We're now two-thirds of the way through the 11:11:11 UpStage Festival and all is going well! Once again the the work is diverse, exciting and inspiring - created by innovative artists from a variety of disciplines and of all ages; and the audience response is enthusiastic.

The third and final block of performances begins very soon, at 7pm European time, which is 7am on Saturday in New Zealand. The schedule of performances, on the front page of the UpStage web site <http://upstage.org.nz/blog/>, includes time converter links so that you can find your local time.

The performances in the final block are:

 * /Edward King <http://upstage.org.nz/blog/?page_id=2652#ek>/: Times
   Square on Christmas Eve. Did Edward King kill someone? Was the man
   his father? Do the Rockettes know the secret? Tune in for the avatar
   can-can and join in the Hallucinated Hallelujah Chorus, as Edward
   King asks: “Who am I?” By Marlena Corcoran (Munich/Venice) with
   Marischka Klinkhamer (Amsterdam), Vicki Smith (Aotearoa/New Zealand)
   and Ben Unterman (Vancouver).
 * /Is This On? <http://upstage.org.nz/blog/?page_id=2652#is_this_on>/:
   sympathising with the computer, unexpected love and jealousy between
   open source and proprietary software form the perfect setting for a
   geek tragedy. By Inge Hoonte & Birgit Bachler (the Netherlands) and
   students of the Networked Media department at the Piet Zwart
   Institute in Rotterdam, the Netherlands.
 * /Magfalda meets the world in pieces
   <http://upstage.org.nz/blog/?page_id=2652#mag>/: an innocent and
   unpretentious journey to the (re)discovery of the world in pieces
   that surrounds us. By Gabriella Sacco (Amsterdam, Netherlands),
   Valentina Tibaldi (Torino, Italy).
 * /Property & Theft <http://upstage.org.nz/blog/?page_id=2652#pt>/: an
   Automated Confessional Service - a cross between a Catholic
   confession and an automated telephone payment service - this
   mechanical, comodified and malfunctioning Confessional Service
   elicits absurd public confessions of wrongdoing from participants,
   and then suggests appropriate penance for the participant to enact
   there and then. By Olivia Furber, Harry Giles, et al (Edinburgh,
   Scotland).
 * /Where are the clouds?
   <http://upstage.org.nz/blog/?page_id=2652#clouds>/: a dynamic,
   real-time exploration of the performance of remixed texts in online
   digital media. By Katarina DJ. Urosevic (Serbia), Francesco
   Buonaiuto (Italy) and The Levi@hans.
 * /Flat Earth <http://upstage.org.nz/blog/?page_id=2652#fe>/: a poetic
   journey on the source of ideas, and how we build ideas from images
   that come in our mind; playing with perception, the focus, the
   distraction of it, time, size and distance, the imagination, and the
   memory of things and scenes. By Petyr Veenstra and Floris Sirag (the
   Netherlands).
 * /String Games <http://upstage.org.nz/blog/?page_id=2652#wake>/:
   using the ancient practice of Whai (String Games) a navigational
   marker will be revealed. Audiences are encouraged to bring a 2 metre
   length of cord knotted into a single loop. By Vicki Smith and
   Hannah, Ellen and Joanne from Paparoa Range School (Aotearoa/NZ).

We hope you can join us for some of these great shows, and stick around for the party afterwards!

Helen Varley Jamieson & Vicki Smith
UpStage Festival Architects
http://www.upstage.org.nz
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