confessions - more of the same, the end of them

the medium is irrelevant; it's the bad psychology, the
  stolen and repetitive mechanism, the lack of ideas, the
  showy exteriors, the dabbling in body, sex and language.

i realize my texts are barking up the wrong tree.
they're absolutely useless and misshapen.
it's not zen, it's just clumsy plagiarism.
i'm lucky if i can write at all.
consider this a wordy piece of silence.
it's an admission of guilt in the production of bad theory.
it's an admission of tricks and subterfuge with tropes.
i dream of textual fires in recitation.
i dream of textual drowning and theoretical miasma.
i makes differences where none are and nothing where
  differences are.
i see innovation where there's nothing but tired
  plagiarism and i'm constantly running out of ideas.
i jump from thought to thought as i exhaust my
  limited resources on each one.
i jump from style to style to impress and disguise the
  fact i haven't read anything in depth.
my subjects deserve better.
you are accurate in your assessment that there's too much
  of my writing around, too much craziness, too much
  exhaustion.
i pretend to focus on philosophy and phenomenology when
  all i'm doing is writing something with an impressive
  surface devoid of any depth.
my writing isn't barking up the wrong tree, it's not
  even writing, it's not even theory, or it's theory
  intended to disguise my ignorance at any cost.
the only delight it brings is the usual shortness of the
  pieces but sometimes i err further and produce what
  appears on the surface like a meditation but in fact is
  just a lengthy and stupid  poverty of ideas.
i can type myself to death that way and you'd be lucky
  if i did.
my mind stumbles in idiotic pursuit intelligence.
this confession should suffice, please control your
  anger.
there's no reason to read anything of mine again.

for example,

i realize my media works are barking up the wrong tree.
they're absolutely useless and misshapen.
it's not zen, it's just clumsy plagiarism.
i'm lucky if i can program at all; i can't; i borrow
  from everyone; the underlying structures are similar
  and boring; clever camera angles cover up the rest.
consider this a wordy piece of silence.
it's an admission of guilt in the production of bad media
  art.
it's an admission of tricks and subterfuge with scripts.
i dream of virtual fires everywhere
i dream of virtual drownings and theoretical confusion.
i makes differences where none are and nothing where
  differences are.
i see innovation where there's nothing but tired
  plagiarism and i'm constantly running out of ideas.
i use scripts to hide whatever truths there are; i steal
  everywhere, from everyone; i create the surface lure and
  an inconceivable absence of depth.
i jump from environment to environment, performance to
  performance, as i exhaust my limited resources each and
  every time.
i jump from style to style to impress and disguise the
  fact i haven't created anything in depth or any new idea
  that might be useful.
my avatars deserve better.
you are accurate in your assessment that there's too much
  of my media work around, too much craziness, too much
  exhaustion.
i pretend to focus on philosophy and phenomenology when
  all i'm doing is creating something with an impressive
  surface that belongs to everyone else, that desperately
  seeks attention, that plays fool-heartedly with language,
  sex, and body, that uses arousal as deflection from any
  real content; everyone sees through me.
my media work isn't barking up the wrong tree, it's not
  even media work, it's not even really interactive,
  or it's simple interaction intended to disguise my
  ignorance at any cost.
the only delight it brings is the usual confusion of the
  pieces but sometimes i err further and produce what
  appears on the surface like a meditation but in fact is
  just a lengthy and stupid poverty of looping movement
  and ideas.
i can work myself to death that way and you'd be lucky
  if i did.
my mind stumbles in idiotic pursuit of intelligence.
this confession should suffice, please control your
  anger.
there's no reason to look at anything of mine again.

that's the end of the confessions; they're as boring
as anything in my work.

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