Hi all, Thought you might be interested at my friend's new event from My Dance The Skull (sharing below). Hope to see you there!
The Agency and MK Gallery presents - Antistrophe Entr'acte Theo Burt Musarc Choir Tim Wright - Film Agency Jo Thomas Tom Richards Entr'acte Theo Burt Musarc Choir Tim Wright - Film Agency Jo Thomas Tom Richards My Dance The Skull Blood Stereo Janek Schaefer Tom White Clive Graham, Anthony Donovan, Steve Beresford and Noura Sanatian Mama Baer/Hjuler - Film In September 2011 curators Simon Wright and Emma Dean from Milton Keynes Gallery and Bea de Souza, the artistic director of the London based independent gallery the Agency came together to lend their shared interest in sound art a platform. Regular performances by sound artists such as Sculpture, Simon Schaefer, Clare Gasson and Mimosa Moize are continuing to be held at both venues. For ‘Antistrophe’, in collaboration with record labels Entr'acte and My Dance the Skull, we are utilising the format of a live concert for the first time. Antistrophe represents a progressive approach to merging the different approaches of art performance, sound art, film and experimental music fluidly for an audience to reflect, listen and hopefully dance. £10 on the door/£8 in advance [email protected] +44 (0) 1908558309 Saturday 9th June 2012, 4pm till late V22 Halls, The Biscuit Factory, Drummond Road, Bermondsey, London SE16 4DG On Thu, May 24, 2012 at 12:00 PM, <[email protected]>wrote: > Send NetBehaviour mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of NetBehaviour digest..." > > > Today's Topics: > > 1. Social mobility: the charts that shame Britain (dave miller) > 2. Woman, Art & Technology: Interview with Sue Gollifer. (info) > 3. Olympic organisers shut down ?Space hijackers? protest > Twitter account (marc garrett) > 4. Re: [Bulk] analog (Martha Deed) > 5. Moving the goalposts: An interview with British conceptual > artist and writer Stewart Home (marc garrett) > 6. HacktionLab: a gathering and working project for > tech-activists in the UK. (info) > 7. Re: [Bulk] analog (Alan Sondheim) > 8. Re: MANIK ALIVE 42 (manik) > 9. Re: Protest Is Coming to the London Olympics (Rob Myers) > 10. trudy (Alan Sondheim) > 11. electronic orchestra for the Hermes Opera (Karl Heinz Jeron) > 12. MANIK ALIVE 43 (manik) > 13. Re: Some student work (ruth catlow) (ruth catlow) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Wed, 23 May 2012 12:27:02 +0100 > From: dave miller <[email protected]> > Subject: [NetBehaviour] Social mobility: the charts that shame Britain > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: > <CAAE50ReFDcfZoCKO5hG_00m-bA5zy03=egzz5vzvux8vy7f...@mail.gmail.com > > > Content-Type: text/plain; charset=ISO-8859-1 > > Can you go from stacking shelves to heading up a major corporation in > Britain? The data suggests it's unlikely. > > http://www.guardian.co.uk/news/datablog/2012/may/22/social-mobility-data-charts#zoomed-picture > > > ------------------------------ > > Message: 2 > Date: Wed, 23 May 2012 12:32:14 +0100 > From: info <[email protected]> > Subject: [NetBehaviour] Woman, Art & Technology: Interview with Sue > Gollifer. > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > Woman, Art & Technology: Interview with Sue Gollifer. > > By Rachel Beth Egenhoefer. > > This conversation follows in a series of interviews with women who work > at the intersection of art and technology. As someone who works as an > artist, curator, organizer, professor, researcher, and board member Sue > Gollifer embodies this intersection across many venues. > > A pioneer of early computer art, Gollifer has continuously explored the > relationship between technology and the arts and has written extensively > on this subject. She is a Principal Lecturer in Fine Arts and the > University of Brighton where she is also the Course Leader of the MA > Digital Arts Program. Gollifer has been instrumental in shaping major > international arts communities including: the Design and Artists > Copyright Society (DACS), the Computer Arts Society (CAS), and the > College Arts Association, (CAA), ISEA, SIGGRAPH, Lighthouse Brighton, > and many others. Gollifer is currently also the Director of the ISEA > International Headquarters. > > > http://www.furtherfield.org/features/interviews/woman-art-technology-interview-sue-gollifer > > -- > Other Info: > > Furtherfield - A living, breathing, thriving network > http://www.furtherfield.org - for art, technology and social change since > 1997 > > Also - Furtherfield Gallery& Social Space: > http://www.furtherfield.org/gallery > > About Furtherfield: > http://www.furtherfield.org/content/about > > Netbehaviour - Networked Artists List Community. > http://www.netbehaviour.org > > http://identi.ca/furtherfield > http://twitter.com/furtherfield > > > > ------------------------------ > > Message: 3 > Date: Wed, 23 May 2012 12:48:34 +0100 > From: marc garrett <[email protected]> > Subject: [NetBehaviour] Olympic organisers shut down ?Space hijackers? > protest Twitter account > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=windows-1252; format=flowed > > Olympic organisers shut down ?Space hijackers? protest Twitter account > > by Padraig Reidy > > Index on Censorship has learned that the Twitter account of protest > group Space Hijackers has been suspended following a complaint by the > organisers of the London Olympics. > > The anti-capitalists, who have styled themselves as the Official > Protesters of the London 2012 Olympic Games, received notification from > Twitter in an email this morning, which stated: > > We have received reports from the trademark holder, London Organising > Committee of the Olympic Games and Paralympic Games Ltd, that your > account, @spacehijackers, is using a trademark in a way that could be > confusing or misleading with regard to a brand affiliation. Your account > has been temporarily suspended due to violation of our trademark policy. > > > http://blog.indexoncensorship.org/2012/05/23/olympic-organisers-shut-down-space-hijackers-protest-twitter-account/ > > > > ------------------------------ > > Message: 4 > Date: Wed, 23 May 2012 08:28:39 -0400 > From: Martha Deed <[email protected]> > Subject: Re: [NetBehaviour] [Bulk] analog > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset="iso-8859-1" > > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20120523/f102736b/attachment.html > > ------------------------------ > > Message: 5 > Date: Wed, 23 May 2012 14:43:05 +0100 > From: marc garrett <[email protected]> > Subject: [NetBehaviour] Moving the goalposts: An interview with > British conceptual artist and writer Stewart Home > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > Moving the goalposts: An interview with British conceptual artist and > writer Stewart Home > > Situationism's journey from its Parisian origins into Anglo-Saxon > culture has been littered with feuds, schisms and excommunications. > Writer and conceptual artist Stewart Home recalls the history and > politics of Situationism and its British pendant, psychogeography. > > http://www.eurozine.com/articles/2012-05-22-home-en.html > > > ------------------------------ > > Message: 6 > Date: Wed, 23 May 2012 14:54:43 +0100 > From: info <[email protected]> > Subject: [NetBehaviour] HacktionLab: a gathering and working project > for tech-activists in the UK. > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > HacktionLab: a gathering and working project for tech-activists in the UK. > > HacktionLab is UK tech-activist run project that aims to create regular > convergence spaces where activists interested and/or working in the > areas of alternative media, renewable energy, on-line video > distribution, free software or any other form of activism that utilises > technology can get together and plan how to better harness the > technology (or not) to support grass roots social movements. HacktionLab > is also working to create a roadshow of outreach workshops and > discussion spaces that can be run alone or as part of a larger event. > > http://hacktivista.net/hacktionlab/index.php/Welcome_to_HacktionLab# > > > > ------------------------------ > > Message: 7 > Date: Wed, 23 May 2012 10:07:15 -0400 (EDT) > From: Alan Sondheim <[email protected]> > Subject: Re: [NetBehaviour] [Bulk] analog > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset="iso-8859-1" > > > > Thanks, Martha. I'm always surprised at the fidelity of some of this older > technology. > > Alan > > On Wed, 23 May 2012, Martha Deed wrote: > > > Amazing, Alan. Thanks for posting this and for your technical note. > > Martha > > > > Alan Sondheim wrote: > > > > analog > > > > http://www.alansondheim.org/152.mp3 > > > > analog recording with 1971 Sony TC-152SD cassette recorder and > > Radio Shack Stereo Electret microphone from the same era, using > > TDK high bias SA90 tape. this is fed through Audacity into a > > .wav file fed into Audition where normalization and studio reverb > > are added and outputted as .mp3. the reason for all of this is > > analog's ability to handle high-onset/format sound, resulting in > > greater fidelity to the overall envelope of the instrument, even > > though the high end cuts out around 15hz. I've been fascinated > > by the results: this is what I 'hear' in the room or directly > > through headphones. the tape is edited to bring out oud, sarangi, > > pipa, and cura cumbus. the sarangi could have been better; I've > > been bleary. I've been working with harmonics and 'grating' the > > bow. oud, pipa, and cura cumbus are fine. > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > > > > > -- > > The Last Collaboration > > http://www.furtherfield.org/friendsofspork/ > > Intro by Edward Picot > > http://www.furtherfield.org/features/articles/last-collaboration > > > > City Bird: Selected Poems (1991-2009) by Millie Niss, edited by Martha > Deed > > > http://www.blazevox.org/index.php/Shop/Poetry/city-bird-selected-poems-1991 > > -2009-by-millie-niss-edited-by-martha-deed-192/ > > > > > > == > blog: http://nikuko.blogspot.com/ > email archive http://sondheim.rupamsunyata.org/ > web http://www.alansondheim.org / cell 347-383-8552 > music: http://www.espdisk.com/alansondheim/ > current text http://www.alansondheim.org/rl.txt > == > > ------------------------------ > > Message: 8 > Date: Wed, 23 May 2012 16:42:50 +0200 > From: "manik" <[email protected]> > Subject: Re: [NetBehaviour] MANIK ALIVE 42 > To: "manik" <[email protected]>, "netbehaviour" > <[email protected]> > Message-ID: <465EDCB647D44823B5F7FCAFF083439A@user> > Content-Type: text/plain; charset="iso-8859-1" > > > ----- Original Message ----- > From: manik > To: netbehaviour > Sent: Wednesday, May 23, 2012 9:47 AM > Subject: MANIK ALIVE 42 > > > > > ...MANIK ALIVE...MANIK...MAY...2012... > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20120523/697d799d/attachment-0001.htm > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: not available > Type: image/jpeg > Size: 72727 bytes > Desc: not available > Url : > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20120523/697d799d/attachment-0001.jpeg > > ------------------------------ > > Message: 9 > Date: Wed, 23 May 2012 19:29:00 +0100 > From: Rob Myers <[email protected]> > Subject: Re: [NetBehaviour] Protest Is Coming to the London Olympics > To: [email protected] > Message-ID: <[email protected]> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > On 05/23/2012 09:17 AM, dave miller wrote: > > http://www.thenation.com/blog/167979/protest-coming-london-olympics > > Has everyone seen what happened to The Space Hijackers today? > > > http://blog.indexoncensorship.org/2012/05/23/olympic-organisers-shut-down-space-hijackers-protest-twitter-account/ > > Jack of Kent (UK law blogger) wasn't impressed: > > https://twitter.com/#!/JackofKent/status/205281357906194432 > > https://twitter.com/#!/JackofKent/status/205281144277696512 > > Some more tweets of interest: > > https://twitter.com/markthomasinfo/status/205278827419668480 > > https://twitter.com/spacehijackers/status/205314503401934849 > > And: > > https://twitter.com/#!/London20l2 > > https://twitter.com/#!/spacehijackers/ > > - Rob. > > > ------------------------------ > > Message: 10 > Date: Thu, 24 May 2012 00:16:16 -0400 (EDT) > From: Alan Sondheim <[email protected]> > Subject: [NetBehaviour] trudy > To: [email protected] > Message-ID: <[email protected]> > Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed > > > > trudy > > sometimes you just make error after error until > you're fascinated by them and thee occur in the > registers of timbre and approach to the instrument > itself. you're locked in there and produce the > first half of trudy. sometimes you just play > slowly and the timbre comes, bringing with it the > potential for release, but you're remaining > guarded and can do little with it, and this > produces the second half of trudy. sometimes you > have a premonition in the first half and a memory > in the second and that seems interesting to you > and you hold onto them as they bring life farther > into consciousness, holding the bad things at bay. > here is that consciousness and here is something > interesting, in 'trudy.' > > http://www.alansondheim.org/trudy.mp3 > > > > ------------------------------ > > Message: 11 > Date: Thu, 24 May 2012 06:51:47 +0200 > From: Karl Heinz Jeron <[email protected]> > Subject: [NetBehaviour] electronic orchestra for the Hermes Opera > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: > <CA+GY_tfdMmc0=qgrajrlegpnuty+1ajwruib82vxse8ol9n...@mail.gmail.com > > > Content-Type: text/plain; charset="iso-2022-jp" > > Dear friends, > > Please support the development of an electronic orchestra for the Hermes > Opera. > > The Hermes Musical Box plays endless variations of the musical motifs of > the Hermes Opera (http://portfolio.jeron.org/hermes) 100% of proceeds from > the sale of this object will benefit the production of an electronic > orchestra for the Hermes Opera. Listen to the box at > http://soundcloud.com/karlheinz-jeron/hermes-musical-box > > limited edition: 30pcs only 35 EURO each, plus shipping > > [image: Inline-Bild 1] > > > -- > ?When too perfect?, lieber Gott boese.? > ?????????????????????? > http://jeron.org > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20120524/b042e0b8/attachment-0001.htm > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: not available > Type: image/jpeg > Size: 31702 bytes > Desc: not available > Url : > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20120524/b042e0b8/attachment-0001.jpeg > > ------------------------------ > > Message: 12 > Date: Thu, 24 May 2012 10:29:38 +0200 > From: "manik" <[email protected]> > Subject: [NetBehaviour] MANIK ALIVE 43 > To: "netbehaviour" <[email protected]> > Message-ID: <3550E262BABA4DD9BD6821C2E3D2F3AC@user> > Content-Type: text/plain; charset="iso-8859-1" > > > > ...MANIK ALIVE...MANIK...MAY...2012... > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20120524/5796a58c/attachment-0001.htm > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: not available > Type: image/jpeg > Size: 69771 bytes > Desc: not available > Url : > http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20120524/5796a58c/attachment-0001.jpeg > > ------------------------------ > > Message: 13 > Date: Thu, 24 May 2012 10:00:51 +0100 > From: ruth catlow <[email protected]> > Subject: Re: [NetBehaviour] Some student work (ruth catlow) > To: NetBehaviour for networked distributed creativity > <[email protected]> > Message-ID: <[email protected]> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > Thanks Robert > : ) > R > > On 22/05/2012 14:17, Robert Croma wrote: > > Glorious. And the Sam Sheppard portraits are sublime. > > > > Robert > > > > > > _______________________________________________ > > NetBehaviour mailing list > > [email protected] > > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > > > > > ------------------------------ > > _______________________________________________ > NetBehaviour mailing list > [email protected] > http://www.netbehaviour.org/mailman/listinfo/netbehaviour > > End of NetBehaviour Digest, Vol 1297, Issue 1 > ********************************************* > -- Betty Martins +44 (0) 7891843701 www.d-aep.org www.bettymartins.com
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