeating on a diferent scale. About the data they came from sites on the web : the galleries dedicated to digital art and their casting : bitforms , Bryce Wolkowitz, Postmastersart, Numeriscausa, Fabio Paris, DAM Berlin, DAM Cologne and Island6 (Shangai) the data from Ars Eletronica - from the site of ars eletronica The data about artists ranking on the investor site: www.artfacts.net The data about collectors: www.artnews.com * Here is point obscure where i can find data about collectors on digital art ? Fairs: ArtBasel and SP Arte - from their sites As you can see on the Conceptual Map: The Web of Art there are lot of others instances and players to be explored in terms of data and i didnt analyse the relationship between them , i just showed some data about 5 instances and players. It is also important to say that the data is not analysed in a scientific way (stat tests, big samples) it was only a "scan". The work that i develop is about conceptual maps and in this case i separate the one called The Web of Art and analyse that in geopolitical terms and made a comparison about contemporary and electronic. Another important point is to notice that in the two conceptual maps about The Fairs , is that i am showing that what can be periphery in one place can be a center in another place. Looking forward to hear from you. best regards, Duda Valle > Date: Tue, 1 Nov 2011 20:37:50 +0000 > From: r...@robmyers.org > To: netbehaviour@netbehaviour.org > Subject: Re: [NetBehaviour] Is the history of art repeating itself ? A > geopolitical analysis and comparison of contemporary art and electronic art > > On 30/10/11 13:28, Eduardo Valle wrote: > > You will find attach a presentation on the Rewire conference in Liverpool. > > > > If this is not the correct procedure and if the subject is not relevant > > in this list , please let me know. > > It's entirely correct and relevant. :-) Thank you for sending this. > > The complaint that digital artists always make about the difference > between the contemporary and digital artworlds is that there is > precisely no money in the digital artworld. Looking at your presentation > that looks like a simple product of relative scale. Do you think that's > right? > > I'm very interested in analysing art and the artworld using data at the > moment. Did you use any particular sources for your statistics or are > they the product of trawling through the paperwork? > > - Rob. > _______________________________________________ > NetBehaviour mailing list > NetBehaviour@netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour
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